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The Factory of Facts by Luc Sante
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The Factory of Facts

by Luc Sante

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An odd but intriguing book that blends memoir and history (mostly about Belgium) on Sante’s theory that as individuals we are formed by historical accidents that take place long before we arrive on the scene. As an approach it doesn’t quite work--the history segments tend toward didacticism--but when Sante is writing about himself and his family he shines as a stylist and a wry humorist. His thoughts about growing up in two languages and two cultures are compelling; the opening chapter is original and amusing. ( )
  sallysvenson | Mar 15, 2012 |
Before reading this book, I rarely thought about Belgium: perhaps in the context of its residents using mayonnaise on their frites or of its being geographically susceptible to invasion. But thanks to the power of Luc Sante's writing in this loosely termed memoir, I've now learned about Belgium's history, geography, art, writing, food, language(s), national character, and more, as well as about Sante's early life in Belgium and how the country stayed with him after his family immigrated to the United States, specifically to New Jersey, when he was a child. Along with all the information about Belgium (as with his Low Life, which I read and loved earlier this summer, Sante loves to pile on fact after fact, name after name, much more than the reader can retain, yet absorbing nonetheless), Sante gives lovely portraits of his parents, extended family, and the Belgian built environment; plays with language; explores the duality of immigration, part here, part there; and is generally witty and fun to read. I have become an admirer of his writing.
9 vote rebeccanyc | Sep 1, 2011 |
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Amazon.com Amazon.com Review (ISBN 0679424105, Hardcover)

Luc Sante's memoir/history features the same elegant, faintly sardonic prose that distinguished his first book, Low Life. Born in Belgium in 1954, transplanted to New Jersey at age 5, he intermingles evocative material about his familial and national past with glimpses of his American experiences. Sante's not one to bare his soul, but the cumulative effect of his impressionistic technique is revealing: when he describes the hallmarks of his natal land as "ambivalence, invisibility, secretiveness, self-doubt, passivity, irony, and derision," we infer that these traits also form the author's essence.

(retrieved from Amazon Thu, 24 Jan 2013 08:37:44 -0500)

(see all 2 descriptions)

Born in a factory town in southern Belgium in 1954, he was brought by his parents to the United States as a small child. Not quite knowing where he belonged, Sante grew up split: half in the old world, half in the new one, and resentful of both. His native land became ever more an abstraction, until he revisited it at age thirty-five. Suddenly he felt "as if I were taking a walking tour of my subconscious." So Sante becomes a detective, digging for clues to his childhood, to the lives of his parents, to the murky traces of his ancestors. He examines the social history of his native town, Verviers, which turns out to have been the home of his forebears for a millennium - a harsh industrial city, the birthplace of anarchists, autodidacts, and violin prodigies. And he looks at Belgium itself, an "artificial" country, "cast under the sign of ambivalence."… (more)

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