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The Long Ships by Frans G. Bengtsson

The Long Ships (1941)

by Frans G. Bengtsson

Other authors: See the other authors section.

Series: Röde Orm (Omnibus 1-2)

MembersReviewsPopularityAverage ratingConversations / Mentions
1,326445,901 (4.19)1 / 276
  1. 30
    Röde Orm : del I-IV samlingsalbum by Charlie Christensen (andejons)
    andejons: Charlie Christensen has created a comic novel adaptation which follows the original quite close.
  2. 30
    The Men of Ness by Eric Linklater (andejons)
    andejons: Bengtsson translated Linklater's book and was probably partly inspired by it. However, apart from being good novels about seafaring vikings, they are rather different in style, with Linklater reading more like a pastiche of Icelandic sagas.
  3. 30
    Egil's Saga by Anonymous (rocks009)
  4. 10
    The Sagas of Icelanders by Örnólfur Thorsson (chrisharpe)
  5. 10
    The Worm Ouroboros by E. R. Eddison (DCBlack)
    DCBlack: Viking historical fiction with some folkloric and fantastic elements.
  6. 11
    Shogun: A Novel of Japan by James Clavell (jtp146)
    jtp146: Epic historical fiction with exploration.
  7. 00
    Hild by Nicola Griffith (wandering_star)
  8. 11
    Memed, My Hawk by Yashar Kemal (chrisharpe)
    chrisharpe: Both are tales of adventure, different in time and place, but equally elegantly told.
  9. 00
    The Odyssey by Homer (chrisharpe)

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English (38)  Swedish (4)  Danish (1)  Italian (1)  All (44)
Showing 1-5 of 38 (next | show all)
The Long Ships by Frans G. Bengtsson is a classic adventure story set in 900's in and around present day Scandinavia. The story follows the main protagonist Orm, or eventually Red Orm as his deeds are carried out. The story is written in a style similar to the original sagas using primarily verbs and nouns and matter of fact phrasing. Throughout the book is a very subtle sense of sarcasm and understatement which brings about a bit of dark humor. The author never really tells you what the characters are thinking. He is very light on exposition. The reader must discern that on their own, based on the words and actions of the characters. Also, the New York Review of Books edition has some excellent maps in the book which for me is always a plus. One of my many rules of thumb for picking a good book is, if it has a map, more than likely, its going to be entertaining.

As for the story, needless to say, The Long Ships has much in the way of violence, sword fights, ship raids, galley slaves, loot and debauchery, duels of honor, and the wooing of maidens. The writing is reserved when it comes to sex, but its still there and its rather funny. The violence however is very descriptive, as in Bernard Cornwell descriptive, which is how I prefer it. There is also some very clever between-the-lines commentary on the Scandinavian religious transition from Odinistic heathenry to Christianity. Christian priests play a rather large part in the plot both for good and ill. Expectations and rules regarding the honor culture of the north also play an integral part in the story line. For me, the honor rules of hospitality and story telling were the most compelling aspects, for it was not over done, but it was not swept under the rug either. Bengtsson also throws in a bunch of historical Easter eggs too, which are fun to explore and dwell on. Overall a refreshing and engaging historical adventure which I highly recommend, especially if you enjoy learning about Vikings. ( )
1 vote BenjaminHahn | Jun 8, 2017 |
Perhaps the most delicious aspect of this delightful novel about marauding Northmen is that the joy Bengsston had writing it radiates from every page. The story begins when youngest son, Orm, seventeen or so and already a strapping fellow, is held back from going on a plundering voyage with his father and brother by his mother. Well, wouldn't you know, raiders come along, led by Krok, and kidnap him. Among these men Orm soon proves himself a valiant and intelligent member of the crew. There are various adventures and misadventures, in Spain, in Ireland and England, in Denmark where King Harald holds court, and beyond, even down the Dneiper to find buried treasure. It is at the court of the King that Orm meets the lovely Ylva, daughter of Harald, but he can't have her until he proves himself worthy. But it isn't at all an "and then and then" sort of adventure novel. What makes it rise far above that is the dialogue, the spontaneous poetry, and Bengsston's slyly hilarious way of crafting a description or giving out information of the thought processes of these (mostly) men. At all times these Vikings find hilarious work-arounds to justify their greed and to balance it with their (often self-serving and malleable) concepts of honor. An example: Orm is huge, obviously, and insanely strong and healthy, and yet he is a bit of a hypochondriac. He worries about catching colds, is convinced at one point, when injured, that he is doomed since the lice have left his hair. It's never over-done, but such details make Orm fully human. I took my time reading it so as to savor every word. It is definitely a book I would love to listen to too. ***** ( )
3 vote sibyx | Feb 16, 2017 |
Entertaining Young Adult book about pirates. Middle Ages without the nastiness. ( )
  featherbear | Dec 5, 2016 |
I've read this excellent historical fiction long time ago as YA but I bet I would enjoy it even today. Maybe I'll try. ( )
  parp | Aug 29, 2016 |
As anyone who follows me on GoodReads already knows, I spent the first few chapters of The Long Ships pretty much just giggling at the character names. I kept imagining Danish King Harald Bluetooth* wandering around the tenth century equivalent of a supermarket looking like he was talking about himself, for instance. Toke, well, that's pretty self-explanatory. And then there's Brother Willibald, the Christian monk who comes home with Orm from his adventures in Ethelred the Undready's England. Heh. Willibald. And there's another man named Ugge the Inarticulate. I mean, come on.

But then there's our hero, Orm. My reaction to this name only makes sense to fans of Walter Moers' Zamonia books, in which "Orm" is the name of the universal source of creative power, especially in literary terms. Here, of course, it merely means "serpent", and is usually accompanied by the epithet "red" because of his hair.

So, the cover and the era in which this book is set and the ethnicity of its characters should give away that this is, in fact, a Viking novel, but what they won't necessarily tell you is that it is regarded as a veddy veddy literary work, bearing the aegis of no less an entity than the New York Review of Books, who published it as one of its NYRB Classics series,** which is how I came across it. And there is good reason for it to get this stamp, for it's an ambitious and interesting work; more than just an adventure tale (though it's a very good adventure tale), it's also the story, really, of how Scandinavia went from the rough, violent, pagan land as depicted in the sagas to the more settled, orderly, responsible and overwhelmingly Christian one of, say, Sigrid Undset's work.

But don't let the high culture imprimatur deter you from the great fun to be had here, for The Long Ships has enough fun and fighting, and very funny imagery (like a huge stolen bell from a church in Asturia being hit, gong-style, at regular intervals, to help a bunch of untrained galley slaves row from Spain to Ireland) to satisfy even the guy who only wants to read Terry Brooks and David Eddings and Robert Jordan over and over again until the end of time (and yes, those guys really do exist; there's one on my old bar trivia team).

For me, well, Orm reminds me a little bit of Jack/Bobby Shaftoe, Neal Stephenson's hilariously hapless bad ass adventurer from the Baroque Cycle and Cryptonomicon. He shares the Shaftoes' bumbling heroism, right from the start with how he comes to go a-Viking: he is knocked on the head while defending the family farm from the followers of Krok (Worst Viking Chieftain EVER, is Krok), who are on a provisioning raid. They bear away the sheep and the young man, whose mommy had kept him home for one more season because he was her favorite and was too young and delicate yet.

But, he acquitted himself well before getting knocked out, even killed some of the raiding party, so he is allowed to join Krok, Toke and the gang on their rather slapstick voyage. As I said, Krok is the WVCE. But that's just the first bit of the book, which is basically told as Orm's life story, and once he's free of Krok (but he takes vengeance, oh yes he does, because he is a Danish Raider a-Viking) he starts gallavanting all about the known world, Moorish Spain, Ireland, Aenglaland... and, we learn later, his big brother spent quite a lot of time in Byzantium, which news drives most of the plot of the last quarter of the book.

Really, the only thing I don't like about The Long Ships is the way the narrative is framed, though it's a common enough device. Throughout the story we are treated to authorial/narrative intrusions indicating what Orm said about a given situation as an old man. It's usually something wise and often something witty, but never enough of either to justify the constant intrusion and the robbing of scenes of any sense of jeopardy. See also Doctor Who.

Maybe it's just George R.R. Martin's fault that this bothers me now? That makes me expect primary characters' danger to be real? At any rate, knowing ahead of time that the hero is going to make old bones often robs his story of some, or a lot of, its joy for me these days. I'd probably bitch about Conan the Cimmerian, too, nowadays, though maybe not because Conan!!!

At any rate, Orm's Viking picaresque is still plenty enjoyable. And as an added bonus, depicting as it does a society in which "any man who could not understand poetry would be regarded as a poor specimen of a warrior", there is more than a little bit of what amount to tenth century poetry slams, in which burly, drunken, beardy men strive to outdo each other in witty and lyrical depictions of their adventures and, sometimes, pratfalls. I'm not sure how well their efforts survive this translation into English, but the flavor of them is still there in trace amounts, as is the overall dry wit of the narrative tone; Halldor Laxness did not invent this tone, he just won a Nobel with it. As have so many of his regional fellows over the years.

The Long Ships is not necessarily Nobel material, but it's high quality entertainment -- rendered even more so by my contemporaneous choice to start playing Skyrim at long last. Skyrim is The Long Ships with dragons and lizard men, you guys. Well, sort of. At least it looks and sounds that way. But I haven't even found High Hrothgar yet, so, you know...

*Who is not himself much of a character per se, but the events take place during his reign.

**I had better just get this out right here: I am a big fan of NYRB Classics, and regard them as sort of my highbrow Angry Robot Books (which I doubt they'd appreciate) in that they are a go-to house for quality reading material when I want literary rather than genre fiction. They, like AR, have not yet let me down, at least inasmuch as what I've chosen from their offerings I have always, always liked. And lookie, they've sort of, kind of, taken a page from AR's playbook in that they now have a subscription program! Alas, it is dead tree only, and until my elbow/arm problems are sorted I'm ebook-only. I tweeted them about considering offering an ebook subscription but so far have gone ignored. Tristesse. ( )
2 vote KateSherrod | Aug 1, 2016 |
Showing 1-5 of 38 (next | show all)
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» Add other authors (13 possible)

Author nameRoleType of authorWork?Status
Bengtsson, Frans G.primary authorall editionsconfirmed
Chabon, MichaelIntroductionsecondary authorsome editionsconfirmed
Meyer, Michael LeversonTranslatorsecondary authorsome editionsconfirmed
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The action of The Long Ships covers, approximately, the years A.D. 980-1010.

Translator's note.
Many restless men rowed north from Skania with Bue and Vagn, and found ill fortune at Jörundfjord; others marched with Styrbjörn to Uppsala and died there with him.

Prologue - How the shaven men fared in Skania in King Harald Bluetooth's time.
Along the coast the people lived together in villages, partly to be sure of food, that they might not depend entirely on the luck of their own catch, and partly for security; for ships rounding the Skanian peninsular often sent marauding parties ashore, both in the spring, to replenish cheaply their stock of fresh meat for the westward voyage, and in the winter, if they were returning empty-handed from unsuccessful wars.

Chapter One - Concerning Thane Toste and his household.
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(Click to show. Warning: May contain spoilers.)
Disambiguation notice
This book was originally released in Swedish in two parts, in 1941 and 1945. The first part was translated into English by Barrows Mussey as Red Orm in 1943. The whole work was translated into English by Michael Meyer as The long ships in 1954. This is the record for the complete work. Copies of part 1 and part 2 should not be combined with this.
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Haiku summary
Meet valiant Orm:
smart and strong, cunning and kind,
leader among men.

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Set in the tenth century, when Vikings roamed and rampaged from Scandinavia to the Mediterranean. A boy abducted by the Vikings from his Danish home is made to take his place at the oars of their ships. Later, he is captured by the Moors in Spain and, escaping from captivity, washes up in Ireland, where he marvels at the Christian monks. Eventually, he contributes to the Viking defeat of the army of the king of England, and returns home a Christian and a very rich man.… (more)

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NYRB Classics

2 editions of this book were published by NYRB Classics.

Editions: 1590173465, 159017416X

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