The Oresteia: Agamemnon; The Libation Bearers; The Eumenides (Penguin…

I tried to read 'Prometheus Bound' years ago, and couldn't finish it. Clearly I should have waited a while- The Oresteia, in the Fagles translation, is one of the most remarkable books I've ever read. Darker and more violent than anything the 20th century could come up with, it's also brighter and more hopeful than anything from the 19th century. It's as if someone had written both Schiller's 'Ode to Joy' and Eliot's 'Waste Land', and it was one book, only there was far deeper social, political and religious thought involved (this is no slight to those two poems). A less edifying, but funnier joy was finding the original 'better to live on your feet than die on your knees' statement being made by an old codger running around like a headless chook while the 'tyrant' murders the 'innocents.'

Otherwise, the introductory essay is a little hand-wavy for my tastes, and the notes are often too detailed and insufficiently informative. Fagles' translation is modern in that it accepts and respects difficulty, while not being utterly obscure. It'll take you some time to read, but it's well worth it. ( )

The Oresteia tells the story of the slaying of Agamemnon, Orestes avenging his father's murder, and his trial. From any online source or introduction to his plays you'll glean that Aeschylus is the earliest playwright whose plays we have. Only seven out of the dozens he wrote survive to the present day. The Oresteia is the only extant trilogy, a form he might have originated. It's listed fourth in Top 100 Plays and is on the Good Reading's "100 Significant Books" list. Critics trace Aeschylus' influence from classic French and Elizabethan drama to Wagner's Ring cycle. The title of Faulkner's As I Lay Dying is taken from a quote from the first of the trilogy, Agamemnon. Robert Kennedy, who called Aeschylus his "favorite poet," quoted a line from Agamemnon in a speech dealing with Martin Luther King's assassination. Even JK Rowling prefaced the final Harry Potter book with a quote from the middle play, The Libation Bearers.

The last of the trilogy, The Eumenides, was my introduction to Aeschylus in high school. I remember it, and the comments of my teacher, making quite an impression on me. That play includes a trial and deals with such issues, not only of justice and reason, but those of gender as well, as it deals with who has greater claim, a man's mother or his father? Or whether really the claims of a mother have any validity at all. The ending says a lot about how the Ancient Greeks saw women--and it isn't pretty. Thus the Eumenides is one of those plays that bears close study in the classroom, even if less moving than the first two dramas. In fact, the whole bit of a trial, with Apollo as defense council and Athene as one of the jurors seems a bit... bizarre to a modern reader compared to the realistic, yet mythic contents of the other two.

I can't speak to the dramatic value of the plays, since I've never seen one performed, but in the various translations I've read, Aeschylus' works are striking and beautiful as poetry, though they feel more stylized than Sophocles or Euripides; they make me think of an ancient frieze. Of course, it depends on a good translation for its beauties to emerge. I'd recommend comparing sections side by side before choosing one. If Lattimore's translation comes across as stilted, Weir-Smith's is downright flowery with archaic language and Slavitt strikes me as far too slangy contemporary. Hughes, Meineck, and Fagles read better I think. ( )

This is a modern (circa 1999) translation of one of the greatest of the Greek Tragedies that has survived. It is even rarer in that it is a complete trilogy which was common in the age of the great Greek tragedians but few have survived in tact.
n the last year of his life, Ted Hughes completed translations of three major dramatic works: Racine's Phedre, Euripedes' Alcestis, and the trilogy of plays known as at The Oresteia, a family story of astonishing power and the background or inspiration for much subsequent drama, fiction, and poetry.
The Oresteia--Agamemnon, Choephori, and the Eumenides--tell the story of the house of Atreus: After King Agamemnon is murdered by his wife, Clytemnestra, their son, Orestes, is commanded by Apollo to avenge the crime by killing his mother, and he returns from exile to do so, bringing on himself the wrath of the Furies and the judgment of the court of Athens. The culmination of the tragedy addressed the question of the nature and origin of justice and the civil state.
Hughes's "acting version" of the trilogy is faithful to its nature as a dramatic work, and his translation is itself a great performance; while artfully inflected with the contemporary, it has a classical beauty and authority. It is a good choice among modern translations. ( )

Love these plays. More work by my homeboy Fagles, whose weird linguistic tics I was getting pretty sick of by this time, and my super homeboy Bernard Knox. ( )

I liked Aeschylus' treatment of the myth (with Fagles' translation) a lot more than Euripedes. Lines like "lull asleep that salt black wave of anger," terrific. ( )