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The sections on Hemingway's wartime exploits, both in Cuba as a volunteer U-boat hunter and in Europe as a correspondent, are fascinating. But even in these moments--hell, even when he won the Pulitzer and the Nobel--Hemingway was subject to what he called "black ass" bouts of depression, an inherited condition that (as Reynolds notes) wasn't helped by his drinking or his tendency to put himself into dangerous situations in which he could suffer yet another severe concussion. Reynolds has traced the great writer's psychological decline so thoroughly that, when Hemingway puts the shotgun in his mouth in the final chapter, it is not as if the expected conclusion has finally arrived; rather, the reader has been made to feel an even deeper sense of the inevitability of the act. --Ron Hogan
(retrieved from Amazon Fri, 24 Apr 2009 07:58:19 -0400)
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