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The Great Gatsby by F. Scott Fitzgerald
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The Great Gatsby (Penguin Popular Classics)

by F.Scott Fitzgerald

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Penguin Books Ltd (2007), Edition: New Ed, Paperback

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Showing 1-5 of 250 (next | show all)
The obsession with wealth never ceases. Would people die of soul-crushing existential despair if rich people were portrayed as... happy? Novels/movies/TV shows- they all exploit our want for wealth by showing it, with plenty of glitzy excess. And they exploit the fear we feel because we don't have wealth, by portraying the rich as incredibly miserable. There exists a limbo, a capitalist ambiguity.

I can definitely see why The Great Gatsby is it's a classic- it captures a place and a time (the rich, NY, 1920s), a movement (excess, jazz), and ties it into the American Dream (money, ambition, class). And it's in these descriptions of the era that Fitzgerald really shines- the first half of the novel is full of deft descriptions that evoke so concisely that era you can practically touch the cars and the pearls and furs and the smoke. And this era is driven by the undercurrent of change- the emergence of modern man and woman and the new society.

I guess I never bought into the plot developments, which were sort of classic melodrama, which was very jarring in comparison to what was at first spot-on cynical social commentary by the narrator, Nick. The (born)-'poor' all die tragically; the rich are all asses; it all falls into an almost blase territory for me.

I will say I admired the character of the titular Jay Gatsby. He wanted something, and he knew how to fake it until he made it. And he was a success too, except for his fatal flaw of love (ain't it always) that was the driving factor to become rich in the first place. (But I didn't appreciate that oh-so-old device of the woman unfaithful in love for money.)

Nick and Jordan's relationship is very interesting though, the tenuous trying-to-suss-out the power give and take between the new modern man and the new modern woman. I wish that part had been elaborated upon. ( )
  kaionvin | Feb 15, 2010 |
A period piece that points out the highs and the lows of the Roaring 20s. The language is lyrical, and symbolism is woven throughout the story, but the characters are generally despicable. I prefer Death of a Salesman over Gatsby for a depressing take on the American Dream. One of the best ending lines in literature, though! ( )
  legallypuzzled | Feb 13, 2010 |
o to dance the charleston & bootleg whiskey. ( )
1 vote | auntycaz | Feb 6, 2010 |
I felt as though I was living in the 1920's while reading this book. Fitzgerald uses subtle descriptive clues that simply transported me there without the need of verbose descriptions. I don't know if it was intentional or not, but I felt the dialog seemed to be written as though the story was meant for the screen or the stage. This could be a bias of me associating the 1920's with old black and white movies made in the 40's and 50's though. It didn't detract from the story at all though. In fact, it made it more interesting for me. ( )
  baubie | Feb 3, 2010 |
I read this back in high school, but I don’t remember it having the impact on me that it had on me now.This has to be one of the best books I’ve ever read.Gatsby is America. He comes from poor stock, people to whom he is only loosely connected. Gatsby is a self-made man, but don’t look too closely at how he made his fortune. Gatsby is fascinated by the beautiful, the rich, the flashy, and his goal in life becomes to be part of that world. At his core, Gatsby is deeply lonely and has no one with whom he can share his vision and his dreams. All around him disappoint him in the end. ( )
1 vote debnance | Jan 29, 2010 |
Showing 1-5 of 250 (next | show all)
Still the brightest boy in the class, Scott Fitzgerald holds up his hand. It is noticed that his literary trousers are longer, less bell-bottomed, but still precious.
added by Shortride | editTime (May 11, 1925)
 
A curious book, a mystical, glamourous story of today. It takes a deeper cut at life than hitherto has been enjoyed by Mr. Fitzgerald. He writes well-he always has-for he writes naturally, and his sense of form is becoming perfected.
 
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Epigraph
Then wear the gold hat, if that will move her;
      If you can bounce high, bounce for her too,
Till she cry "Lover, gold-hatted, high-bouncing lover,
      I must have you!"
—Thomas Parke D'Invilliers
They wear the gold hat, if that will move her;
If you can bounce high, bounce for her too,
Till she cry "Lover, gold-hatted, high-bouncing lover,
I must have you!"
—Thomas Parke D'Invilliers
Dedication
ONCE AGAIN
TO
ZELDA
Once again to Zelda
First words
In my younger and more vulnerable years my father gave me some advice that I've been turning over in my mind ever since.
Quotations
Let us learn to show our friendship for a man when he is alive and not after he is dead.
All right ... I'm glad it's a girl. And I hope she'll be a fool—that's the best thing a girl can be in this world, a beautiful little fool.
This is a valley of ashes—a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens, where ashes take the forms of houses and chimneys and rising smoke and finally, with a transcendent effort, of men who move dimly and already crumbling through the powdery air. Occasionally a line of gray cars crawls along an invisible track, gives out a ghastly creak and comes to rest, and immediately the ash-gray men swarm up with leaden spades and stir up an impenetrable cloud which screens their obscure operations from your sight.
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The novel chronicles an era that Fitzgerald himself dubbed the "Jazz Age." Following the shock and chaos of World War I, American society enjoyed unprecedented levels of prosperity during the "roaring" 1920s as the economy soared. At the same time, Prohibition, the ban on the sale and manufacture of alcohol as mandated by the Eighteenth Amendment, made millionaires out of bootleggers and led to an increase in organized crime. Although Fitzgerald, like Nick Carraway in his novel, idolized the riches and glamor of the age, he was uncomfortable with the unrestrained materialism and the lack of morality that went with it.

Amazon.com Amazon.com Review (ISBN 0743273567, Paperback)

In 1922, F. Scott Fitzgerald announced his decision to write "something new--something extraordinary and beautiful and simple + intricately patterned." That extraordinary, beautiful, intricately patterned, and above all, simple novel became The Great Gatsby, arguably Fitzgerald's finest work and certainly the book for which he is best known. A portrait of the Jazz Age in all of its decadence and excess, Gatsby captured the spirit of the author's generation and earned itself a permanent place in American mythology. Self-made, self-invented millionaire Jay Gatsby embodies some of Fitzgerald's--and his country's--most abiding obsessions: money, ambition, greed, and the promise of new beginnings. "Gatsby believed in the green light, the orgiastic future that year by year recedes before us. It eluded us then, but that's no matter--tomorrow we will run faster, stretch out our arms farther.... And one fine morning--" Gatsby's rise to glory and eventual fall from grace becomes a kind of cautionary tale about the American Dream.

It's also a love story, of sorts, the narrative of Gatsby's quixotic passion for Daisy Buchanan. The pair meet five years before the novel begins, when Daisy is a legendary young Louisville beauty and Gatsby an impoverished officer. They fall in love, but while Gatsby serves overseas, Daisy marries the brutal, bullying, but extremely rich Tom Buchanan. After the war, Gatsby devotes himself blindly to the pursuit of wealth by whatever means--and to the pursuit of Daisy, which amounts to the same thing. "Her voice is full of money," Gatsby says admiringly, in one of the novel's more famous descriptions. His millions made, Gatsby buys a mansion across Long Island Sound from Daisy's patrician East Egg address, throws lavish parties, and waits for her to appear. When she does, events unfold with all the tragic inevitability of a Greek drama, with detached, cynical neighbor Nick Carraway acting as chorus throughout. Spare, elegantly plotted, and written in crystalline prose, The Great Gatsby is as perfectly satisfying as the best kind of poem.

(retrieved from Amazon Tue, 05 Jan 2010 11:38:26 -0500)

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