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The Namesake by Jhumpa Lahiri
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The Namesake: A Novel (original 2003; edition 2004)

by Jhumpa Lahiri

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8,360205337 (3.91)301
Member:ecozens
Title:The Namesake: A Novel
Authors:Jhumpa Lahiri
Info:Mariner Books (2004), Edition: Reprint, Paperback
Collections:Your library
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The Namesake by Jhumpa Lahiri (2003)

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English (201)  Norwegian (1)  Dutch (1)  Italian (1)  Japanese (1)  All languages (205)
Showing 1-5 of 201 (next | show all)
Aside from the brilliant and intricate characterization, this book made me really hungry for samosas. Oh, and naan. Mmmm. ( )
  katemo | May 16, 2013 |
This is without a doubt one of the most well written books I've read. This is the story of a man's life, from birth to a point in his 30's where he probably had become a more complete adult; and by extension it's the story of a part of the lives of several other of the characters. This is their lives; no embellishments; no punches pulled. As such, there are a lot of people to whom this isn't going to be of interest. But for anyone who steps out of the realm of adventure/mystery/fantasy/etc. this is an absolute gem. I find it hard to believe there's not a long list of awards attached to this. Ms. Lahiri completely amazed me. She packs so much emotion and images into so few words that it feels like a thousand page epic that flies by in 300 pages. I was so emotionally wrapped up in these characters that I had to put the book down for several days near the end and wait until I could accomplish the right circumstances to finish. Very powerful work. ( )
  Yona | May 2, 2013 |
Long & sad & lifelike. ( )
  JennyArch | Apr 3, 2013 |
this book very nearly cracked me open. the writing is wonderful and it is just filled with feeling, overflowing with emotion. this book is not about the story (which is why i can't imagine how they made a movie of it) but is about so much more than the mundane events of daily life that it chronicles. the idea of names - what they mean, where they come from, how they're changed over time or different for certain people - is really powerful and such an effective foundation for the novel. ( )
1 vote elisa.saphier | Apr 2, 2013 |
I'll admit, this started out a little slow, but I found myself getting very involved. It wasn't as good as Interpreter of Maladies, but flowed nicely. ( )
  pam.enser | Apr 1, 2013 |
Showing 1-5 of 201 (next | show all)
Jhumpa Lahiri's quietly dazzling new novel, ''The Namesake,'' is that rare thing: an intimate, closely observed family portrait that effortlessly and discreetly unfolds to disclose a capacious social vision.
 
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Epigraph
The reader should realize himself that it could not have happened otherwise, and that to give him any other name was quite out of the question.
∙ Nikolai Gogol 'The Overcoat'
Dedication
For Alberto and Octavio, whom I call by other names
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On a sticky August evening two weeks before her due date, Ashima Ganguli stands in the kitchen of a Central Square apartment, combining Rice Krispies and Planters peanuts and chopped red onion in a bowl.
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(Click to show. Warning: May contain spoilers.)
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Amazon.com Amazon.com Review (ISBN 0618485228, Paperback)

Any talk of The Namesake--Jhumpa Lahiri's follow-up to her Pulitzer Prize-winning debut, Interpreter of Maladies--must begin with a name: Gogol Ganguli. Born to an Indian academic and his wife, Gogol is afflicted from birth with a name that is neither Indian nor American nor even really a first name at all. He is given the name by his father who, before he came to America to study at MIT, was almost killed in a train wreck in India. Rescuers caught sight of the volume of Nikolai Gogol's short stories that he held, and hauled him from the train. Ashoke gives his American-born son the name as a kind of placeholder, and the awkward thing sticks.

Awkwardness is Gogol's birthright. He grows up a bright American boy, goes to Yale, has pretty girlfriends, becomes a successful architect, but like many second-generation immigrants, he can never quite find his place in the world. There's a lovely section where he dates a wealthy, cultured young Manhattan woman who lives with her charming parents. They fold Gogol into their easy, elegant life, but even here he can find no peace and he breaks off the relationship. His mother finally sets him up on a blind date with the daughter of a Bengali friend, and Gogol thinks he has found his match. Moushumi, like Gogol, is at odds with the Indian-American world she inhabits. She has found, however, a circuitous escape: "At Brown, her rebellion had been academic ... she'd pursued a double major in French. Immersing herself in a third language, a third culture, had been her refuge--she approached French, unlike things American or Indian, without guilt, or misgiving, or expectation of any kind." Lahiri documents these quiet rebellions and random longings with great sensitivity. There's no cleverness or showing-off in The Namesake, just beautifully confident storytelling. Gogol's story is neither comedy nor tragedy; it's simply that ordinary, hard-to-get-down-on-paper commodity: real life. --Claire Dederer

(retrieved from Amazon Wed, 02 Jan 2013 21:20:21 -0500)

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A young man born of Indian parents in America struggles with issues of identity from his teens to his thirties.

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