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In Our Time by Ernest Hemingway
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In Our Time

by Ernest Hemingway

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In 1925, a relatively unknown World War I veteran named Ernest Hemingway released a collection of short stories entitled In Our Time. This new author was a treat to the readers, as he wrote with a style very different than what the readers were accustomed to. Instead of long, flowing prose, Hemingway's stories were written in short, declarative sentences, with an oblique style of emotions for the characters. This new minimalist approach to literature would become one of the greatest changes in literary style, influencing the entire literary scene until - and much past - World War II.

The book consists of many short stories, separated by short vignettes. Many of the short stories contain the character Nick Adams, initially a young boy learning about death in the company of his father who is a doctor. Then, he begins growing up. He has relationships with young women and great friends. These stories are divided by very short vignettes portraying the violence and emotions suffered in World War I. Very notable is Chapter VII,

...he lay very flat and sweated and prayed oh jesus christ get me out of here. Dear jesus please get me out. Christ please please please christ. If you'll only keep me from getting killed I'll do anything you say...Please please dear jesus...The next night back at Mestre he did not tell the girl he went upstairs with at the Villa Rossa about Jesus. And he never told anybody.

The Nick Adams stories come to a close at the end of the book with the two part Big Two-Hearted River, which shows an older, more mature Nick Adams, returned from the war and returning to the calming lifestyle of his youth by camping and fly-fishing in an amazingly described river and meadow.

In Our Time set the stage for Ernest Hemingway to become one of the most influential writers (some would argue he was the most influential) of the twentieth century. His short, terse, masculine prose would set the literary world on fire and paved the way for Hemingway's other masterpieces, including The Sun Also Rises, A Farewell to Arms, For Whom the Bell Tolls, and The Old Man and the Sea. In Our Time is an excellent introductory work to the writing of Hemingway and is a classic sure to be enjoyed by many. ( )
1 vote deslni01 | Apr 30, 2009 |
These were the first collection of stories from the pen of the late, great, Ernest Miller Hemingway. They are known by Papa afficiandoes as "the Nick Adams stories" and are written in EH's characteristic sparse style. Although published by Scribner in the late 1920s, this title was first used on a limited edition published by Hemingway in Paris circa 1924. The best use of language herein comes with "Big Two-Hearted River, parts I and II," where he uses his verbal paint brush in a pointilistic manner to create the picture of the land Nick travels through. You are there, tasting the beans (at least until he puts ketshup on them), the trout, and the sharp country air. And you feel the ice coldness of the river water as Nick enters it to fly-fish. Of course, many knew there was something "different" about Hemingway's style, but they didn't know then that he was kicking off a whole school of 20th-century writing called "minimalism.," as well as contributing the literary version of the philosophy of existentialism." ( )
1 vote andyray | Jun 4, 2008 |
I like using this book in undergraduate creative-writing classes sometimes because he wrote it when he was in his 20s, and the book is uneven in instructive ways. ( )
  ostrom | Dec 5, 2007 |
Early collection of Hemingway's essays and articles. ( )
  stpnwlf | Jul 16, 2007 |
The first published book by Hemingway. It features many Nick Adams stories and others from his youth. ( )
  JBreedlove | Sep 1, 2006 |
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Amazon.com (ISBN 0684822768, Paperback)

No writer has been more efficiently overshadowed by his imitators than Ernest Hemingway. From the moment he unleashed his stripped-down, declarative sentences on the world, he began breeding entire generations of miniature Hemingways, who latched on to his subtractive style without ever wondering what he'd removed, or why. And his tendency to lapse into self-parody during the latter half of his career didn't help matters. But In Our Time, which Hemingway published in 1925, reminds us of just how fresh and accomplished his writing could be--and gives at least an inkling of why Ezra Pound could call him the finest prose stylist in the world.

In his first commercially published book (following the small-press appearance of Three Stories and Ten Poems in 1924), Hemingway was still wearing his influences on his sleeve. The vignettes between each story smack of Gertrude Stein, whose minimalist punctuation and clodhopping rhythms he was happy to borrow. "My Old Man" sounds like Huck Finn on the Grand Tour: "Well, we went to live at Maisons-Lafitte, where just about everybody lives except the gang at Chantilly, with a Mrs. Meyers that runs a boarding house. Maisons is about the swellest place to live I've ever seen in all my life." But in the "The Battler" or "Indian Camp" or "Big Two-Hearted River," Hemingway finds his own voice, shunning the least hint of rhetorical inflation and sticking to just the facts, ma'am. His reluctance to traffic in high-flown abstraction has often been chalked up to postwar disillusion--as though he were too much of a simpleton to make deliberate stylistic decisions. Still, nobody can read "Soldier's Home" without drawing a certain connection between the two. Returning home to Oklahoma, the hero finds that his tales of combat are now a bankrupt genre:

Even his lies were not sensational at the pool room. His acquaintances, who had heard detailed accounts of German women found chained to machine guns in the Argonne forest and who could not comprehend, or were barred by their patriotism from interest in, any German machine gunners who were not chained, were not thrilled by his stories.
If we are to believe Michael Reynolds and Ann Douglas, this passage reflects the author's own dreary homecoming as a member of the lost generation. It's also a fine example of a surprisingly rare phenomenon, at least at this point in his career: Hemingway being funny. --James Marcus

(retrieved from Amazon Fri, 24 Apr 2009 07:58:10 -0400)

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