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Late Nights on Air: A Novel by Elizabeth Hay
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Late Nights on Air: A Novel

by Elizabeth Hay

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3952713,118 (3.66)61
Recently added bybogmommy, dliebroc, Romonko, Teofane1965, sutherhd, sjmccreary, shelfless, upatree, Clio12, private library
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A book about lost love, missed opportunities, wrong turns taken, potential not realized -- and about the chance of getting it right after all. A very lyrical book with many sensory aspects -- and yet, I didn't like it nowhere near as much as I thought I would. Somehow the pane of glass between me the reader and the protagonists never shattered. I could appreciate how finely crafted this book was, but something stopped me from caring about the characters (with the possible exception of the poor fox killed for the sake of yet another metaphor).
  littlegreycloud | Nov 13, 2009 |
A small radio station in a little town in the North of Canada, in the seventies, links the lives of the characters in this book. Some of them have just arrived in town and are new to their job, while others have been there for a while and are more experienced. All of them have gone there looking for a change in their lives. Dido, a beautiful European newcomer provides a focus for the first part of the novel. She has a natural talent as a radio broadcaster and is desired by several of her co-workers. Gwen, another young woman who has just arrived, is less attractive and has to work hard on her communication skills, and provides an interesting contrast to Dido, with whom she develops a strained relationship. Both of them have very different relationships with Harry, the boss, an older man who has tried his luck elsewhere but who has to come back north as he has failed to advance his career. Their lives are entangled with other characters who also work in the station, or are related to them, and the story progresses by shifting the focus from one character to another, driven by small incidents and big feelings. The depiction of a canoe trip by four of the characters during the summer is the best part of the book. Although the rhythms of nature rule the lives of the people in the book all the way through, it becomes more apparent in this section of the book, and the landscape and its moods become the main protagonist of the story. It is very evocative and very well observed: very beautiful!! The novel also contains some interesting ideas, such as a reflection on the way in which white explorers perceived the area, or the way in which the 'wilderness' is represented in their biographies and memoirs. It also makes reference to political issues such as who should have a voice when deciding if an area like that should be developed in a certain way, and the right of indigenous communities to have a voice and political representation. It is a thoughtful, poetic novel, which offers a good reflexion on personal relationships, in particular, towards the end, on how time changes the perception of those whom we have loved, and how much influence a brief encounter can have in our lives. ( )
2 vote alalba | Jun 17, 2009 |
I liked this book so much more than I expected to. It was given to me by a friend who wanted to know if it was accurate, since I grew up in Yellowknife, NWT, where the book's events take place. Actually, the book is set in the 1970's, around the time when my parents would have moved to the 'knife. I'll have to send the book along to my mom and find out if her descriptions of what the town was like at this time are accurate. I can speak from my own experience that her descriptions of the landscape are both accurate and poetic.

Hay's narrative style is compelling and insidious. I don't mean that in an entirely good way. Her style does have a certain pompous feel to it that I tend to find in "criticly acclaimed" novels. Early in the story, I kept noticing it and being annoyed. Within a few chapters, however, I was completely involved with her characters. She gets inside your head. Her understanding of character is such that the people in her books feel alive in all their glories and sorrows.

This book really captures frontier feel of Northern life that is close to unique in the last 50 years. I recommend this book for anyone interested in Canada's North, and also for anyone who just loves a well-written tale.

Side note: Late Nights on Air touches on many of the issues of the time, most notably land claims, native rights, and the Mackenzie Valley Pipeline. If you're going to read this book and you're not familiar with these issues, it might be worth hitting wikipedia before you crack open the book. ( )
2 vote vanedow | Apr 10, 2009 |
A few thoughts:

I found this book very romantic in a less conventional sense... Reminds me of Joni Mitchell's Case of You song.

You might have to love Canada to love this book (though you may not love this book even if you do love Canada).

Some passages were a little heavy handed... but I think that this book resonated so deeply with my sense of romance, adventure and Canadianism that I don't care at all.

I think I'll read everything you ever write from now on, Elizabeth Hay ( )
2 vote nursejane | Mar 10, 2009 |
I loved much of the writing of this book, but it felt unfocused. I kept having the question, who is this book about? Who can I identify with here? So much time was spent with Dido in the beginning and then she disappears. While we feel close to Harry in the first half, by the time we get to the camping trip that dominates the second half, he feels more like a supporting character, and Gwen more the centre. It was always shifting underneath me. ( )
  sushidog | Mar 3, 2009 |
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People/Characters
Important places
Important events
Awards and honors
Epigraph
Dedication
In memory of David Turney 1952 - 1988
First words
Harry was in his little house on the edge of Back Bay when at half past twelve her voice came over the radio for the first time.
Quotations
Harry confessed he had no sense of direction. He told Eleanor about he infamous night in Toronto when he went to play poker at a buddy's house for the umpteenth time, but walked into another house entirely, on a different block. "I was hanging up my coat when the owner came out of the kitchen. I figured he had to be the new player. So I said, 'Where's the booze?'"
Last words
(Click to show. Warning: May contain spoilers.)
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Book description

Amazon.com Product Description (ISBN 0771038119, Hardcover)

The eagerly anticipated novel from the bestselling author of A Student of Weather and Garbo Laughs.

Harry Boyd, a hard-bitten refugee from failure in Toronto television, has returned to a small radio station in the Canadian North. There, in Yellowknife, in the summer of 1975, he falls in love with a voice on air, though the real woman, Dido Paris, is both a surprise and even more than he imagined.

Dido and Harry are part of the cast of eccentric, utterly loveable characters, all transplants from elsewhere, who form an unlikely group at the station. Their loves and longings, their rivalries and entanglements, the stories of their pasts and what brought each of them to the North, form the centre. One summer, on a canoe trip four of them make into the Arctic wilderness (following in the steps of the legendary Englishman John Hornby, who, along with his small party, starved to death in the barrens in 1927), they find the balance of love shifting, much as the balance of power in the North is being changed by the proposed Mackenzie Valley gas pipeline, which threatens to displace Native people from their land.

Elizabeth Hay has been compared to Annie Proulx, Alice Hoffman, and Isabel Allende, yet she is uniquely herself. With unforgettable characters, vividly evoked settings, in this new novel, Hay brings to bear her skewering intelligence into the frailties of the human heart and her ability to tell a spellbinding story. Written in gorgeous prose, laced with dark humour, Late Nights on Air is Hay’s most seductive and accomplished novel yet, and is already garnering interest abroad.

On the shortest night of the year, a golden evening without end, Dido climbed the wooden steps to Pilot’s Monument on top of the great Rock that formed the heart of old Yellowknife. In the Netherlands the light was long and gradual too, but more meadowy, more watery, or else hazier, depending on where you were. . . . Here, it was subarctic desert, virtually unpopulated, and the light was uniformly clear.

On the road below, a small man in a black beret was bending over his tripod just as her father used to bend over his tape recorder. Her father’s voice had become the wallpaper inside her skull, he’d made a home for himself there as improvised and unexpected as these little houses on the side of the Rock — houses with histories of instability, of changing from gambling den to barber shop to sheet metal shop to private home, and of being moved from one part of town to another since they had no foundations.

From Late Nights On Air

(retrieved from Amazon Fri, 24 Apr 2009 07:57:52 -0400)

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