Published in Baltimore at 50 cents, this is an American Shakespeare Penguin

Great writing with some hard to believe plot points. ( )

http://nwhyte.livejournal.com/1214499...

This is not particularly funny as comedies go (just as Cymbeline is not particularly tragic). The King of Sicilia becomes obsessed with his wife's relationship with the King of Bohemia; he hounds her to death (apparently) and has their baby daughter cast into the wilderness. Fortunately the girl survives, brought up by shepherds, to fall in love with the Bohemian prince. After some confusion (with a number of comedic moments) all is resolved happily; the dead queen is brought back to life, having been a statue (we are told) for fifteen years.

As with Cymbeline, there is a musical and dancing extravaganza, this time at the Bohemian sheep-shearing. I wonder if Shakespeare was under some semi-contractual obligation to include a spectacular musical scene? It depends a bit on the humorous character Autolycus, who dominates the relatively few scenes he is in.

And as for the ending, I'm totally convinced that Paulina has faked Hermione's death and the statue story is a cover the two of them have cooked up. I know that is not the usual interpretation, but it seems to me crystal clear from the script.

I was lucky enough to see the Sam Mendes / Simon Russell Beale production of this in Brooklyn earlier this year. The Arkangel audio version is inevitably only a partial substitute for the real thing. It also doesn't quite gel as some of the later productions do - sorry to bang on about accents again, but it seems off to have two Irish actors (Ciaran Hinds and Sinead Cusack) playing the king and queen of Sicilia, but sounding English - and yet to make the Bohemian peasants come from Mummerset. The standout performance, oddly, is the very very brief appearance of John Gielgud as Time. ( )

Classic Shakespeare romance. ( )

I listened to the audio version of this Shakespeare play a year ago and just now noticed that I didn't add it to my Library Thing list of books. So I'm adding it belatedly.

Because of the passage of time, it's plot isn't so fresh in my mind. I do recall that it is unique for Shakespeare in that the audience is misled into believing something that is later shown to not be true. The story contains an example of irrational jealousy which is certainly not unique. The story includes an incredible...more I listened to the audio version of this Shakespeare play a year ago and just now noticed that I didn't add it to my Goodreads list of books. So I'm adding it belatedly.

Because of the passage of time, it's plot isn't so fresh in my mind. I do recall that it is unique for Shakespeare in that the audience is misled into believing something that is later shown to not be true. The story contains an example of irrational jealousy which is certainly not unique. The story includes an incredible second chance to correct old wrongs. The story even includes a bear (that makes a brief appearance on stage) and a ship wreck (not on stage). The closing act has to be a significant experience to witness in a live production..

Read in December, 2007 ( )

FFYAA

The weakest Shakespeare I've read to date. ( )

Shakespeare, William. Winter Song. Illus. Melanie Hall. Wordsong, Honesdale, PA, 2006.
This is a single illustrated song from William Shakespeare’s Love’s Labor’s Lost. The song describes life in wintry England. Scenes of kitchen life, religious attendance, feasting and festivities are depicted.
The color palette of the artwork suggests winter’s cold with its whites, pale blues and dark blues. Speckles of white symbolize snow. Interior house scenes glow with orange and red warm colors. The scrubbed effect of paint and chalk on rough paper gives the pictures texture. The overall effect is very impressionistic. Some of the text is given an artistic treatment that suggests icicles through its angularity in the initial letter of each line of verse. The artwork definitely helps tell the story of the song.
This book would be best introduced to ages nine and up. Although, the book includes a glossary in the back, most children would find this poem more challenging than many that they are used to. This is an age where children have the ability to enjoy word play, puzzles and secret codes.
An extension to this poem would be to rewrite a winter poem in the child’s own natural language and then to illustrate it and capture the wintry mood of the poem.

This is one of Shakespeare's later works. There are a few gods coming out of the machine but they are bareable because of the superb writing. I like to think that this play was for Shakespeares wife and children who hardly saw him. It shows the rash king suffering for his wrongs, only to be rewarded in the end, but not without consequences. He missed his daughter's childhood and many years with his wife. Things are left hopefully though with a bittersweet ending typical of the aging bards later works.