I adore this book. It is so delightful. How is it I have never read this book until now?

How is it that Jules Verne was, until now, only an author mentioned in Back to the Future that I'd never read? ( )

I hadn't read 'Around the World in Eighty Days' since I was a child. So when I saw this on the B&N reprint shelf I scooped it up, took it home and devoured it. At the time, I hadn't had so much fun in months. ( )

I thought Around the World in 80 Days was good. This book was easy to read, and is good for readers who like realistic fiction. In the book, a gentleman named Philias Fogg makes a bet of 20,000 pounds that he can make it around the world in 80 days. Also, a bank is robbed soon after Fogg leaves, and the police think the thief is Fogg. Overall, I think this book should be read by everyone. ( )

A race to go around the world in 80 days in a balloon.

What a fantastic, thrilling, gripping story this is. What a nail-biter! Filled with fun characters, vivid locations, and a sense of desperate urgency, Around the World in Eighty Days by Jules Verne is deservedly a classic. I listened to this on audiobook read by Jim Dale and enjoyed every minute (except the truly nauseating little talk, added by the publisher, at the end. But I will rant about that later).

I was surprised to realize that I had probably never read the unabridged version of this story. I have a vague recollection of one of those Great Illustrated Classics, with a truly terrifying illustration of Passepartout in the opium den. Though I'm familiar with many of Verne's plots, I haven't really sat down with one of his books as an adult reader. I see I will have to rectify that.

Phileas Fogg is an eccentric English gentleman who has followed an unvarying pattern — to the minute — for most of his life. He is meticulous down to the temperature of his shaving water, and when his manservant brings him water that is two degrees too cold, Mr. Fogg has no alternative but to fire him. We arrive at the house in Savile Row the day the new servant, Passepartout, is to begin work. Passepartout is delighted at the prospect of a well-ordered, established life, but it is not to be. That very night, Fogg makes a twenty-thousand-pound bet at his club that he can travel around the world in eighty days. To the astonishment of his colleagues, who are well accustomed to his precise and unvarying life, Fogg sets out that very evening on his madcap voyage.

There is an interesting correlation between this story and that of Les Misérables; though completely opposite in tone and plot, both feature a legalistic, misled police inspector trailing the hero on all his journeys. Both inspectors step in to wreak ruin upon their quarry at the worst possible moment, and both, in the end, are foiled. That is probably as far as the comparison goes, but isn't it interesting? Les Misérables was published in 1862, and Around the World in Eighty Days in serial form in 1873.

I love Verne's descriptions; they are often so wryly humorous. Anyone who thinks classics are boring and slow really ought to read this book. He says that Fogg is "like an incarnation of the god of punctuality," and continually calls Passepartout a "dear fellow." Inspector Fix is also a very humorous and yet well-rounded character. Of Mrs. Aouda, alas, we do not see much.

I can't praise Jim Dale's reading enough; it was wonderful. His voices for the characters were superb. The only weakness was his voice for Mrs. Aouda, but it seems a common failing among male actors; they never can get the women's voices so well as the female actors can get the men's. But apart from that small quibble, I loved Dale's interpretation, especially of the beloved Passepartout! I will always hear his slightly breathless, emphatic, strongly accented voice in my head when I think of the character. (I should mention that another thing I love about audiobooks is that I learn how to pronounce all the words and names... Passepartout is pronounced "Paspertoo;" who knew?).

And now for the banal little talk at the end, given by the son of the man who started the Listening Library company (now owned by Random House). First off, the poor man's voice is not a pleasure to listen to after Dale's warm, rolling tones. It's nasally, effeminate, and just plain annoying. Even had his script been wonderful, it would have been hard to appreciate, read by that unfortunate voice.

And what he says is bad enough on its own account. Does Listening Library commend Verne for being interested in other countries and cultures, for opening new vistas to his readers, and demonstrating a vivid curiosity about the fascinating world around him? Do they praise his enthusiasm for the exotic and share his excitement for the geographical limitations that technology was removing? Oh no. Instead, the publishers chose to disparage his work as "unacceptable" by today's standards in its portrayal of "certain social structures" and "other cultures." Verne, they self-righteously sniff, displays a staggering "naivete" and "lack of appreciation and experience" for the various cultures that his characters encounter.

Sure, Verne had an imperfect understanding of the many cultures in his book. Do we, in chronological snobbery, really think our appreciation of every culture and "social structure" so perfect? Actually I was rather disappointed that the publisher did not actually mention the specific issues with the story, preferring rather to take the safe route of vague, lofty accusation. It's a good thing readers are generally intelligent enough to pick out these things for ourselves — where, oh where would we be without Listening Library to mold our minds? And there are textual refutations to their sweeping claims, if they would but condescend to play fair and be specific about what's giving them indigestion.

I find it absurd and unfair to judge a historical figure by modern standards. I think if any sermon must be made of the book's relative level of 21st-century political correctness or lack thereof (again, assuming we readers aren't astute enough to pick it out for ourselves), it ought to focus on the themes of the story rather than passing judgment on the author.

The cover art for this audiobook is further proof of the publisher's cluelessness. It features a large hot-air balloon... which Phileas Fogg never takes. Verne mentions a balloon for about two seconds as a method of travel that would most certainly not work for Mr. Fogg — and then the cover sports one prominently. *sigh*

But I don't want to leave you with all this negativity. The rating I am giving is strictly for the book. Random House/Listening Library's hamfisted approach is such a pity, because the actual production was excellent. I enjoyed the ethnic music that opened each new chapter, and of course Dale was great. And I suppose it's good the publishers didn't excise the parts they didn't like; this is unabridged, after all. But it's a 50th anniversary tribute to Listening Library's first audiobook production, which was this book. It might look bad if they interfered with the actual text itself.

If you think you are intelligent enough to perceive ideas that are in alignment with their historical setting (and actually, perhaps, ahead of their time) — if you're sure you won't suddenly morph into a bigot under Verne's pernicious influence — you really ought to give this book a try. It's funny, well written, and adventurous, and you'll enjoy every minute of Phileas Fogg's eighty days around the world. I certainly did. Highly recommended! ( )