If you write anything, for any reason, ever, you should read this book repeatedly. Strunk and White lay out logical, easily-understood rules for clear and effective prose. The rules cover punctuation, parts of speech, sentence and paragraph structure, and spelling, not in exhaustive detail, but in a way that makes it easy to remember. The advice is solid and sound. The book includes a glossary at the end; if you need a refresher on grammatical terminology, start there first and then read the book. Strunk and White assume the reader is conversant in the parts of speech, and I found myself a bit at sea, since the last real grammar instruction I had was in 1992.

My edition is the one illustrated by Maira Kalman, and while the illustrations are whimsical and entertaining, they are more or less the visual equivalent of what the book suggests one not do with one's prose. Rarely do they elucidate any point made by the authors; frequently, they are either obscure themselves, or obscure the authors' points. As nice-looking as this edition is, I'd probably go for something less frilly if I ever needed to replace it.

If you write, this book should be on your desk. It's concise, engaging, and an excellent resource. ( )

The Elements of Style by William Strunk Jr. and E.B. White is a classic that should be in every writer's library. It is full of good guidance, practical examples, and useful advice. More than just a reference book it should be reread at least once a year. ( )

Improve your writing with a liberal application of "The Elements of Style"

There must be some structure to language. We must agree on some aspects of it, and creating rules and definitions around those mutual agreements helps to foster intelligibility throughout the language.

Likewise, this agreement to abide by these rules means that we can teach communication. This does not mean only in the case of children, but it certainly simplifies it for them. This also means that writers can continue to learn, to interact, and to write understandably and not wastefully.

We take these rules from traditions, but also from common sense. Strunk's rulings on word use (especially amongst words with similar meanings) are based on the root words, and the original meanings. Strunk means to separate these similar words so that instead of synonyms, we have two similar but precise words.

This also prevents confusion, as various English dialects may take these words in different ways, but all share the same roots.

However, language changes constantly, so regulating it and placing rules on it is difficult. Many feel that it stifles creativity, or that it places hegemonic power in the hands of the elite. One benefit of this regulation is that we can read Shakespeare today with little trouble.

Dictionaries came into popularity around the time of Shakespeare, as did the study of philology. We have more trouble reading Chaucer, even though only two-hundred years separate Chaucer and Shakespeare, while twice that length separates Shakespeare from us.

The work of Strunk and White is not to close off language, nor to set it absolutely free, but to make a linguistic analysis of its forms, meanings and changes, but one that the layman can appreciate. The work is somewhat dated by today's standards, but this actually provides the perfect example for many of the book's observations on the mutability of language.

It likewise supports the assertion that language may change, but not as much as you might think. Strunk and White is just as useful to an author today as it was when it was compiled.

It is light-hearted and often humorous, and presents language and communication in a thoughtful way. Any writer should come away from this book with a new respect for language, and with a keener eye for seeing their own writing.

While the book sometimes seems severe in its regulations, this is only because misuse is so rampant and so ugly. Similarly, someone might tell you "under no circumstances should you balance on a chair on the edge of the roof of a ten story building". This rule is perfectly reasonable, despite the fact that some well-trained, adventurous individuals are quite capable of this feat.

The fact remains that for the majority, violating these simple rules will result in an unsightly mess. A talented and experienced writer can flaunt and even break the rules when it suits him. The greatest writers do, and this book gives examples of how and why they do it.

However, rules are how we create meaning. Whether you follow them or break them, you must know them and understand how they work in order to communicate to your reader. You cannot subvert and idea unless you understand it, and you cannot communicate anything to your reader that doesn't have a basis in their experiences and understanding.

There is no impressive act of creation that is not conscious and considered, because rebellion cannot happen in a void. It's the rule that proves the exception. ( )

Indispensable for anyone who wants to write well. As much a primer on clear thinking as clear writing. ( )