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The Great Gatsby (Penguin Hardback Classics)…
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The Great Gatsby (Penguin Hardback Classics) (original 1925; edition 2010)

by F. Scott Fitzgerald, Tony Tanner (Introduction)

MembersReviewsPopularityAverage ratingConversations / Mentions
43,75568214 (3.89)3 / 764
Member:annar
Title:The Great Gatsby (Penguin Hardback Classics)
Authors:F. Scott Fitzgerald
Other authors:Tony Tanner (Introduction)
Info:Penguin Classics (2010), Hardcover, 272 pages
Collections:Your library
Rating:****
Tags:fiction, new york fiction, new york city fiction

Work details

The Great Gatsby by F. Scott Fitzgerald (1925)

1920s (1)
Unread books (1,040)
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    The Sun Also Rises by Ernest Hemingway (themephi, sturlington)
    sturlington: Great novels of the Jazz Age.
  2. 41
    The Green Hat by Michael Arlen (Rebeki)
    Rebeki: Also narrated by a shadowy "outsider" figure and set in the glamorous 1920s.
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  5. 31
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  6. 31
    An Unfinished Season by Ward Just (elenchus)
    elenchus: Unfinished Season is set in the 1950s in and around Chicago, but elsewise an interesting parallel to The Great Gatsby in terms of setting and basic plot: class and manners among the society elite, and a young man wrestling with changes in family, caste, and personal relations.… (more)
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    akblanchard: In the afterword of The Other Typist, Suzanne Rindell acknowledges that her work was inspired by The Great Gatsby.
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  19. 79
    The Count of Monte Cristo (abridged ∙ Bantam Classic) by Alexandre Dumas (one-horse.library)
    one-horse.library: The story of a man with a mysterious past and wealth, consumed by his obsession, but instead of revenge, Gatsby is chasing the American dream.
  20. 58
    Love in The Time of Cholera by Gabriel García Márquez (mike_frank)
    mike_frank: Another great story about never giving up on love, fighting against the odds, and surviving economic 'classism'.

(see all 20 recommendations)

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Showing 1-5 of 643 (next | show all)
This is my second time reading "The Great Gatsby" and this time, as an adult. I'm torn between giving this 3 or 4 stars but I decided on four stars because I'm a sucker for a tragic story with an unsettled ending. Fitzgerald can write some beautiful descriptions and they come across very sharp.

The first time reading this, I was in High School and wasn't quite able to grasp the theme of infidelity. Reading this as an adult, this theme and even the "love story" is easier to grasp and relate to. However, I didn't relate to or even like most of the characters of the book; spoiled, haughty, uber rich middle age adults acting like children. This didn't bother me as much as how short the book seemed and very rushed. I think Fitzgerald could have expanded this further because sometimes the chapters jump months ahead and we lose so much character development that the connection you have with them is on a very thin thread.

All of the faults are overshadowed by the tragic ending, I really love when an Author doesn't feel they have to give a book the "Happy ending" they think everyone wants. I'm glad I decided to read this again as an adult because I got SO much more out of it and a greater understanding of why this book is such a successful classic. ( )
  yougotamber | Aug 22, 2014 |
I have wanted to read Fitzgerald since I was young, but I finally found a time when I could read Gatsby fully without hardly any interruption. I loved it more than I could ever think. I didn't want to finish the book, because I wanted to read it over and over forever. Each sentence is perfected in such an extravagant beauty that hasn't been matched by everything I've ever read before. Jay Gatsby is truly better than anyone he'd ever meet, except for his most loyal friend in the world. ( )
  writercity | Aug 13, 2014 |
The meh Gatsby...

Maybe it's because I'm not American and don't see the same things in a book as they would but I think the story is rather average.

Written from the neighbours perspective who became his only friend. This could be why characters have little depth.

Gatsby, the ol' sport, throws lush parties most evenings until the wee hours of the morning. The parties & Gatsby mansion is where the author doesn't skimp on details. Lists of people, the music, the dancing, the smoking, all the different rooms #OhMy!

It is a good book... some say a classic. Some books aren't for everyone. ( )
  sharlenehsmith | Aug 7, 2014 |
My opinion about this book is highly ambiguous. I really liked reading it and enjoyed the story but I still feel like I didn't get some important point.
Nevertheless, I am looking forward to re-read this book in a few years to renew my opinion. ( )
  CanYouSeeMe | Aug 4, 2014 |
When I say short review, I mean short.
Plot: 5 stars. I liked the story line and how everything tied together, especially with all the things we didn't know at first and learned toward the end.
Characters: 5 stars. These characters were original and funny, but they were their own. They knew what they did and their purposes.

Overall: 5 stars
Also, in case nobody has yet watched the 2013 movie, it does follow the book quite closely. It's actually a fantastic version! ( )
  ashleyjellison | Jul 28, 2014 |
Showing 1-5 of 643 (next | show all)
I find Gatsby aesthetically overrated, psychologically vacant, and morally complacent; I think we kid ourselves about the lessons it contains. None of this would matter much to me if Gatsby were not also sacrosanct.

There is the convoluted moral logic, simultaneously Romantic and Machiavellian, by which the most epically crooked character in the book is the one we are commanded to admire. There’s the command itself: the controlling need to tell us what to think, both in and about the book. There’s the blanket embrace of that great American delusion by which wealth, poverty, and class itself stem from private virtue and vice. There’s Fitzgerald’s unthinking commitment to a gender order so archaic as to be Premodern: corrupt woman occasioning the fall of man. There is, relatedly, the travesty of his female characters—single parenthesis every one, thoughtless and thin. (Don’t talk to me about the standards of his time; the man hell-bent on being the voice of his generation was a contemporary of Dorothy Parker, Gertrude Stein, and Virginia Woolf, not to mention the great groundswell of activists who achieved the passage of the Nineteenth Amendment. Yet here he is in A Short Autobiography: “Women learn best not from books or from their own dreams but from reality and from contact with first-class men.”)
added by danielx | editVulture, Kathryn Schultz (Jul 4, 2013)
 


It is an impressive accomplishment. And yet, apart from the restrained, intelligent, beautifully constructed opening pages and a few stray passages thereafter—a melancholy twilight walk in Manhattan; some billowing curtains settling into place at the closing of a drawing-room door—Gatsby as a literary creation leaves me cold. Like one of those manicured European parks patrolled on all sides by officious gendarmes, it is pleasant to look at, but you will not find any people inside.

Indeed, The Great Gatsby is less involved with human emotion than any book of comparable fame I can think of. None of its characters are likable. None of them are even dislikable, though nearly all of them are despicable. They function here only as types, walking through the pages of the book like kids in a school play who wear sashes telling the audience what they represent: OLD MONEY, THE AMERICAN DREAM, ORGANIZED CRIME.
 
Still the brightest boy in the class, Scott Fitzgerald holds up his hand. It is noticed that his literary trousers are longer, less bell-bottomed, but still precious.
added by Shortride | editTime (May 11, 1925)
 
"Fantastic proof that chivalry, of a sort, is not dead."
added by GYKM | editLife (May 7, 1925)
 
A curious book, a mystical, glamourous story of today. It takes a deeper cut at life than hitherto has been enjoyed by Mr. Fitzgerald. He writes well-he always has-for he writes naturally, and his sense of form is becoming perfected.
 

» Add other authors (37 possible)

Author nameRoleType of authorWork?Status
F. Scott Fitzgeraldprimary authorall editionsconfirmed
Abarbanell, BettinaTranslatorsecondary authorsome editionsconfirmed
Amberg, BillCover designersecondary authorsome editionsconfirmed
Bickford-Smith, CoralieCover artistsecondary authorsome editionsconfirmed
Bruccoli, Matthew JosephPrefacesecondary authorsome editionsconfirmed
Burgess, AnthonyIntroductionsecondary authorsome editionsconfirmed
Burns, TomIllustratorsecondary authorsome editionsconfirmed
Cirlin, EdgardCover artistsecondary authorsome editionsconfirmed
Cornils, L.Translatorsecondary authorsome editionsconfirmed
Cugat, FrancisCover artistsecondary authorsome editionsconfirmed
Ellsworth, JohannaTranslatorsecondary authorsome editionsconfirmed
Li, CherlynneCover designersecondary authorsome editionsconfirmed
Liona, VictorTranslatorsecondary authorsome editionsconfirmed
Muller, FrankNarratorsecondary authorsome editionsconfirmed
Niiniluoto, MarjaTranslatorsecondary authorsome editionsconfirmed
Olzon, GöstaTranslatorsecondary authorsome editionsconfirmed
Schürenberg, WalterPrefacesecondary authorsome editionsconfirmed
Scourby, AlexanderNarratorsecondary authorsome editionsconfirmed
Soosaar, EnnTranslatorsecondary authorsome editionsconfirmed
Wolff, Lutz-W.Translatorsecondary authorsome editionsconfirmed
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Epigraph
Then wear the gold hat, if that will move her;
      If you can bounce high, bounce for her too,
Till she cry "Lover, gold-hatted, high-bouncing lover,
      I must have you!"
—Thomas Parke D'Invilliers
Dedication
ONCE AGAIN
TO
ZELDA
First words
In my younger and more vulnerable years my father gave me some advice that I've been turning over in my mind ever since.
Quotations
Let us learn to show our friendship for a man when he is alive and not after he is dead.
All right ... I'm glad it's a girl. And I hope she'll be a fool—that's the best thing a girl can be in this world, a beautiful little fool.
This is a valley of ashes—a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens, where ashes take the forms of houses and chimneys and rising smoke and finally, with a transcendent effort, of men who move dimly and already crumbling through the powdery air. Occasionally a line of gray cars crawls along an invisible track, gives out a ghastly creak and comes to rest, and immediately the ash-gray men swarm up with leaden spades and stir up an impenetrable cloud which screens their obscure operations from your sight.
"Whenever you feel like criticizing any one," he told me. "just remember that all the people in this world haven't had the advantages that you've had."
I rented a house ... on that slender riotous island which extends itself due east of new york -- where there are, among other natural curiosities, two unusual formations of land. Twenty miles from the city a pair of enormous eggs, identical in contour and seprated only by a courtesy bay, jut out into the most domesticated body of salt water in the Western hemisphere, the great wet barnyard of Long Island Sound. They are not perfect ovals ... but their physical resembalnce must be a source of perpetual wonder to the gullsthat fly overhead.
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Amazon.com Amazon.com Review (ISBN 0743273567, Paperback)

In 1922, F. Scott Fitzgerald announced his decision to write "something new--something extraordinary and beautiful and simple + intricately patterned." That extraordinary, beautiful, intricately patterned, and above all, simple novel became The Great Gatsby, arguably Fitzgerald's finest work and certainly the book for which he is best known. A portrait of the Jazz Age in all of its decadence and excess, Gatsby captured the spirit of the author's generation and earned itself a permanent place in American mythology. Self-made, self-invented millionaire Jay Gatsby embodies some of Fitzgerald's--and his country's--most abiding obsessions: money, ambition, greed, and the promise of new beginnings. "Gatsby believed in the green light, the orgiastic future that year by year recedes before us. It eluded us then, but that's no matter--tomorrow we will run faster, stretch out our arms farther.... And one fine morning--" Gatsby's rise to glory and eventual fall from grace becomes a kind of cautionary tale about the American Dream.

It's also a love story, of sorts, the narrative of Gatsby's quixotic passion for Daisy Buchanan. The pair meet five years before the novel begins, when Daisy is a legendary young Louisville beauty and Gatsby an impoverished officer. They fall in love, but while Gatsby serves overseas, Daisy marries the brutal, bullying, but extremely rich Tom Buchanan. After the war, Gatsby devotes himself blindly to the pursuit of wealth by whatever means--and to the pursuit of Daisy, which amounts to the same thing. "Her voice is full of money," Gatsby says admiringly, in one of the novel's more famous descriptions. His millions made, Gatsby buys a mansion across Long Island Sound from Daisy's patrician East Egg address, throws lavish parties, and waits for her to appear. When she does, events unfold with all the tragic inevitability of a Greek drama, with detached, cynical neighbor Nick Carraway acting as chorus throughout. Spare, elegantly plotted, and written in crystalline prose, The Great Gatsby is as perfectly satisfying as the best kind of poem.

(retrieved from Amazon Mon, 30 Sep 2013 13:54:18 -0400)

(see all 6 descriptions)

Jay Gatsby had once loved beautiful, spoiled Daisy Buchanan, then lost her to a rich boy. Now, mysteriously wealthy, he is ready to risk everything to woo her back. This is the definitive, textually accurate edition of a classic of twentieth-century literature, The Great Gatsby. The story of the fabulously wealthy Jay Gatsby and his love for the beautiful Daisy Buchanan has been acclaimed by generations of readers. But the first edition contained a number of errors resulting from Fitzgerald's extensive revisions and a rushed production schedule.… (more)

(summary from another edition)

» see all 38 descriptions

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Audible.com

26 editions of this book were published by Audible.com.

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Penguin Australia

Seven editions of this book were published by Penguin Australia.

Editions: 0141182636, 0140007466, 0141023430, 0582823102, 0141037636, 024195147X, 1922079553

Columbia University Press

An edition of this book was published by Columbia University Press.

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Urban Romantics

An edition of this book was published by Urban Romantics.

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