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Light in August by William Faulkner

Light in August (1932)

by William Faulkner

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6,15059662 (4.02)1 / 428

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Showing 1-5 of 57 (next | show all)
Will Patton deserves an oscar/pulitzer/emmy for his spell-binding/genius/hair-raising performance of Faulkner's tragic/horror/comedy/farce Light in August. Quite simply, this is one of the best audio books I have ever had the pleasure of spending 13 hours with. Patton's reading captures all the nuance of Faulkner's prose without ever striking a false or cliched note. Patton should be the only actor allowed to record Faulkner from here on out. ( )
  byebyelibrary | May 23, 2015 |
this is the faulkner that i like best, of the 4 that i've now read (as i lay dying, go down, moses, the sound and the fury, and now light in august). i can't say that i particularly like his writing style in this book, but at the same time, it suits what he's done here. this was a bit of slow going for me, but part of that was because i wanted to make sure i was absorbing it all, and part of it was because the language and phrasing doesn't make for quick reading.

in spite of it not being my preferred style of writing, or of even necessarily understanding everything i read throughout, i thought this was quite beautiful (i even love the title) and liked this quite a bit more than i expected. he has a lot of interesting things to say about a time, and shows us a lot about racism and sexism in that time.

"Memory believes before knowing remembers. Believes longer than recollects, longer than knowing even wonders."

"Knowing not grieving remembers a thousand savage and lonely streets."

this is probably not as nice out of context but it's my favorite passage in the book:

"He hears above his heart the thunder increase, myriad and drumming. Like a long sighing of wind in trees it begins, then they sweep into sight, borne now upon a cloud of phantom dust. They rush past, forwardleaning in the saddles, with brandished arms, beneath whipping ribbons from slanted and eager lances; with tumult and soundless yelling they sweep past like a tide whose crest is jagged with the wild heads of horses and the brandished arms of men like the crater of the world in explosion. They rush past, are gone; the dust swirls skyward sucking, fades away into the night which has fully come. Yet, leaning forward in the window, his bandaged head huge and without depth above the twin blobs of his hands upon the ledge, it seems to him that he still hears them: the wild bugles and the clashing sabres and the dying thunder of hooves." ( )
  elisa.saphier | Feb 10, 2015 |
OK, I admit it! I just don't like Faulkner. I finished the book but had to really work hard at it. ( )
  cmaese | Dec 26, 2014 |
I reread this great classic recently, after having read a lot of Faulkner in college. I found I did not remember it, but had the chance to rediscover the book and admire it all over again. The mysterious Joe Christmas is a potent depiction of the emotional damage caused by the simmering rage of a child, unloved and excluded by all, including his natural mother and grandparents, his orphanage peers, his violent and abusive adoptive father, and his first lover. As an adult he is a fully formed psychopath, preying on a series of women and then becoming violent when he reveals he is part black and they reject him (or not!). His travels, ending in the inevitable violence at the center of the novel, make up the heart of the book. But he is surrounded by many other characters, some more fully developed than others - and all representing the different strands of post-WWI Mississippi, which come together in a second climactic act of violence. A brilliant and comprehensive picture of a sick society's struggle to redefine itself in the wake of war and social upheaval. ( )
  kishields | Nov 23, 2014 |
“…a fellow is more afraid of the trouble he might have than he ever is of the trouble he’s already got. He’ll cling to trouble he’s used to before he’ll risk a change. Yes. A man will talk about how he’d like to escape from living folks. But it’s the dead folks that do him the damage. It’s the dead ones that lay quiet in one place and don’t try to hold him, that he can’t escape from.”

Light in August, set in Faulkner’s oft used Yoknapatawpha County, follows three separate yet connected storylines that focuses on race and violence in the deep South. The novel opens with a pregnant Lena Grove traveling the South on foot to find her baby’s father, a man she knows by the name of Lucas Burch but is actually named Joe Brown. She is led to a man named Byron Bunch who everyone thinks she must mean, since no one they know is named Lucas Burch. He becomes quickly obsessed with Lena, wishes to marry her, and subsequently keeps her from the baby’s father. The second storyline focuses on Joe Christmas, a troubled man who is uncertain about his birth and believes himself to be half-black. He works at a local lumber mill but only in an attempt to disguise his illegal liquor business where he makes most of his money. He becomes partners with a man named Joe Brown. The third and final story to tie everything together is Gail Hightower, a local ex-minister after he became involved in scandal that forever tarnished his name.

‘It is just dawn, daylight: that gray and lonely suspension filled with the peaceful and tentative waking of birds. The air, inbreathed, is like spring water. He breathes deep and slow, feeling with each breath himself diffuse in the neutral grayness, becoming one with loneliness and quiet that has never known fury or despair.’

The novel is richly written, exquisitely descriptive and oftentimes complex as it alternates being multiple individuals and also between their pasts and their present. Each separate story continues on its own path yet they are all skillyfully and slowly intertwining leaving the reader oblivious to the obvious connections until the pieces finally come together at the end. The histories of each person may seem of little consequence but it only seeks to show how ones past is what forms their future, and how it will forever haunt you. Faulkner succeeds in not only bringing to life the small town mentality, but of a Southern small town in the 1920s with all its judgmental prejudices. Light in August is a tragic tale but completely unforgettable due to its ending that won’t go easy on your nerves. This is my first Faulkner and while it certainly wasn’t an easy read, it won’t be my last. ( )
  bonniemarjorie | Sep 3, 2014 |
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Sitting beside the road, watching the wagon mount the hill toward her, Lena thinks, 'I have come from Alabama: a fur piece.'
Memory believes before knowing remembers. Believes longer than recollects, longer than knowing even wonders.
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(Click to show. Warning: May contain spoilers.)
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Amazon.com Product Description (ISBN 0679732268, Paperback)

“Read, read, read. Read everything—trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You’ll absorb it. Then write. If it is good, you’ll find out. If it’s not, throw it out the window.” —William Faulkner
Light in August, a novel about hopeful perseverance in the face of mortality, features some of Faulkner’s most memorable characters: guileless, dauntless Lena Grove, in search of the father of her unborn child; Reverend Gail Hightower, who is plagued by visions of Confederate horsemen; and Joe Christmas, a desperate, enigmatic drifter consumed by his mixed ancestry.

(retrieved from Amazon Mon, 30 Sep 2013 13:20:29 -0400)

(see all 5 descriptions)

Joe Christmas does not know whether he is black or white. Faulkner makes of Joe's tragedy a powerful indictment of racism; at the same time Joe's life is a study of the divided self and becomes a symbol of 20th century man. Light in August is the story od Lena Grove's search for the father of her unborn child, and features one of Faulkner's most memorable characters: Joe Christmas, a desperate drifter consumed by his mixed ancestry.… (more)

(summary from another edition)

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