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The Madonnas of Leningrad by Debra Dean
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The Madonnas of Leningrad (original 2006; edition 2006)

by Debra Dean

MembersReviewsPopularityAverage ratingMentions
1,7581149,760 (3.84)220
"An extraordinary debut, a deeply lovely novel that evokes with uncommon deftness the terrible, heartbreaking beauty that is life in wartime. Like the glorious ghosts of the paintings in the Hermitage that lie at the heart of the story, Dean's exquisite prose shimmers with a haunting glow, illuminating us to the notion that art itself is perhaps our most necessary nourishment. A superbly graceful novel."  -- Chang-Rae Lee, New York Times Bestselling author of Aloft and Native Speaker Bit by bit, the ravages of age are eroding Marina's grip on the everyday. An elderly Russian woman now living in America, she cannot hold on to fresh memories--the details of her grown children's lives, the approaching wedding of her grandchild--yet her distant past is miraculously preserved in her mind's eye. Vivid images of her youth in war-torn Leningrad arise unbidden, carrying her back to the terrible fall of 1941, when she was a tour guide at the Hermitage Museum and the German army's approach signaled the beginning of what would be a long, torturous siege on the city. As the people braved starvation, bitter cold, and a relentless German onslaught, Marina joined other staff members in removing the museum's priceless masterpieces for safekeeping, leaving the frames hanging empty on the walls to symbolize the artworks' eventual return. As the Luftwaffe's bombs pounded the proud, stricken city, Marina built a personal Hermitage in her mind--a refuge that would stay buried deep within her, until she needed it once more. . . .… (more)
Member:Coverpoint
Title:The Madonnas of Leningrad
Authors:Debra Dean
Info:William Morrow (2006), Paperback, 240 pages
Collections:Your library
Rating:
Tags:Fiction - General

Work Information

The Madonnas of Leningrad by Debra Dean (2006)

  1. 30
    The Siege by Helen Dunmore (Imprinted)
  2. 30
    People of the Book by Geraldine Brooks (mrstreme)
    mrstreme: Similar history of how museum workers scrambled to save pieces of art during wartime
  3. 00
    Moving Pictures by Kathryn Immonen (cransell)
  4. 00
    The 900 Days: The Siege of Leningrad by Harrison E. Salisbury (Imprinted)
  5. 00
    Tinkers by Paul Harding (Limelite)
    Limelite: Another beautiful and deeply satisfying novel about love, memory, and family delivered to the reader through the mind of a dying man. Instead of paintings, his "memory palace" is filled with clocks.
  6. 00
    Ordeal of the Hermitage: The Siege of Leningrad 1941-1944 by Sergei Varshavsky (Anonymous user)
    Anonymous user: Author resource
  7. 00
    Winter Garden by Kristin Hannah (kthomp25)
    kthomp25: A fictional account of a woman who lives through the Siege of Leningrad and is separated from family only to find them many years and another lifetime later.
  8. 00
    Through the Burning Steppe: A Wartime Memoir by Elena Kozhina (Imprinted)
    Imprinted: Author Elena Kozhina survived the Siege of Leningrad and grew up to become a curator at the Hermitage Museum.
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» See also 220 mentions

Showing 1-5 of 113 (next | show all)
a heartbreaking work of staggering genius ( )
  turtleburger | Jan 14, 2024 |
Here's what I wrote in 2008 about this read: "Good story the brings to life a famous Russian museum, the Hermitage. A failing elderly woman now living in the US dimly recalls her youth and love as museum docent and then resident during the seige of Leningrad." This story infected me with the desire to visit the Hermitage but it for-sure won't happen while Vladimir Putin is power . . .and may never. ( )
  MGADMJK | Jul 28, 2023 |
a heartbreaking work of staggering genius ( )
  nospmisannah | Nov 27, 2022 |
It was wonderful to read this book again. I read it a long time ago, and enjoyed it more this time around. This is a story of The Siege of Leningrad. Years ago, in undergrad college, I read Harrison Salisbury's book which focused on the 900 day take over by Germany during WWII. This book focuses not only on the take over of Leningrad by the Germans in World War II, but also on the way in which it impacted on the art work kept in the exquisite collection previously housed in the Russian Hermitage.

The writing is stellar, and the reader can almost feel the icy climate and the bitter cold as the heat is non existent, and the paintings are gone. Wisely taken off the walls and stored elsewhere for security purposes, the author does an excellent job of portraying room after room without paintings, but keeping the frames on the walls in the hope that the beautiful art will one day be returned to where they belong.

The main character is a young woman, now old and suffering from severe loss of memory. Marina keeps a visual memory of each painting in the hope that they all will be returned in the quality they were when they were stashed away.

I highly recommend this book, and the one written by Harrison Salisbury titled The 900 Days: The Siege of Leningrad ( )
  Whisper1 | Nov 3, 2022 |
Lynda had this one for our book club. May 12, 2016 ( )
  PatLibrary123 | Aug 9, 2022 |
Showing 1-5 of 113 (next | show all)
Her granddaughter's wedding should be a time of happiness for Marina Buriakov. But the Russian emigre's descent into Alzheimer's has her and her family experiencing more anxiety than joy. As the details of her present-day life slip mysteriously away, Marina's recollections of her early years as a docent at the State Hermitage Museum become increasingly vivid. When Leningrad came under siege at the beginning of World War II, museum workers--whose families were provided shelter in the building's basement--stowed away countless treasures, leaving the painting's frames in place as a hopeful symbol of their ultimate return. Amid the chaos, Marina found solace in the creation of a memory palace, in which she envisioned the brushstroke of every painting and each statue's line and curve. Gracefully shifting between the Soviet Union and the contemporary Pacific Northwest, first-time novelist Dean renders a poignant tale about the power of memory. Dean eloquently describes the works of Rembrandt, Rubens, and Raphael, but she is at her best illuminating aging Marina's precarious state of mind: It is like disappearing for a few moments at a time, like a switch being turned off, she writes. A short while later, the switch mysteriously flips again.
added by kthomp25 | editBooklist, Allison Block
 

» Add other authors (4 possible)

Author nameRoleType of authorWork?Status
Debra Deanprimary authorall editionscalculated
Middelthon, Elisabet W.Translatorsecondary authorsome editionsconfirmed
Schwaab, JudithTranslatorsecondary authorsome editionsconfirmed
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For Cliff,
my companion on the journey
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This way, please. We are standing in the Spanish Skylight Hall.
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"An extraordinary debut, a deeply lovely novel that evokes with uncommon deftness the terrible, heartbreaking beauty that is life in wartime. Like the glorious ghosts of the paintings in the Hermitage that lie at the heart of the story, Dean's exquisite prose shimmers with a haunting glow, illuminating us to the notion that art itself is perhaps our most necessary nourishment. A superbly graceful novel."  -- Chang-Rae Lee, New York Times Bestselling author of Aloft and Native Speaker Bit by bit, the ravages of age are eroding Marina's grip on the everyday. An elderly Russian woman now living in America, she cannot hold on to fresh memories--the details of her grown children's lives, the approaching wedding of her grandchild--yet her distant past is miraculously preserved in her mind's eye. Vivid images of her youth in war-torn Leningrad arise unbidden, carrying her back to the terrible fall of 1941, when she was a tour guide at the Hermitage Museum and the German army's approach signaled the beginning of what would be a long, torturous siege on the city. As the people braved starvation, bitter cold, and a relentless German onslaught, Marina joined other staff members in removing the museum's priceless masterpieces for safekeeping, leaving the frames hanging empty on the walls to symbolize the artworks' eventual return. As the Luftwaffe's bombs pounded the proud, stricken city, Marina built a personal Hermitage in her mind--a refuge that would stay buried deep within her, until she needed it once more. . . .

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