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The Years with Laura Díaz by Carlos Fuentes

The Years with Laura Díaz (1999)

by Carlos Fuentes

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Horrible book. Another loser pick from Militza. This one was so bad, I couldn't finish it. About some idiot woman that has no redeeming qualities at all. She doesn't seem to have any talents for anything: hangs around artists, but doesn't really produce anything; is married to some labor leader, but she does nothing political; hangs around some philosopher types but contributes nothing; can't parent well, is not a good wife, and who knows what else. Definitely not a heroine in my book. ( )
  JCO123 | Jan 17, 2011 |
I bought this book because it was set in various parts of Mexico which I already knew and I was planning a return trip. I liked it for the Mexico references and history plus the bonus of lots of Mexico-specific vocabulary. I didn't really think the story itself was fantastic. But maybe that's due to my mediocre grasp of Spanish. ( )
  hippietrail | Sep 7, 2005 |
Leído ( )
  Reina55 |
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Dedico este libro de mi ascendencia
a mi descendencia
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El recuerdo, a veces, se puede tocar.
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(Click to show. Warning: May contain spoilers.)
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Amazon.com Amazon.com Review (ISBN 0156007568, Paperback)

A millennial novel with centennial breadth, The Years with Laura Díaz follows one woman through the 20th century in Mexico, witnessing its political upheavals, technological advances, and bitterly uneven social and artistic progress. Born on her grandfather Don Felipe's coffee plantation at Catemaco in 1898, Laura knows both the privilege of wealth and its limitations. Her parents, Leticia and Fernando, live apart, prudently waiting until Fernando can support his family in the larger town of Veracruz. While Don Felipe fights the laurel branches that continually weave their way through his delicate coffee plants, Laura watches as her gifted unmarried aunts are consumed by the forced idleness of their kind: Hilda, who plays Chopin to empty rooms, and Virginia, whose love poems never reach a suitor.

In Veracruz, Laura will find a focus for her own youthful longing, her half-brother Santiago, whose clandestine aid to the anarchist-syndicalists leads to his execution. After his death, she is expected to follow the girlish ambitions of her friends: taking dancing lessons and learning to listen to men. Yet in honor of her half-brother's memory, she embraces the revolution, and, hoping to avoid the fate of her virgin aunts, marries a solemn, dark-skinned, working-class hero. "The active life was preferable," Laura concludes at the ripe age of 22. For a woman, inevitably, this means "a life committed to another life."

A daughter, a wife, and then a mother, Laura is more or less dragged along by history. Eventually she must sacrifice not only Santiago but her own son and grandson to the violent game of musical chairs that is Mexican political life. Perhaps because of the almost laughable instability of power in Mexico, Fuentes is compelled to devote much of his narrative energy to explaining the rapid changes of guard--presidential assassinations succeeded by coups followed by questionable elections.

The poor and downtrodden, by contrast, are always there. Laura's husband takes her to the barrios of Mexico City to dissuade her from assuming anything but a housewife's role in political affairs. Later, a lover leads her through a nocturnal wasteland, a city of the poor, showing her deformed beggars, and stunted, starving children:

Laura, did your husband show you this, or did he only show you the pretty side of poverty, the workers with their cheap shirts, the whores with their powder, the organ grinders and locksmiths, the tamale sellers and the saddlers? Is that his working class? Do you want to rebel against your husband? Hate him because he didn't give you a chance to do something for others, treated you with contempt?
Laura decides that although she can't save everyone, she can save herself through work. And the first work she undertakes--wonderfully and bizarrely--is as a traveling companion to Frida Kahlo.

Given the time span and the gravity of occurrences this epic covers, it is no surprise that this character herself often seems to stand still while events and people move around her. Because of this, perhaps, The Years with Laura Díaz is not the clearest articulation of Fuentes's historical vision, nor his most moving work. Its emotional power is cumulative, however, and few readers will be able to put the novel down after the first hundred pages. --Regina Marler

(retrieved from Amazon Thu, 12 Mar 2015 18:21:44 -0400)

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"The action begins in the state of Veracruz and then moves to Mexico City, tracing a migration during the Revolution and its aftermath that is an important element in Laura Diaz's life as well as in Mexico's history. This young woman, born in 1898, grows into a devoted wife and mother, becomes the lover of great men, and, before her death in 1972, is celebrated as a politically committed artist on whom none of the poignant paradoxes of Mexican life have been lost. Significantly, her life story comes to us thanks to her Chicano great-grandson, inheritor of both her gifts and her paradoxes: the novel opens in Detroit and closes in Los Angeles with him.". "Laura Diaz is a complicated and alluring heroine whose brave honesty and good heart prevail despite her losing a brother and a grandson to the darkest forces of Mexico's turbulent, corrupt politics, and a son to the ravages of a disease that consumes him before his greatness can be fulfilled. Yet in the end she is a happy woman, despite the tragedy and loss, for she has borne witness to and helped to affect her country's life, and she has loved and understood with unflinching honesty."--BOOK JACKET.… (more)

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