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The Great Gatsby by F. Scott Fitzgerald

The Great Gatsby (original 1925; edition 1995)

by F. Scott Fitzgerald, Matthew J. Bruccoli (Foreword)

MembersReviewsPopularityAverage ratingConversations / Mentions
46,01574413 (3.89)3 / 870
Title:The Great Gatsby
Authors:F. Scott Fitzgerald
Other authors:Matthew J. Bruccoli (Foreword)
Info:Scribner (1995), Paperback, 216 pages
Collections:Your library

Work details

The Great Gatsby by F. Scott Fitzgerald (1925)

  1. 143
    The Sun Also Rises by Ernest Hemingway (themephi, sturlington)
    sturlington: Great novels of the Jazz Age.
  2. 51
    Flappers, Flasks and Foul Play (A Jazz Age Mystery #1) by Ellen Mansoor Collier (TomWaitsTables)
  3. 41
    The Green Hat by Michael Arlen (Rebeki)
    Rebeki: Also narrated by a shadowy "outsider" figure and set in the glamorous 1920s.
  4. 20
    The House of Mirth by Edith Wharton (kara.shamy)
  5. 21
    Death of a Salesman by Arthur Miller (FFortuna)
  6. 21
    Goodbye to Berlin by Christopher Isherwood (LottaBerling)
  7. 32
    The Other Typist by Suzanne Rindell (akblanchard)
    akblanchard: In the afterword of The Other Typist, Suzanne Rindell acknowledges that her work was inspired by The Great Gatsby.
  8. 21
    An Unfinished Season by Ward Just (elenchus)
    elenchus: Unfinished Season is set in the 1950s in and around Chicago, but elsewise an interesting parallel to The Great Gatsby in terms of setting and basic plot: class and manners among the society elite, and a young man wrestling with changes in family, caste, and personal relations.… (more)
  9. 21
    Trust by Cynthia Ozick (citygirl)
  10. 10
    A Whistling Woman by A. S. Byatt (KayCliff)
  11. 11
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  12. 11
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  13. 00
    Entitlement by Jonathan Bennett (ShelfMonkey)
  14. 11
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  19. 710
    The Count of Monte Cristo (abridged ∙ Bantam Classic) by Alexandre Dumas (TomWaitsTables)
    TomWaitsTables: The story of a man with a mysterious past and wealth, consumed by his obsession, but instead of revenge, Gatsby is chasing the American dream.
  20. 58
    Love in The Time of Cholera by Gabriel García Márquez (mike_frank)
    mike_frank: Another great story about never giving up on love, fighting against the odds, and surviving economic 'classism'.

(see all 20 recommendations)

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Showing 1-5 of 703 (next | show all)
Ahhhh, yellow cocktail music. It hardly matters what I think of this novel now; as Irving Howe wrote (about Sherwood Anderson), "There are some writers one should never return to" lest one has to "surrender an admiration of youth." All I can say is that reading this novel made a younger and more vulnerable me wish to become a serious, thoughtful, close reader of fiction. I admire it for that. ( )
  middlemarchhare | Nov 25, 2015 |
I liked this very much! More than I bet I did in high school. I only give it three stars though because I wanted more. More Long Island? More Gatsby? I can't say what I felt was missing but something definitely. ( )
  Jackie_Sassa | Nov 20, 2015 |
Achei triste, de uma melancolia danada... Um mundinho desgraçado de pessoas covardes e bem mais ou menos. Só achei impossível não simpatizar com Gatsby e sua causa. Gatsby é de um vigor fantástico. E com um número de páginas tão pequeno é incrível como ele nos cativa. ( )
1 vote MarthaNunes | Nov 2, 2015 |
so...the tone, the style, the spirit, the noise, the excitement, the hope and the despair of the 1920s is best conveyed through a lame upper-class love triangle? it ain't exactly LA DOLCE VITA. ( )
  lisaeves | Nov 1, 2015 |
A story of those kind of people who leave it to others to clean up the mess that they've made and who have yet to realize that the party was over a long time ago. There but for the grace of God... ( )
1 vote fredjryder1946 | Oct 20, 2015 |
Showing 1-5 of 703 (next | show all)
"The Great Gatsby" is in form no more than a glorified anecdote, and not too probable at that

What gives the story distinction is something quite different from the management of the action or the handling of the characters; it is the charm and beauty of the writing.
added by danielx | editChicago Tribune, HL Mencken (Jan 23, 2015)
I find Gatsby aesthetically overrated, psychologically vacant, and morally complacent; I think we kid ourselves about the lessons it contains. None of this would matter much to me if Gatsby were not also sacrosanct.

There is the convoluted moral logic, simultaneously Romantic and Machiavellian, by which the most epically crooked character in the book is the one we are commanded to admire. There’s the command itself: the controlling need to tell us what to think, both in and about the book. There’s the blanket embrace of that great American delusion by which wealth, poverty, and class itself stem from private virtue and vice. There’s Fitzgerald’s unthinking commitment to a gender order so archaic as to be Premodern: corrupt woman occasioning the fall of man. There is, relatedly, the travesty of his female characters—single parenthesis every one, thoughtless and thin. (Don’t talk to me about the standards of his time; the man hell-bent on being the voice of his generation was a contemporary of Dorothy Parker, Gertrude Stein, and Virginia Woolf, not to mention the great groundswell of activists who achieved the passage of the Nineteenth Amendment. Yet here he is in A Short Autobiography: “Women learn best not from books or from their own dreams but from reality and from contact with first-class men.”)
added by danielx | editVulture, Kathryn Schultz (Jul 4, 2013)

It is an impressive accomplishment. And yet, apart from the restrained, intelligent, beautifully constructed opening pages and a few stray passages thereafter—a melancholy twilight walk in Manhattan; some billowing curtains settling into place at the closing of a drawing-room door—Gatsby as a literary creation leaves me cold. Like one of those manicured European parks patrolled on all sides by officious gendarmes, it is pleasant to look at, but you will not find any people inside.

Indeed, The Great Gatsby is less involved with human emotion than any book of comparable fame I can think of. None of its characters are likable. None of them are even dislikable, though nearly all of them are despicable. They function here only as types, walking through the pages of the book like kids in a school play who wear sashes telling the audience what they represent: OLD MONEY, THE AMERICAN DREAM, ORGANIZED CRIME.
Jay Gatsby, el caballero que reina sobre West Egg, el anfitrión de las noches sin tregua, pero también el triunfador marcado por el trágico sino de una soledad no pretendida, es el arquetipo de esos años veinte que se iniciaron con la Prohibición y discurrieron en el gangsterismo y la corrupción política organizada. Protagonista de una década que culminaría con la catástrofe de 1929, su imagen de esplendor no hace sino anunciar un drama inevitable. Triunfo de perpetua juventud, brillantez animada por el exceso, fueron también las constantes de la vida de Francis Scott Fitzgerald, quien nos ofrece en El gran Gatsby una de sus obras mayores.
added by Pakoniet | editLecturalia
Still the brightest boy in the class, Scott Fitzgerald holds up his hand. It is noticed that his literary trousers are longer, less bell-bottomed, but still precious.
added by Shortride | editTime (May 11, 1925)

» Add other authors (15 possible)

Author nameRoleType of authorWork?Status
F. Scott Fitzgeraldprimary authorall editionsconfirmed
Abarbanell, BettinaTranslatorsecondary authorsome editionsconfirmed
Amberg, BillCover designersecondary authorsome editionsconfirmed
Bickford-Smith, CoralieCover artistsecondary authorsome editionsconfirmed
Bradbury, MalcolmIntroductionsecondary authorsome editionsconfirmed
Bruccoli, Matthew JosephPrefacesecondary authorsome editionsconfirmed
Burgess, AnthonyIntroductionsecondary authorsome editionsconfirmed
Burns, TomIllustratorsecondary authorsome editionsconfirmed
Bush, KenEditorsecondary authorsome editionsconfirmed
Cirlin, EdgardCover artistsecondary authorsome editionsconfirmed
Colomb, StephanieEditorsecondary authorsome editionsconfirmed
Cornils, L.Translatorsecondary authorsome editionsconfirmed
Cugat, FrancisCover artistsecondary authorsome editionsconfirmed
Dean, BruceIllustratorsecondary authorsome editionsconfirmed
Ekvall, ChristianTranslatorsecondary authorsome editionsconfirmed
Ellsworth, JohannaTranslatorsecondary authorsome editionsconfirmed
Folch i Camarasa, RamonTranslatorsecondary authorsome editionsconfirmed
Gyllenhaal, JakeNarratorsecondary authorsome editionsconfirmed
Hope, WilliamNarratorsecondary authorsome editionsconfirmed
Janssen, SusanTranslatorsecondary authorsome editionsconfirmed
Li, CherlynneCover designersecondary authorsome editionsconfirmed
Liona, VictorTranslatorsecondary authorsome editionsconfirmed
Meyer, FredIllustratorsecondary authorsome editionsconfirmed
Meyers, JeffreyEditorsecondary authorsome editionsconfirmed
Muller, FrankNarratorsecondary authorsome editionsconfirmed
Niiniluoto, MarjaTranslatorsecondary authorsome editionsconfirmed
Olzon, GöstaTranslatorsecondary authorsome editionsconfirmed
Pivano, FernandaTranslatorsecondary authorsome editionsconfirmed
Prigozy, RuthEditorsecondary authorsome editionsconfirmed
Reynolds, GuyIntroductionsecondary authorsome editionsconfirmed
Robbins, TimNarratorsecondary authorsome editionsconfirmed
Schürenberg, WalterPrefacesecondary authorsome editionsconfirmed
Scourby, AlexanderNarratorsecondary authorsome editionsconfirmed
Siegel, HalIllustratorsecondary authorsome editionsconfirmed
Sloan, SamForewordsecondary authorsome editionsconfirmed
Soosaar, EnnTranslatorsecondary authorsome editionsconfirmed
Tanner, TonyIntroductionsecondary authorsome editionsconfirmed
Tournier, JacquesTranslatorsecondary authorsome editionsconfirmed
Tredell, NicolasEditorsecondary authorsome editionsconfirmed
Wolff, Lutz-W.Translatorsecondary authorsome editionsconfirmed
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Then wear the gold hat, if that will move her;
      If you can bounce high, bounce for her too,
Till she cry "Lover, gold-hatted, high-bouncing lover,
      I must have you!"
—Thomas Parke D'Invilliers
First words
In my younger and more vulnerable years my father gave me some advice that I've been turning over in my mind ever since.
Let us learn to show our friendship for a man when he is alive and not after he is dead.
All right ... I'm glad it's a girl. And I hope she'll be a fool—that's the best thing a girl can be in this world, a beautiful little fool.
This is a valley of ashes—a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens, where ashes take the forms of houses and chimneys and rising smoke and finally, with a transcendent effort, of men who move dimly and already crumbling through the powdery air. Occasionally a line of gray cars crawls along an invisible track, gives out a ghastly creak and comes to rest, and immediately the ash-gray men swarm up with leaden spades and stir up an impenetrable cloud which screens their obscure operations from your sight.
"Whenever you feel like criticizing any one," he told me. "just remember that all the people in this world haven't had the advantages that you've had."
I rented a house ... on that slender riotous island which extends itself due east of new york -- where there are, among other natural curiosities, two unusual formations of land. Twenty miles from the city a pair of enormous eggs, identical in contour and seprated only by a courtesy bay, jut out into the most domesticated body of salt water in the Western hemisphere, the great wet barnyard of Long Island Sound. They are not perfect ovals ... but their physical resembalnce must be a source of perpetual wonder to the gullsthat fly overhead.
Last words
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Disambiguation notice
This work is the book.
Publisher's editors
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Book description
[R.L. 7.3, 8 pts]
Set in the 1920s, this is the tragic love story of Jay Gatsby, a dashing, enigmatic millionaire, obsessed with an elusive, spoiled young woman, Daisy Buchanan.
Haiku summary

Amazon.com Amazon.com Review (ISBN 0743273567, Paperback)

In 1922, F. Scott Fitzgerald announced his decision to write "something new--something extraordinary and beautiful and simple + intricately patterned." That extraordinary, beautiful, intricately patterned, and above all, simple novel became The Great Gatsby, arguably Fitzgerald's finest work and certainly the book for which he is best known. A portrait of the Jazz Age in all of its decadence and excess, Gatsby captured the spirit of the author's generation and earned itself a permanent place in American mythology. Self-made, self-invented millionaire Jay Gatsby embodies some of Fitzgerald's--and his country's--most abiding obsessions: money, ambition, greed, and the promise of new beginnings. "Gatsby believed in the green light, the orgiastic future that year by year recedes before us. It eluded us then, but that's no matter--tomorrow we will run faster, stretch out our arms farther.... And one fine morning--" Gatsby's rise to glory and eventual fall from grace becomes a kind of cautionary tale about the American Dream.

It's also a love story, of sorts, the narrative of Gatsby's quixotic passion for Daisy Buchanan. The pair meet five years before the novel begins, when Daisy is a legendary young Louisville beauty and Gatsby an impoverished officer. They fall in love, but while Gatsby serves overseas, Daisy marries the brutal, bullying, but extremely rich Tom Buchanan. After the war, Gatsby devotes himself blindly to the pursuit of wealth by whatever means--and to the pursuit of Daisy, which amounts to the same thing. "Her voice is full of money," Gatsby says admiringly, in one of the novel's more famous descriptions. His millions made, Gatsby buys a mansion across Long Island Sound from Daisy's patrician East Egg address, throws lavish parties, and waits for her to appear. When she does, events unfold with all the tragic inevitability of a Greek drama, with detached, cynical neighbor Nick Carraway acting as chorus throughout. Spare, elegantly plotted, and written in crystalline prose, The Great Gatsby is as perfectly satisfying as the best kind of poem.

(retrieved from Amazon Thu, 12 Mar 2015 18:20:48 -0400)

(see all 7 descriptions)

Jay Gatsby had once loved beautiful, spoiled Daisy Buchanan, then lost her to a rich boy. Now, mysteriously wealthy, he is ready to risk everything to woo her back. This is the definitive, textually accurate edition of a classic of twentieth-century literature, The Great Gatsby. The story of the fabulously wealthy Jay Gatsby and his love for the beautiful Daisy Buchanan has been acclaimed by generations of readers. But the first edition contained a number of errors resulting from Fitzgerald's extensive revisions and a rushed production schedule.… (more)

(summary from another edition)

» see all 39 descriptions

Legacy Library: F. Scott Fitzgerald

F. Scott Fitzgerald has a Legacy Library. Legacy libraries are the personal libraries of famous readers, entered by LibraryThing members from the Legacy Libraries group.

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26 editions of this book were published by Audible.com.

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Penguin Australia

8 editions of this book were published by Penguin Australia.

Editions: 0141182636, 0140007466, 0141023430, 0582823102, 0141037636, 024195147X, 1922079553, 0734306865

Columbia University Press

An edition of this book was published by Columbia University Press.

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Urban Romantics

An edition of this book was published by Urban Romantics.

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