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All Music Guide to Jazz: The Experts' Guide to the Best Jazz Recordings (All Music Guide to Jazz, 3rd ed) by Vladimir Bogdanov
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All Music Guide to Jazz: The Experts' Guide to the Best Jazz Recordings…

by Vladimir Bogdanov

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Not a bad guide, just a definite drop-off in the reviews and bios from Vol. 1 edited by Ron Wynn, but with lots of reviews from places like Cadence. This new edition is primarily the responsibility of Scott Yanow, and I can never get around the feeling that he just serves up his best idea of the critical consensus of the recordings, which is not what I want most times--I want a point of view. ( )
  ehines | Sep 19, 2009 |
Jazz and red wine are part of the good life, though most people don't grow up learning a lot about either of them. Jazz is seldom played on the radio and most towns/cities do not have jazz clubs where you can go and here the music first hand. A book like this one is indispensible for anyone that has discovered that jazz is a gift from the gods. It opens up the doors on a life time of the good life.

I bought the Rolling Stone guide to jazz in 1986-87. It was a little thin book and was good for me and my budget at that time. Then I got a divorce from my first wife and had more disposable income and started out collecting great jazz records. In 1993 I bought first the Penguin Guide to Jazz and then the All Music Guide to Jazz. Both are indispensible to me now as well as the web site that All Music runs for all kinds of music and movies. I like this guide slightly more than the Penguin Guide. The All Music guide has both profiles of the musicians and has a much more complete listing of all LPs that the artist has released than the Penguin Guide does. The Penguin Guide has only the albums that are currently available by the record labels. But the Penguin guide does have a much better feel for the european jazz scene and covers each of the releases they cover a little more throughly. I have used both of them repeatedly.

I don't necessarily recommend divorce though it did work out well for me and my first wife. And as a result, I found my second wife and ended up with a lot of great jazz records and CDs that I probably would have never gotten to hear. And, my recommendation about red wine, is that you don't need a book or guide to tell you about them, even if you don't know anything about red wine at all. My experience is that some red wines are really, really good, and all the rest of them are almost that good. You don't need a book to tell you which ones are good, they will all help open that door to the good life. Both jazz and red wine are truly gifts from God. ( )
  markatread | Mar 29, 2009 |
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Amazon.com (ISBN 0879305304, Paperback)

The AMG Jazz encyclopedia is the resource of choice for anything you might care to know about jazz musicians, jazz history, and jazz recordings. The print is small and there's not a lot of space wasted on photos and filler--in fact, the only non-text additions are 51 music maps, smartly illustrating which performers played in which categories of a range of topics, from accordion and big bands to vocal groups and significant fusion players. There are short essays on topics like ragtime, cool, acid jazz, jazz history, and jazz in film, plus indexes for jazz books, venues, and videos, producers, writers, and labels, and a much-appreciated comprehensive index. The bulk of this extraordinary reference, however, consists of musician profiles (more than 1,700) and reviews of their recordings (more than 18,000), arranged alphabetically from Greg Abate to John Zorn, providing biographical details of well-known figures such as Artie Shaw, Duke Ellington, Thelonious Monk, as well as his son T.S. Monk and more obscure artists such as Don Byas, Richard Tabnik, Oscar Pettiford, Hot Lips Page, and Chubby Jackson.

The profiles are well researched, short, and richly informative and entertaining. Take Bob Scobey, for example. In one brief paragraph, you learn he was a Dixieland trumpet player and band leader from Tucumcari, New Mexico, lived from December 9, 1916 to June 12, 1963, and was a popular trumpeter in his prime. He played in Watter's Yerba Buena Jazz Band in San Francisco (one of the most influential bands in the Dixieland revival), formed his own Frisco Jazz Band, opened Club Bourbon Street in 1959 in Chicago, and died four years later of cancer at 46. The profiles are reason enough to appreciate AMG Jazz, but the recording reviews are even more impressive. Following each biography is a comprehensive list of the artist's recordings, with a star rating (0 to 5), information about who plays what, how long it runs, what sort of music it is, notable high points, low points, or both, and any other songs or notes of historic or musical interest. Mesmerizingly addictive to jazz musicians, accessibly, enjoyably instructive to the novice, reliably erudite for the scholar, vastly entertaining for the browser, and irreplaceable as a CD-purchase guide, the All Music Guide to Jazz sets the standard for what a music-reference book should be. --Stephanie Gold

(retrieved from Amazon Fri, 24 Apr 2009 07:58:01 -0400)

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