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A Farewell to Arms by Ernest Hemingway
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A Farewell to Arms

by Ernest Hemingway

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8,46570156 (3.78)120
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Arrow Books Ltd (1994), Paperback, 304 pages

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Showing 1-5 of 67 (next | show all)
One of my favorite books. It may seem slow at first but it once you get to the end it's well worth it. I cant explain the feeling this book gives me. :D ( )
  HannahMTew | Dec 21, 2009 |
How in the world did Hemingway become a famous author? His style is crap! ( )
  FMRox | Nov 3, 2009 |
Brutal[Crítica a Xelu.net]D'alguns llibres em costa molt fer-ne una crítica perquè m'intimiden. Són clàssics o llibres que per una raó o una altra han passat a formar part de la història de la literatura, ja sigui per mèrit propi o per la trajectoria de l'autor. Em passa amb el llibre d'avui, A Farewell to Arms d'Ernest Hemingway. Aquest autor per a mi és poc menys que una llegenda, no perquè hagués llegit cap altra llibre seu abans de llegir-ne aquest, que no és el cas, sino per la manera, el respecte i la veneració amb que n'he sentit a parlar sempre, titllant-lo pràcticament de pare de la literatura moderna. El cas és que vaig sentir un podcast al que proposaven llegir aquest llibre per a comentar-lo més endavant, com si fos un club de lectura, i aquell mateix dia em vaig plantar a l'Fnac i el vaig comprar, i després el vaig llegir, i ara estic aqui i no se ben bé que dir perquè el llibre em supera i qualsevol cosa que digui no li farà justícia, i després algú em farà cas, el llegirà, i si no li agrada tant com a mi em sabrà greu perquè el llibre es mereix ser llegit per tothom, més d'una vegada, i comentat, i treballat, i aprofundit i després tornat a llegir. Tant m'ha agradat. I és que de vegades aquests clàssics s'han d'agafar amb cura, de vegades el seu valor és històric i vistos amb ulls d'avui és difícil valorar-los amb justícia, i està clar també que A Farewell to Arms no és un llibre tan vell, la primera edició és del 1929, però sigui com sigui és perfectament modern i vigent i fàcil de llegir sense deixar de ser subtil, poètic, enigmàtic i viu. El llibre viu i respira i palpita i al final és com una punyalada que et deixa sense alè i que a mi em va fer plorar. Així doncs si això que escric no és gens una crítica objectiva i racional és perquè aquest llibre ha destruït la meva objectivitat. Se suposa que una crítica ha ser un esforç d'anàlisi dels recursos, imaginari, argument, teixit, punt de vista, etc que donen forma a un llibre, per tal d'intentar determinar-ne el seu valor en tant que obra literària, obra d'art, retrat de la psique humana, però aquest llibre excel·leix tant en tots aquests aspectes que parlar-ne em vé gran. Així que ho sento, no en faig cap crítica i em limito a recomanar-vos que no deixeu de llegir aquesta meravella. ( )
  membrillu | Oct 30, 2009 |
Those who have not seen the elephant and lack the courage to go looking for it have no right to criticize Ernest Hemingway, who set out as a young man to find the elephant and get a good long look at the Beast, and then describe it for the rest of us. As a young man he did not yet realize that few people are as brave and as honest as he.

He went. He saw. He wrote. He told us all about it -- and scarcely anyone believes him. Those who don't tell the few who do that Papa was a fool and a bad man. So it is in life as it was in "The Old Man and the Sea." Now that the big fish is dead, the little ones come to gnaw on his corpse.

Nobody with anything to lose has a friend in this world. The person who has nothing may find one. Papa knew.

Of Hemingway's major novels, 'A Farewell to Arms' is the one I like least. That's not to say AFTA is a bad book, because it is in fact a very good book. It's just the one I like least. Fact of the matter is I find the end of it too heartbreaking, even as I rush to say that any other ending would have made less sense.

'A Farewell to Arms' is chick-lit written by a man's man. What a concept! You wouldn't think it would work, but it does. Highly recommended. ( )
1 vote dekesolomon | Oct 9, 2009 |
Hemingway imbues his characters with exceptional courage and grace. They, Henry and Catherine (two main characters), are so very lonely and the reader is happy to see them find each other and a bit of themselves in the process of falling in love. Together they seem more capable of dealing with the world around them. They are no longer drifting and in many ways are fighting together and for each other.

Told through Henry's point of view, one gets to experience the tension at the front, the adrenaline rush that comes with running from the enemy, and the camaraderie of the men who are fighting for something they do not understand. All they know is that they would like for the war to be over so they can go home; a common refrain in war. Romance, while it may seem like an odd word to use when speaking of war, is pervasive throughout the story; in the descriptions of the men, the sadness and loneliness that pervade the lives of the individuals at the front, and people waiting at home for them to return.

While I have not read a great deal of Hemingway, there is something very different about this book that makes it stand out from the rest and that is the romantic nature of the piece. He shows in great detail the love between these two, constrained and confusing as it is for everyone. It is very natural and drawn in its most elemental state, almost raw. He seems to want to readers to be involved with these two characters on a very intimate level and he accomplishes that goal. ( )
  justabookreader | Sep 5, 2009 |
Showing 1-5 of 67 (next | show all)
In its sustained, inexorable movement, its throbbing preoccupation with flesh and blood and nerves rather than the fanciful fabrics of intellect, it fulfills the prophecies that his most excited admirers have made about Ernest Hemingway... in its depiction of War, the novel bears comparison with its best predecessors. But it is in the hero's perhaps unethical quitting of the battle line to be with the woman whom he has gotten with child that it achieves its greatest significance.
added by jjlong | editTime (Oct 14, 1929)
 
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To G. A. Pfeiffer
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In the late summer of that year we lived in a house in a village that looked across the river and the plain to the mountains.
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Book description

Amazon.com (ISBN 0684801469, Paperback)

As a youth of 18, Ernest Hemingway was eager to fight in the Great War. Poor vision kept him out of the army, so he joined the ambulance corps instead and was sent to France. Then he transferred to Italy where he became the first American wounded in that country during World War I. Hemingway came out of the European battlefields with a medal for valor and a wealth of experience that he would, 10 years later, spin into literary gold with A Farewell to Arms. This is the story of Lieutenant Henry, an American, and Catherine Barkley, a British nurse. The two meet in Italy, and almost immediately Hemingway sets up the central tension of the novel: the tenuous nature of love in a time of war. During their first encounter, Catherine tells Henry about her fiancé of eight years who had been killed the year before in the Somme. Explaining why she hadn't married him, she says she was afraid marriage would be bad for him, then admits:
I wanted to do something for him. You see, I didn't care about the other thing and he could have had it all. He could have had anything he wanted if I would have known. I would have married him or anything. I know all about it now. But then he wanted to go to war and I didn't know.
The two begin an affair, with Henry quite convinced that he "did not love Catherine Barkley nor had any idea of loving her. This was a game, like bridge, in which you said things instead of playing cards." Soon enough, however, the game turns serious for both of them and ultimately Henry ends up deserting to be with Catherine.

Hemingway was not known for either unbridled optimism or happy endings, and A Farewell to Arms, like his other novels (For Whom the Bell Tolls, The Sun Also Rises, and To Have and Have Not), offers neither. What it does provide is an unblinking portrayal of men and women behaving with grace under pressure, both physical and psychological, and somehow finding the courage to go on in the face of certain loss. --Alix Wilber

(retrieved from Amazon Fri, 24 Apr 2009 07:58:16 -0400)

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