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Campo Santo by W. G. Sebald
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Campo Santo

by W. G. Sebald

MembersReviewsPopularityAverage ratingMentions
285335,936 (3.89)13
  1. 00
    Ästhetik des Widerstands. by Peter Weiss (gust)
  2. 00
    On Suicide: A Discourse on Voluntary Death by Jean Améry (gust)
    gust: Sebald wijdt een essay aan Améry
  3. 00
    Diaries of Franz Kafka 1914-1923 by Franz Kafka (gust)
    gust: Sebald wijdt een essay aan de dagboeken.
  4. 00
    Das Kapital: A novel of love and money markets by Viken Berberian (fishersnap)
    fishersnap: Both may change your relationship on how you look at nature.
  5. 00
    The Cyclist: A Novel by Viken Berberian (fiktions)
    fiktions: Erudite and well burnished.
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Showing 3 of 3
I liked what I read and skipped over what did not interest me. His speech at the end was cool as were his essays regarding Kafka. ( )
  MSarki | Mar 31, 2013 |
Not my favorite Sebald-- but anything he writes tends to stand head and shoulders above most other recent writing. ( )
  KatrinkaV | Mar 19, 2012 |
Después de Austerlitz, posiblemente su mejor obra, he podido leer éste su libro póstumo. Es una lástima que no conozca mejor a algunos de los autores que maneja, como Kafka, puesto qwue disfrutaría más de la lectura de unos ensayos excelentes. Como siempre su prosa atrapa, te arastra a rincones que crees no existen. Posiblemente sea Sebald el escritor más hondo, que no profundo, que conozco. La primera parte del libro, dedicado a Córcega es excelente, en su línea de mestizaje entre literatura de viajes, ensayos, memorialística; los ensayos literarios son muy placenteros de leer, repletos de agudas observaciones pero, como dije, no los puedo disfrutar plenamente al desconocer a sus autores. La suerte es que me ha hecho encender mi curiosidad por Bruce Chatwin y, definitivamente, por Jean Améry de quien próximamente leeré algo. Los discursos que figuran en la tercera parte son una auténtica maravilla, en especial el dedicado a la música.

Estupendo. ( )
  Saltamontes73 | Aug 11, 2009 |
Showing 3 of 3
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Amazon.com Product Description (ISBN 0812972325, Paperback)

“W. G. Sebald exemplified the best kind of cosmopolitan literary intelligence–humane, digressive, deeply erudite, unassuming and tinged with melancholy. . . . In [Campo Santo] Sebald reveals his distinctive tone, as his winding sentences gradually mingle together curiosity and plangency, learning and self-revelation. . . . [Readers will] be rewarded with unexpected illuminations.”
–The Washington Post Book World

This final collection of essays by W. G. Sebald offers profound ruminations on many themes common to his work–the power of memory and personal history, the connections between images in the arts and life, the presence of ghosts in places and artifacts. Some of these pieces pay tribute to the Mediterranean island of Corsica, weaving elegiacally between past and present, examining, among other things, the island’s formative effect on its most famous citizen, Napoleon. In others, Sebald examines how the works of Günter Grass and Heinrich Böll reveal “the grave and lasting deformities in the emotional lives” of postwar Germans; how Kafka echoes Sebald’s own interest in spirit presences among mortal beings; and how literature can be an attempt at restitution for the injustices of the real world.
Dazzling in its erudition, accessible in its deep emotion, Campo Santo confirms Sebald’s status as one of the great modern writers who divined and expressed the invisible connections that determine our lives.

(retrieved from Amazon Tue, 19 Apr 2011 07:32:48 -0400)

(see all 2 descriptions)

"In this final collection of sixteen essays by W.G. Sebald, one of the most elegant and incisive authors of our time, all of his trademark themes are contained - the power of memory and personal history, the connections between images in the arts and life, the presence of ghosts in places and artifacts." "Four pieces pay tribute to the Mediterranean island of Corsica, weaving elegiacally between past and present. In "A Little Excursion to Ajaccio," Sebald visits the birthplace of Napoleon and muses on the hints in his childhood home of a great man's future. Inspired by an Italian ceremony, "Campo Santo" is a reverie on death, ranging from the ambiguity of inscriptions to the size of gravestones to the blood-soaked legend of Saint Julien. Sebald also examines how the works of Gunter Grass and Heinrich Boll reveal "the grave and lasting deformities in the emotional lives" of postwar Germans, how Kafka echoes Sebald's own interest in spirit presences among mortal beings, and how literature can be an attempt at restitution for the injustices of the real world."--BOOK JACKET.… (more)

» see all 3 descriptions

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