This being the fifth book I've read from the prolific Louise Erdrich, I was at first both disappointed and intrigued by her break from her normal Ojibwe dynasty that make up the residents of a fictional North Dakota town known as Argus. After the first few pages, though, I pleasantly discovered Erdrich had simply widened her character scope to welcome some interesting and likeable characters. Included in this new group is a family of German immigrants, headed by the master butcher, Fidelis, and his steadfast wife, Eva. On the other end is Delphine Watzka, a quietly determined woman who knows, with equal expertise, how to balance chairs on her stomach, how to take care of her town drunk of a father, and how to love Cyprian, a man who for his own reasons may not be as compelled to return her love. Add a few more equally memorable characters to this mix, not to mention a men's singing club, and you are left with lyrically compelling and highly memorable novel. This is not wholly a story about World War I and World War II, but the wars push their way to the forefront as overpowering aspects of Fidelis and Cyprian's recent past, and as overwhelming aspects of the future of Fidelis and Eva's four sons. Commingled with these conflicts are also conflicts of the heart and body --- a tempered love, a fatal affliction, a desire to care as well as to destroy. Erdrich, just like Delphine with her chairs, plays these elements in a delicate balancing act that creates a sometimes calming, sometimes electrifying flow of words and images. Rising above this flow, more strongly here than in any of her other novels, is the gift of song. Dedicating the book to "my father, who sang to me", Erdrich uses the power of a good story as a love song to the people and events that charm even the most charmless lives. Frequent readers of Erdrich may find themselves at a loss with this new cast of characters, though I actually was glad for the change. The humor of her other novels is also present here in smaller doses, and her imagery is vivid, at times almost arresting. As with other Erdrich novels, though, be prepared to take in many subplots that have within them a valid attraction. I find that I often develop favorite subplots or supporting characters, and sometimes have to remind myself of the others. I did not have to do so in this case, which leads me to believe this novel more compact in its presentation than previous novels. First-time readers of Erdrich need not be hindered by a lack of knowledge about Argus folklore; though the novel does lead to Erdrich's favorite literary shelter, the introduction to the town is skillfully rendered. In the end, however, it is hard to tell if the feeling readers are left with is bittersweet. The tidal wave that is supposed to consume the main characters in the end seems closer to a shallow puddle, which may or may not be what Erdrich intended in the first place. While this hardly takes away from the enjoyment of the novel, it does leave me wanting more. ( )

This novel, which stretches from late World War I Germany to the post-World War II years in a small North Dakota town, centers on the character of Delphine, a motherless woman who unexpectedly finds herself becoming wrapped up in the family of a man named Fidelis, the singing German-American butcher from whom the book draws its title. The novel features gorgeous writing with poetic flourishes, engrossing characters, and a sprawling but engaging story. I'll definitely be reading more by Erdrich. ( )

The master butcher's singing club of the title doesn't really figure into this book at all. Fidelis, the master butcher in question, does start a singing group in his new home of Argus, North Dakota, that's meant to reflect the master butcher's singing club he was a part of back in Germany, as a place where outside grievances can be set aside.

But this story is really about Delphine, a native of, though an outsider in, Argus. It's about her relationship with men, sort of, but really about what she discovers when she meets Eva, Fidelis's wife. In Eva, Delphine discovers the mother she never had, as well as a best friend. That Delphine comes to love Eva's family as her own is fortunate when Eva is struck with a massive tumor. Delphine nurses her until her death and then cares for Fidelis and their sons.

All of this makes for a story that is lovingly told. What threw me for a loop, though, was at the very end of the book when the truth about Delphine's mother is revealed to the reader, but not to Delphine herself. Although I was vaguely interested to have this mystery cleared up, I don't really think it was necessary to the story at all. By including it at the end, it seemed as though we were supposed to think that this revelation was the whole point of the story, rather than an incidental part of the character Delphine became. The answer provided excellent closure to the story as a whole, but part of me wishes Erdrich had finished the book without it. ( )

Fidelis Waldvogel, a WWI sniper and master butcher with a magnificent voice, emigrates from Germany to America, settling in the fictional town of Argus, North Dakota. His wife Eva and her young son (fathered by his best friend killed in the war) later join him, and the family grows while his butcher shop thrives. The town’s cast of vividly drawn characters counterpoints their story — Delphine, the daughter of the town drunk, her homosexual husband and acrobat Cyprian, the eccentric rag-picker Step-and-a-Half, etc. Surprising secrets are hidden within these and other townsfolk in this elegantly written, expansive story of America between the Wars.

good read ( )