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Loading... Thirteen Reasons Whyby Jay Asher
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won't like
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will love Sign up for LibraryThing to find out whether you'll like this book. VOYA (February 1, 2008) Listening to the audio cassettes found propped against his front door, Clay is shocked to hear the voice of Hannah, who killed herself two weeks earlier. On the tapes, Hannah explains why she committed suicide and how the thirteen people named in the tapes contributed to her decision to end her life. Clay learns that he is among those named. High school senior Clay is the novel's main narrator, but the story belongs to Hannah. She describes in an authentic, if overly self-aware, voice how slights and misunderstandings snowballed until she could no longer cope. Hannah's reputation is questioned, her parents are distracted by financial problems, her friends use her, and when she reaches out for help, no one steps forward. Readers will immediately identify with Hannah's experiences in high school society. From Hannah, readers realize the impact of thoughtless actions and comments. As Clay finishes Hannah's story, he becomes more perceptive and sensitive to others. Teens will embrace Asher's debut novel because it is not condescending or preachy. Sex and drugs are plot elements but are not graphically described. Short sentences make it a quick, smooth read, yet there is depth to the novel. This provocative tale touches on universal topics of interest, is genuine in its message, and would be a good choice for high school book discussions and booktalks. The attractive cover art is aimed at female readers. But because the content appeals to both genders, more readers would be drawn to the book if it featured Clay on the cover. --Judy Sasges. SLJ (November 1, 2007) Gr 7 Up-High school senior Clay Jensen receives seven audiotapes in the mail. They contain the story of why Hannah Baker, a girl he adored, committed suicide. Each side is devoted to a person in her life and a reason for her death. Clay also has a map of places featured on the recordings. He spends a torturous night listening and wandering, unearthing the depth and causes of Hannah's unhappiness. His torment is private-how did he hurt a girl he treasured from afar-and empathic-her hurts and betrayals tear him apart. Clay's pain is palpable and exquisitely drawn in gripping, casually poetic prose. The complex and soulful characters expose astoundingly rich and singularly teenage inner lives, with emotions as raw as cut wrists. The mood is more serious than somber, and Clay's thoughtful synthesis of Hannah's increasingly explosive narrative saves the novel from melodrama. In fact, Hannah's and Clay's narratives are woven together so seamlessly that the characters appear to converse naturally from opposite sides of mortality. Compounded, the tapes build the plot in increasingly tense increments-Hannah's story is a freight train of despair and suspense that picks up speed as it moves to her final undoing. Like the protagonist in John Green's Looking for Alaska (Dutton, 2005), Hannah is an animate ghost; Clay's bereaved voice bears witness to her tragedy. The episodic structure is nicely suited to reluctant readers, but the breakneck pace and dizzying emotion are the true source of this novel's irresistible readability at all levels.-Johanna Lewis, New York Public Library Copyright 2007 Reed Business Information. This is a popular title in junior high and high school libraries. A young girl who has committed suicide leaves behind tapes that outline the reasons why she did it. It certainly reminds the reader of the fragility of young people and how important it is to really listen to them. It also shows the power of rumors and the insecurity within that age group. I do think the book has a powerful message. I'm trying to decide why I only gave it three stars and it has to be because I thought, despite all I've written, that it was sort of boring. Yikes! That makes me sound cold and I'm not. Something about the prose was mechanical and it detracted. This is a great book. It was so good that I didn't want to finish it. Ever get that feeling or do you think I am totally mad? At the same time I couldn't put it down which was a bad thing because I was meant to be writing an english eassy. I think that it would be a good book to read as a class at school because it would make people more aware of what their actions and words might lead to. It was a great book and I think anyone would like it even if they don't like reading. Can't wait to read another book by this author any ideas would be great. For more mature readers--may be more high school than middle school due to the issues involved. A girl sends tapes she has made to 13 of her classmateswho have affected her life, explaining the role they had in her suicide. There are many issues for discussion here. The book affected me deeply. no reviews | add a review
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(retrieved from Amazon Fri, 24 Apr 2009 07:57:52 -0400)
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From library record - High school student Clay Jenkins receives a box in the mail containing seven cassette tapes recorded by his crush, Hannah Baker, who committed suicide, and spends a bewildering and heartbreaking night crisscrossing their town, listening to Hannah's voice recounting the events leading up to her death.
This is a Missouri Gateway Award nominee for 2009-2010. It is a harrowing book to read because of how much truth is in it. It would be a great book for classroom discussion on teen suicide, rumors, reputations, etc.
Review from School Library Journal
Gr 7 Up—High school senior Clay Jensen receives seven audiotapes in the mail. They contain the story of why Hannah Baker, a girl he adored, committed suicide. Each side is devoted to a person in her life and a reason for her death. Clay also has a map of places featured on the recordings. He spends a torturous night listening and wandering, unearthing the depth and causes of Hannah's unhappiness. His torment is private—how did he hurt a girl he treasured from afar—and empathic—her hurts and betrayals tear him apart. Clay's pain is palpable and exquisitely drawn in gripping, casually poetic prose. The complex and soulful characters expose astoundingly rich and singularly teenage inner lives, with emotions as raw as cut wrists. The mood is more serious than somber, and Clay's thoughtful synthesis of Hannah's increasingly explosive narrative saves the novel from melodrama. In fact, Hannah's and Clay's narratives are woven together so seamlessly that the characters appear to converse naturally from opposite sides of mortality. Compounded, the tapes build the plot in increasingly tense increments—Hannah's story is a freight train of despair and suspense that picks up speed as it moves to her final undoing. Like the protagonist in John Green's Looking for Alaska (Dutton, 2005), Hannah is an animate ghost; Clay's bereaved voice bears witness to her tragedy. The episodic structure is nicely suited to reluctant readers, but the breakneck pace and dizzying emotion are the true source of this novel's irresistible readability at all levels.—Johanna Lewis, New York Public Library Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. (