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Fear and Loathing in Las Vegas by Hunter S.…
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Fear and Loathing in Las Vegas (1971)

by Hunter S. Thompson

MembersReviewsPopularityAverage ratingConversations / Mentions
9,481108282 (4.12)1 / 185
1001 (41) 20th century (59) America (45) American (98) American Dream (42) American literature (102) autobiography (59) biography (66) classic (40) counterculture (83) drugs (433) fiction (494) gonzo (286) gonzo journalism (145) humor (145) Hunter S. Thompson (65) journalism (290) Las Vegas (200) literature (66) memoir (165) non-fiction (300) novel (65) own (41) politics (44) read (154) road trip (60) to-read (46) travel (61) unread (42) USA (62)
  1. 60
    Fear and Loathing in America : The Brutal Odyssey of an Outlaw Journalist by Hunter S. Thompson (Scrub)
  2. 10
    The Electric Kool-Aid Acid Test by Tom Wolfe (mcenroeucsb)
  3. 10
    The Curse of Lono by Hunter S. Thompson (gonzobrarian)
    gonzobrarian: The Curse of Lono may very well be the belated sequel to Fear and Loathing in LV; an older, more refined Thompson has savage epiphany in Hawai'i.
  4. 10
    A Confederacy of Dunces by John Kennedy Toole (mcenroeucsb)
    mcenroeucsb: Books with Delusional/Enlightened Outcast protagonists
  5. 00
    Budding Prospects by T. C. Boyle (mcenroeucsb)
  6. 00
    Inferno by August Strindberg (andejons)
    andejons: Both are filled with madness, paranoia, and fiction that does a fine job of masquerading as biography.
  7. 00
    Moscow Circles by Venedikt Erofeev (ljessen)
  8. 00
    The African Safari Papers by Robert Sedlack (mcenroeucsb)
  9. 00
    A Good Man in Africa by William Boyd (mcenroeucsb)
    mcenroeucsb: Books with Amusing Rogue protagonists
  10. 12
    Ruminations from the Garden by Don Henry Ford Jr. (infiniteletters)
  11. 02
    On the Road by Jack Kerouac (MyriadBooks)
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English (101)  Swedish (2)  Spanish (1)  All languages (104)
Showing 1-5 of 101 (next | show all)
HST is one crazy mofo. ( )
  bonniemarjorie | May 7, 2013 |
On page 40 or so, and so much America in this book. Overwhelmingly amazing and America. ( )
  alycias | Apr 4, 2013 |
This book was a trip, in sort of the same way [b:On The Road|6288|The Road|Cormac McCarthy|http://ecx.images-amazon.com/images/I/21E8H3D1JSL._SL75_.jpg|3355573] was. You just have to marvel at the guy. Actually, what I really liked about this book was that, as the Modern Library edition, it also included "other American stories" - the original jacket copy, "Strange Rumblings in Aztlan" (my favorite), and "The Kentucky Derby is Decadent and Depraved". ( )
  JennyArch | Apr 3, 2013 |
This is a book which I have looked forward to reading for a while and now I've done so I feel rather deflated because if truth be told I just did not get it, in truth this is one of the very few occasions where I felt that the film was better than the book. Then I guess that it is what I like to refer to as a marmite book, you either love it or hate it.

Those who don't know the story it is a semi-journalistic, semi-fictional account of a trip that the author made to Las Vegas with his attorney at the height of the Vietnam War, flower power and amidst a burgeoning drugs culture.

This was supposed to be an expose on the death of the 'American Dream' and the blurb talked of "perilous, chemically enhanced confrontations with casino operators, police officers and assorted Middle Americans" so I was expecting some close encounters with thugs and red-necks. Instead we seem to have two characters who seem to lack any aim other than be totally boorish while striving to stay out of prison. Both are selfish, arrogant, obnoxious and irresponsible individuals who go around terrorizing maids and waitresses.

Perhaps it is down to a lack of taking illegal drugs in my youth but I really failed to connect with the characters or the story, such as it was, and while I did smirk on a few occasions if it were not for the originality of the book and the ease of the author's prose this would probably have scored less. If you want an enjoyable, crazy weekend I suggest you get some friends and go out and live it rather than read about someone else doing so. I suggest that it will probably create a more lasting memory, failing that try having half a dozen cans of Special Brew first. ( )
  PilgrimJess | Mar 7, 2013 |
Smug, dated, boring authorial masturbation with no literary merit whatever--indistinguishable from the hordes of hacks and comp 101 deep thinkers who’ve copied it. ( )
  Michael.Xolotl | Mar 5, 2013 |
Showing 1-5 of 101 (next | show all)
"Fear and Loathing in Las Vegas" is a number of things, most of them elusive on first reading and illusory thereafter. A solid second act by the author of "Hell's Angels," it is an apposite gloss on the more history-laden rock lyrics ("to live outside the law you must be honest")
 
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Epigraph
"He who makes a beast of himself gets rid of the pain of being a man." -- Dr. Johnson
Dedication
To Bob Geiger, for reasons that need not be explained here -- and to Bob Dylan, for Mister Tambourine Man
First words
We were somewhere around Barstow on the edge of the desert when the drugs began to take hold. I remember saying something like 'I feel a bit lightheaded; maybe you should drive . . .' And suddenly there was a terrible roar all around us and the sky was full of what looked like huge bats, all swooping and screeching and diving around the car, which was going about a hundred miles an hour with the top down to Las Vegas. And a voice was screaming, 'Holy Jesus! What are these goddamn animals?'
Quotations
What were we doing out here? What was the meaning of this trip? Did I actually have a big red convertible out there on the street? was I just roaming around these Mint Hotel escalators in a drug frenzy of some kind, or had I really come out here to Las Vegas to work on a story?
All those pathetically eager acid freaks who thought they could buy Peace and Understanding for three bucks a hit. But their loss and failure is ours, too. What Leary took down with him was the central illusion of a whole life-style that he helped to create...a generation of permanent cripples, failed seekers, who never understood the essential old mystic fallacy of the Acid Culture: the desperate assumption that somebody-or at least some force-is tending the Light at the end of the tunnel.
Buy the ticket take the Ride
Every now and then when your life gets complicated and the weasels start closing in, the only cure is to load up on heinous chemicals and then drive like a bastard from Hollywood to Las Vegas ... with the music at top volume and at least a pint of ether.
You can always turn your back on a person, but you can never turn your back on a drug... especially when it's waving a hunting knife in your eyes.
Last words
(Click to show. Warning: May contain spoilers.)
Disambiguation notice
I think it should be clasified in american literature maybe 813.73, near salinger or kesey 
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Book description
The basic synopsis revolves around journalist Raoul Duke and his attorney, Dr. Gonzo, as they arrive in 70's Las Vegas to report on the Mint 400 motorcycle race. However, they soon abandon their work and begin experimenting with a variety of recreational drugs, such as LSD, cocaine, mescaline, and cannabis. This leads to a series of bizarre hallucinogenic trips, during which they destroy hotel rooms, wreck cars, and have visions of anthropomorphic desert animals, all the while ruminating on the decline of American culture.
Haiku summary

Amazon.com Amazon.com Review (ISBN 0679785892, Paperback)

Heralded as the "best book on the dope decade" by the New York Times Book Review, Hunter S. Thompson's documented drug orgy through Las Vegas would no doubt leave Nancy Reagan blushing and D.A.R.E. founders rethinking their motto. Under the pseudonym of Raoul Duke, Thompson travels with his Samoan attorney, Dr. Gonzo, in a souped-up convertible dubbed the "Great Red Shark." In its trunk, they stow "two bags of grass, seventy-five pellets of mescaline, five sheets of high-powered blotter acid, a salt shaker half-full of cocaine and a whole galaxy of multicolored uppers, downers, screamers, laughers.... A quart of tequila, a quart of rum, a case of Budweiser, a pint of raw ether and two dozen amyls," which they manage to consume during their short tour.

On assignment from a sports magazine to cover "the fabulous Mint 400"--a free-for-all biker's race in the heart of the Nevada desert--the drug-a-delic duo stumbles through Vegas in hallucinatory hopes of finding the American dream (two truck-stop waitresses tell them it's nearby, but can't remember if it's on the right or the left). They of course never get the story, but they do commit the only sins in Vegas: "burning the locals, abusing the tourists, terrifying the help." For Thompson to remember and pen his experiences with such clarity and wit is nothing short of a miracle; an impressive feat no matter how one feels about the subject matter. A first-rate sensibility twinger, Fear and Loathing in Las Vegas is a pop-culture classic, an icon of an era past, and a nugget of pure comedic genius. --Rebekah Warren

(retrieved from Amazon Thu, 03 Jan 2013 04:11:31 -0500)

(see all 6 descriptions)

Records the experiences of a free-lance writer who embarked on a zany journey into the drug culture.

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