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The Romantics: A Novel by Pankaj Mishra
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The Romantics : A Novel

by Pankaj Mishra

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178532,878 (3.38)15
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Anchor (2001), Paperback

Member:cabegley
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Tags:fiction, 1001, India, read, bedroom
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Showing 5 of 5
Interesting read... very Eastern in feel- contemplative, subtly evocative and wandering in the telling. ( )
  amaryann21 | Jan 29, 2009 |
Story of a yong man in a remote town in India who falls in love with a French woman tourist. Good insight into the incredible rift between first and third world--a rift not easily bridged by love. ( )
  Gary10 | Oct 12, 2008 |
This is a book about a young Indian, Samar, who moves to Benares after a life spent in small towns. Quite naive and inexperienced, in Benares he meets people - Indian and Western - whose backgrounds and experiences are alien to him. He is drifting through life, with no clear drive or direction, often dislocated from his surroundings - and his encounters with these new people exacerbate these tendencies in him.

The book touches on several themes. One is about detachment - from life, emotions, friends, family - and its opposite, human connections (and love). Do human connections just lock us into a world of illusion, which we are unable to give up? or is detachment simply a sterile refusal to engage with the world and with other people?

Another is about choice. Samar is astounded by the way that the Europeans and Americans talk about their lives - the choices that they feel open to them - choosing to live in another country, choosing to convert to another religion, choosing what their life will be to fit their self-image. Ultimately the book concludes that the Westerners are privileged, more than anything else, because they have these choices - and their impact on the people they meet in India is compounded by their inability to understand that other people don't have these choices.

Another, minor, theme is about misunderstandings, particularly between cultures: the tendency to exoticise other cultures, and the way it feels to be the subject of this, is brilliantly highlighted in a conversation between an American and a European, where the American enthuses about the lack of inhibitions in European fiction and films - and the Frenchwoman responds rather tetchily that she's missing the point. At the same time, Mishra suggests that human nature is not all that different - comparing the lives of young men moving to the big city of Benares to the characters in Flaubert's Sentimental Education - "the small, unnoticed tragedies of thwarted hopes and ideals". (I appreciated the way that the foreigners were portrayed. The book highlights the ironies of their life in India, but does so - unusually for the subject - without any sneering. The contradictions are inherent in their situation rather than arising from any lack of good will on their part.)

There were a lot of things I really liked about this book. Firstly, the descriptions of India are simple, but very evocative - whether Mishra is talking about the cities, the countryside or the mountains. Try this description of a rickshaw ride in the rain: "The rain flowed down the windscreen, which the driver kept wiping with a rag that lay on the dashboard. Gleamingly vivid for one moment, the streets dissolved into smudgy fluorescent colours the next. Passing scooters and autorickshaws kept spraying thick jets of muddy water from the waterlogged road into the back seat". The descriptions, and Samar's drifting, introspective nature, make this a book that you need to read slowly and savour. I did have one problem with it, though, which is that there were a lot of incidents which seemed as if they ought to be significant, and yet I couldn't figure out what that significance was. Take the title, for example - which of the characters are the romantics?

Still, I would certainly like to read the book again, and maybe next time I will have more answers. ( )
4 vote wandering_star | Apr 29, 2008 |
The Romantics by Pankaj Mishra, is story about desire of first intimate but short-lived affair and narration of East meeting West & temptations which comes with that encounter of cultures

more @ http://toogood2read.blogspot.com/2007...
  iamyuva | Aug 8, 2007 |
I beautiful, lightly sketched potrait of an indian guy in late 20th century india. I loved the fact, that he was perfectly likeable, despite being a person who had few strong opinions. He seemed to be buffetted along by the people he was with at the time and the feeling she had about them. ( )
  DrCris | Jul 27, 2007 |
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Book description

Amazon.com (ISBN 0375502742, Hardcover)

In Pankaj Mishra's debut novel, East not only meets West, the two forcibly collide, causing all manner of bruises and contusions. The hero and narrator of The Romantics, a young Brahmin student, has come to the Hindu holy city of Benares to study at the university. Samar's shelves are laden with tomes by Schopenhauer and Turgenev; his dreams center around passing the rigorous exam that will admit him into an Indian Civil Service originally created and shaped by the British Raj. His next-door neighbor in the cheap apartment he rents from an opium-addicted musician is British, and it is through her that Samar first experiences Western thought and culture outside the covers of a philosophy book. Diana West is well connected in the expatriate community, and soon she has introduced her naive protégé to other foreigners in search of something that eluded them at home. There is Mark, an American studying Ayurvedic medicine following various careers as "poet, dishwasher, painter, Tibetan Buddhist, carpenter, and traveler through such remote lands as Ecuador and Congo." There is his girlfriend, Debbie, who is considering converting to Buddhism, and Sarah, a German girl who already has. Then there is Catherine, a beautiful French woman in love with Anand, a poor sitar player with dreams of making it as big as Ravi Shankar. Suffice it to say that Samar finds this cast of characters both alluring and perplexing, and the juxtaposition of his life among the expatriates with his days spent with fellow Indian students only adds to his confusion. And then there is his unquenchable attraction to Catherine...

Pankaj Mishra has taken on an ambitious subject--the attraction and almost equal repulsion that the East and the West feel toward each other. At his best, he evokes his homeland with an aching immediacy:

A thin crimson-edged mist hung over the river when I walked out of the house. The alleys leading to the main road would be empty, the houses sunk in a blue haze, still untouched by the sun, which had already begun to tentatively probe the façades of the houses lining the river. Rubbish lay in uneven mounds, or was strewn across the cobblestone street, firmly sticking to the place where it had been deposited by an overflowing open drain. After every twenty meters or so, a fresh stench hung in the air.
He also masterfully exposes the almost absurd gap between the reality of India as Samar experiences it and the romantic notions that his foreign friends bring to it with their "self-consciously ethnic knickknacks" and their fleeting enthusiasms. One wishes Mishra had a little more faith in his considerable talents and the intelligence of his readers. Where he falls down is in the excessive explanations he provides of his characters' thoughts and motivations. They are, by and large, unnecessary; heartbreak is in the air the first time Samar meets Miss West, and by novel's end his cast of romantics are certainly sadder, if not all wiser. --Alix Wilber

(retrieved from Amazon Fri, 24 Apr 2009 07:57:57 -0400)

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