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will love Sign up for LibraryThing to find out whether you'll like this book. This is a long book so it took a while to read. I found it very vivid and detailed. It was easy to imagine the time period and the circumstances. I really liked it. Very well done. I recommend it to all historical fiction fans. This is one of my favorite books that I have ever read in my entire life. I still think of it from time to time and hope to read it again.Just listened to this again on books on tape and I'm so glad I did. Refreshed my memory of the book and reminded me why I love it. I would recommend this book to just about anyone. But be careful, there is some strong sexuality involved. Fascinating in its scope and all of the odd details you learn (the author apparently spent a huge chunk of his life researching), but the ending was ! just awful, and the writing wasn't fantastic. Still, it kept me up nights reading, and that deserves some stars, right? I was drawn to this book due to my immense interest in the Victorian Era. I was definitely not disappointed. The amount of research that went into researching the time period was beyond anything I could have expected. The descriptions, the language all made me feel as though as I were there. no reviews | add a review
Amazon.com (ISBN 0156028778, Paperback)Although it's billed as "the first great 19th-century novel of the 21st century," The Crimson Petal and the White is anything but Victorian. The story of a well-read London prostitute named Sugar, who spends her free hours composing a violent, pornographic screed against men, Michel Faber's dazzling second novel dares to go where George Eliot's The Mill on the Floss and the works of Charles Dickens could not. We learn about the positions and orifices that Sugar and her clients favor, about her lingering skin condition, and about the suspect ingredients of her prophylactic douches. Still, Sugar believes she can make a better life for herself. When she is taken up by a wealthy man, the perfumer William Rackham, her wings are clipped, and she must balance financial security against the obvious servitude of her position. The physical risks and hardships of Sugar's life (and the even harder "honest" life she would have led as a factory worker) contrast--yet not entirely--with the medical mistreatment of her benefactor's wife, Agnes, and beautifully underscore Faber's emphasis on class and sexual politics. In theme and treatment, this is a novel that Virginia Woolf might have written, had she been born 70 years later. The language, however, is Faber's own--brisk and elastic--and, after an awkward opening, the plethora of detail he offers (costume, food, manners, cheap stage performances, the London streets) slides effortlessly into his forward-moving sentences. When Agnes goes mad, for instance, "she sings on and on, while the house is discreetly dusted all around her and, in the concealed and subterranean kitchen, a naked duck, limp and faintly steaming, spreads its pimpled legs on a draining board." Despite its 800-plus pages, The Crimson Petal and the White turns out to be a quick read, since it is truly impossible to put down. --Regina Marler(retrieved from Amazon Fri, 24 Apr 2009 07:58:22 -0400) The first test round has been closed. Visit the Open Shelves Classification group for details. |
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The book, at 833 pages (and it's the larger size paperback; this thing is massive!), is in severe need of editing. Entirely too much space is given to the frustratingly angstful relationship between the doctor's daughter Emmeline and William's brother Henry. It did nothing to further the plot whatsoever, just an aside that never wove itself into the fabric of the main story. They should have had their own book and stayed out of this one. There were other characters who likewise did nothing for the story (such as the prostitute Caroline), but they were minor enough that I can ignore them. The beginning should have been edited as well, as it starts out with a clever method of introducing characters and setting up scenes - the reader is being guided personally through the events by a sort of invisible spirit, invited to follow people around - but this is lost about a third of the way through the book in favor of more traditional narration. It should have been kept throughout or dropped entirely. Finally, I found the obsession with bowel movements annoying. I understand the author's desire to show that real people lived in these conditions, but I don't really need to read about it every time Sugar pees. The use of such a term doesn't help either. Perhaps such words were in the vernacular at the time, but after such flowery 19th century language it is very jarring to run across such modern-sounding slang as "balls" and "cunt" and "fart" in the (third person omniscient) narration.
Even so, I could have overlooked these problems in the interest of the story of the Rackham family, which is honestly engaging and appears to be building to a climax, the anticipation of which makes the book difficult to put down for the last couple hundred pages. However, this lengthy tome still manages to end in the middle of the action. Several of the main characters are left unaccounted for, their fates unknown to the reader. 833 pages and the story just stops, leaving the reader with the sinking feeling that they just wasted all those hours spent getting to know these characters. The story isn't even tragic enough to feel a satisfying sense of pity - you turn the last page and sit there, dumbstruck, wondering where the next chapter disappeared to and why the hell you bothered reading to that point in the first place.
On the bright side, I did learn quite a bit about the time period and do hope to pick up more historical fiction in the future. Just not by Michel Faber. (