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The Pull of the Moon by Elizabeth Berg
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The Pull of the Moon

by Elizabeth Berg

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Hasn't every married woman/mother experienced the feeling of losing herself, not knowing who she is anymore? Berg has written a book and created in Nan a character we all can identify with! However, when wedo find ourselves, some of us realize we can't return to the lives we left.
  mjeanmorris | Aug 1, 2009 |
This book is insightful about the feelings of loss of self experienced by so many middle-aged women (or mothers and wives of any age). I don't know if by the end of the book whether or not I wanted Nan to return to Martin. ( )
  Alice_Wonder | May 20, 2009 |
In Pull of the Moon, you follow along with Nan on both her physical and emotional journeys, shared with you through her diary entries and letters to her loved ones.

Nan is fifty, married with a grown daughter, and she has reached that point that I think many women reach at some point. She has spent her life as a wife and a mother, and has forgotten who SHE is, and now is consumed by the additional fear of losing her youth and desirability as she faces the physical changes of menopause. So she packs up, hops in the car, and just leaves her husband with a note of apology. She travels around the country, getting to know herself again, remembering who she is and what she likes and what she wants, while writing in her diary and writing letters to her husband to share with him the discoveries that she is making along the way.

I'll just say it. I LOVED this book. I can't truly identify with Nan. I've never lost my identity. Perhaps it's because I've never had children, and I've been divorced for ten years. So I have been able to maintain a better sense of my self. Perhaps it's just because I have a very strong knowledge of "who I am", as I never had any fear of losing myself during my ten years of marriage either.

So I found myself not really identifying with this place where Nan had found herself: feeling lost, depressed and on the verge of losing her mind along with her identity. However I could still identify with HER. She is every woman, on the basest of levels. And I love the way that author Elizabeth Berg causes me to turn the mirror on myself with a little "Aha!"

I like Nan. I like how she reminds me of things that I haven't thought of for a long time, I like when she makes observations like "...and soon we were all laughing, it was the kind of thing where the laughter feeds on itself, where the sound of someone else's snorting and wheezing keeps you going until you don't even know why you started laughing in the first place-- and you don't care. It's so good for you, that kind of hard laughter, so cleansing-- you feel like your liver's been held up and hosed down, your heart relieved of a million grimy weights." I remember that feeling, although it's been a long time since I felt it. Remember sitting around with your girlfriends, giggling hysterically, and someone would ask what was so funny, and you'd just shake your head and say "I don't know", look at each other, and laugh even harder?

I love the clear and descriptive visual analogies of statements like "Today I woke up and felt the old pull of sadness back. It's like a robe that is too heavy, weighing down my shoulders, dragging up dirt as it follows along behind me." This is one of my favorite lines from the book.

Even though I am divorced with no children, and am at a very different place in my life, there is a part of me that could identify with Nan. I could identify with her when she confessed, "I wanted to be able to tell Ruthie how to be popular, how to make and keep friends. But I was-- and still am-- pretty much a loner, one who wearies of almost anyone's company much too soon...Even when I got older, I'd be sitting with a bunch of college friends and suddenly have to leave...I wanted Ruthie to be different from me, to be someone who could make casual conversation without clenching her fists, who could be comfortable at a party." I think that most women can identify with Nan at some point. There's a little Nan in all of us.

Last night I sat in the movie theater, reading my book while we waited for the movie to start , and reached over and whispered in my boyfriend's ear. "You know how I'm always telling you that if I don't have someone to share an experience with, it's as if it never happened? Like 'If a tree falls in the forest and no one is around to hear it, does it make a sound?'" He nodded. "In my book she says, 'Occasionally, one learns quiet, and then how to keep it. Even me, who has always felt that everything must be shared, in order for it to be.' See? Nan gets me."

And so she does. ( )
1 vote nfmgirl2 | May 2, 2009 |
Woman turns 50 and runs away. ( )
  jepeters333 | Dec 26, 2008 |
Chit Lit, but not much more...
"The Pull of the Moon" tells the story of Nan, a 50ish female protagonist wondering about her remaining years as she travels across the country in self-discovery. Written in letters and diary entries to her husband & daughter, Nan's flight comes off as selfish & spoiled (though I'm not certain this was the writer's intent).

Don't expect too much & you'll pass some time pleasantly. It's a quick read for women facing their own mid-life craziness. They'll emerge at novel's end knowing they're in the norm.

Review first published on Many A Quaint & Curious Volume
© Tasses 2007-2009
( )
  Tasses | Dec 9, 2008 |
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Epigraph
Dedication
First words
Dear Martin, I know you think I keep that green rock by my bed because I like its color.
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(Click to show. Warning: May contain spoilers.)
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Book description

Amazon.com Book Description (ISBN 0515120898, Paperback)

Now in trade-from the New York Times bestselling author of Range of Motion.

"Not a novel about a woman leaving home, but...a human being finding her way back."-Chicago Tribune

"Turning 50 seems to turn women crazy. When Nan hits this mark, she hits the road, leaving behind her home and husband. Driving west from Boston, she consults only her own pleasure. And while this sounds easy, it is often arduous for Nan, who can hardly remember what her own pleasure is...[The Pull of the Moon] is upbeat from beginning to end."-Boston Sunday Globe

"Measured, delicate, and impossible to walk away from."-Entertainment Weekly

(retrieved from Amazon Fri, 24 Apr 2009 07:57:58 -0400)

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