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The God of Small Things by Arundhati Roy
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The God of Small Things (1997)

by Arundhati Roy

Other authors: See the other authors section.

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Showing 1-5 of 200 (next | show all)
This was a painful book to read, and because the quality of the author's thinking, observation and expression was so vivid, precise and lyrical, I could not look away. ( )
  arlongworth | May 22, 2013 |
Top 10. A must read for relationships, tension, love and how people revert to source. ( )
  IanMPindar | May 16, 2013 |
A book worth reading many times. The prose is staccato at places, flowing in other places, and it all fits together beautifully. It’s not only a pleasure to read, but it has a very strong plot and riveting characters.

The story begins with Rahel returning to the village where she spent her childhood, but most of the novel concerns her memories of a time when her family broke apart. The story of the past is intense and involving, couched in the sensual and magical awareness of a young girl. The writer spins it out slowly, so that we gradually see the outlines of the event. Only at the end do we understand how the individual people and the history of the place all intersect to make this happen.
( )
  astrologerjenny | Apr 24, 2013 |
I am not totally sure of my thoughts on this novel yet. The writing is beautiful and conveys mood and feeling beautifully. I was distracted often by the, in my opinion, over-abundance of similes. This is a sad story with several different arcs of sorrow, distress and woe woven into one melancholy tale.

More complete review to come. ( )
  BookishJoJo | Apr 10, 2013 |
When I used to write (that's taken a back seat to other creative pursuits for many years now) a boyfriend of mine said I had a knack of describing horrible things, terrible situations in beautiful ways. I am quite certain I fell far short of Arundhati Roy in that capacity. Intelligent and luscious, with sensually evocative descriptions and superbly-drawn characters, I found this book utterly compelling once I had recovered from some initial discomfort at the fragmented sentences. At some point, I don't know when, they came to make complete sense. Paradoxically, the jerky rhythm of the words carried me along, in the same way that Ondaatje's The English Patient drew me steadily into its flow. The splintered histories of a tragic pair of separate-egg twins, their mercurial mother and their dreadfully flawed extended family drew me gasping in their wake, zigzagging backwards and forwards in time. I make a habit of selecting particularly moving, well-written or pithy passages as I read in order to draw on those in writing a review. In the case of this book I found myself rejoicing in gorgeous writing on practically every page. It reminded me of a trip long ago to the redwood forests of Northern California. Every aspect was ethereally beautiful, so much so that I barely took any photographs, bewildered by a surfeit of options. And so, although there are countless I could include, I will provide no favourite quotes in this review. To single out just a few as exceptional would be as difficult as choosing just a few favourite books. An impossible task. ( )
  Vivl | Apr 10, 2013 |
Showing 1-5 of 200 (next | show all)
If Ms. Roy is sometimes overzealous in foreshadowing her characters' fate, resorting on occasion to darkly portentous clues, she proves remarkably adept at infusing her story with the inexorable momentum of tragedy. She writes near the beginning of the novel that in India, personal despair ''could never be desperate enough,'' that ''it was never important enough'' because ''worse things had happened'' and ''kept happening.'' Yet as rendered in this remarkable novel, the ''relative smallness'' of her characters' misfortunes remains both heartbreaking and indelible.
 

» Add other authors (24 possible)

Author nameRoleType of authorWork?Status
Arundhati Royprimary authorall editionsconfirmed
Lundborg, GunillaTranslatorsecondary authorsome editionsconfirmed
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Epigraph
Never again will a single story be told as though it's the only one.

John Berger
Dedication
For Mary Roy, who grew me up. Who taught me to say "excuse me" before interrupting her in Public. Who loved me enough to let me go. For LKC, who, like me, survived.
First words
May in Ayemenem is a hot, brooding month.
Maj je v Ajemenemu vroč, morast mesec.
Quotations
"D'you know what happens when you hurt people? When you hurt people, they begin to love you less. That's what careless words do. They make people love you a little less."
"Just ignore her," Ammu said. "She's just trying to attract attention."

Ammu too was wrong. Rahel was trying to not attract the attention that she deserved.
Rahel looked around her and saw that she was in a Play. But she had only a small part.
She was just the landscape. A flower perhaps. Or a tree.
A face in the crowd. A Townspeople.
Heaven opened and the water hammered down, reviving the reluctant old well, greenmossing the pigless pigsty, carpet bombing still, tea-coloured puddles the way memory bombs still, tea-coloured minds.
Rahel drifted into marriage like a passenger drifts towards an unoccupied chair in an airport lounge. With a Sitting Down sense.
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(Click to show. Warning: May contain spoilers.)
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Amazon.com Amazon.com Review (ISBN 0060977493, Paperback)

In her first novel, award-winning Indian screenwriter Arundhati Roy conjures a whoosh of wordplay that rises from the pages like a brilliant jazz improvisation. The God of Small Things is nominally the story of young twins Rahel and Estha and the rest of their family, but the book feels like a million stories spinning out indefinitely; it is the product of a genius child-mind that takes everything in and transforms it in an alchemy of poetry. The God of Small Things is at once exotic and familiar to the Western reader, written in an English that's completely new and invigorated by the Asian Indian influences of culture and language.

(retrieved from Amazon Thu, 14 Feb 2013 13:57:40 -0500)

(see all 8 descriptions)

The story of an Indian family during the 1969 Communist disturbances in Kerala province. It is told through the eyes of a boy and his sister who are the children of a rich rubber planter. Politics, family drama, illicit love. A debut in fiction.

» see all 6 descriptions

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