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Notes of a Native Son by James Baldwin
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Notes of a Native Son

by James Baldwin

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I've never read Baldwin before, so this was an interesting introduction. I found his essays initially frustrating. His language was so academic and obtuse, he often obscured his own meaning to me. Baldwin also uses odd and off-putting terms, referring to "The Negro" and "Us" (grouping him, the reader, and everyone else into this category). But Baldwin's expressions of how he felt about being black, american, and literary is fascinating. He communicated his alienation, his initial naivety, his feeling of not belonging to any group, his desire to reconcile these different aspects so well, I suddenly understood it as clearly as I ever would. I especially liked his notes on "Native Son", in which he talked about how books like "Native Son" and "Uncle Tom's Cabin" severely undermined African Americans (and undermined the important need for everyone to confront how history has shaped perceptions) .

Baldwin exposed me to many ideas that were new to me, and, I felt, educated me so clearly on his perspective in ways that evoked surprising, visceral sympathy. I was surprised and pleased with what he made me learn and what he made me felt.
  bianca.sayan | Aug 16, 2013 |
Originally published in 1955, James Baldwin's first nonfiction book has become a classic. These searing essays on life in Harlem, the protest novel, movies, and Americans abroad remain as powerful today as when they were written.

"He named for me the things you feel but couldn't utter. . . . Jimmy's essays articulated for the first time to white America what it meant to be American and a black American at the same time."
-Henry Louis Gates, Jr ( )
  velvetink | Mar 31, 2013 |
This early collection may be a little uneven, but there's absolutely no doubt what a great writer Baldwin could be when he was on top form. The combination of Dickens-and-Old-Testament influences on his prose style with his rhetorical training in the pulpit can make his writing seem rather overblown when he's dealing with trivial subject-matter — his devastating review of Carmen Jones has all the proportionality of a tactical nuclear strike on a wasps' nest, for instance — but when he's got something important to say, he is able to say it with all the confidence and authority of a George Orwell. And we believe him. The best pieces in this collection — in particular the title piece, about his father, and the piece about a brush with the law in Paris — are exceptionally good essays. And they are very interesting for the light they cast on Go tell it on the mountain and Giovanni's Room, respectively. ( )
  thorold | Oct 20, 2012 |
Notes of a Native Son (1955) was Baldwin's first book of nonfiction, and consists of 10 previously published essays preceded by a brief autobiography. These essays appeared in Partisan Review, Commentary and Harper's Magazine. Several of the early essays are a bit stiff and stilted, not unexpected for a young writer. However, you also feel as if he is trying to walk a fine line, being a black writer writing for a predominantly white audience, one who is financially struggling and is dependent on these articles to eke out a meager living. It is in the later essays that the passion and wit of the Baldwin we know and love comes out.

The brightest jewel of this collection is "Notes of a Native Son", which is set in 1943, the year that his stepfather died. He vividly describes the racially charged climate, when black soldiers were brutally mistreated and the daily racial strife led to riots in several US cities; his experiences working at a munitions factory in New Jersey and a explosion of anger toward a waitress who refused to serve him at a restaurant, which nearly led to his death at the hands of a white mob; his diificult and complicated relationship with his father, who died just before Baldwin 19th birthday; and a Harlem riot that occurs just after his father's funeral, triggered by a confrontation between a white city policeman and a black soldier on leave.

Baldwin makes a powerful statement of the complexity of black and white relations, and each group's hatred toward the other:

"One is always in the position of having to decide between amputation and gangrene. Amputation is swift but time may prove that amputation was not necessary--or one may delay the amputation too long. Gangrene is slow, but it is impossible to be sure that one is reading one's symptoms right. The idea of going through life as a cripple is more than one can bear, and equally unbearable is the risk of swelling up slowly, in agony, with poison. And the trouble, finally, is that the risks are real even if the choices do not exist."

Baldwin's father was a preacher, but he was not very good, due to his bitterness and inability to connect with others. Baldwin was a successful child preacher, which won the admiration and love of his father. However, once Baldwin decided that he wanted to abandon the pulpit and dedicate his life to writing, he incurred the wrath of his father, and they rarely spoke after that.

Baldwin writes about a visit he took with his mother and aunt to visit his father at a hospital on Long Island, the last time he would see him alive:

"It was on the 28th of July...that I visited my father for the first time during his illness and for the last time in his life. The moment I saw him I knew why I had put off this visit so long. I had told my mother that I did not want to see him because I hated him. But this was not true. It was only that I had hated him and I wanted to hold on to this hatred. I did not want to look on him as a ruin: it was not a ruin I had hated. I imagine that one of the reasons people cling to their hates so stubbornly is because they sense, once hate is gone, that they will be forced to deal with pain."

The last part of the book concerns his life as an expatriate living in Europe after World War II. "Encounter on the Seine" describes the experiences of American blacks living in Paris, particularly the awkward interactions with white Americans, Parisians, and Africans. In "Equal in Paris" he is imprisoned in a Parisian jail for eight days for a crime that he did not commit. In the last essay, "Stranger in the Village", he is invited to spend time at the home of a friend in a small Swiss village whose residents have never seen a black man.

I did not enjoy this book as well as The Fire Next Time and The Evidence of Things Not Seen, two of his other nonfiction books. However, the title essay is searing and brilliant, and the book overall is a worthwhile read to learn about the black experience in America and Europe in the mid-20th century. ( )
2 vote kidzdoc | Mar 15, 2009 |
This book of essays by Baldwin focuses on issues of race in America, but also uses his experiences in Paris to make interesting contrasts.

I picked the book up on account of being blown away (at least twice) by Giovanni's Room, but this was a pretty poor choice for a vacation read. Baldwin is a very smart writer and the subject matter leads him into some technical passages composed in a fairly academic style. The literary criticism in the first two essays (‘Everybody's Protest Novel’ and ‘Many Thousands Gone’) went pretty much over my head.

However, the essays that drew from his experiences with his father and his time in Europe were more readable and do a wonderful job of conveying nuanced emotion. The autobiographical stuff seems to loaded towards the back of the collection, so don't give up if you are having trouble starting out. ( )
  colinflipper | Dec 30, 2007 |
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In Uncle Tom's Cabin, that cornerstone of American social protest fiction, St. Claare, the kindly master, remarks to his coldly disapproving Yankee cousin, Miss Ophelia, that, so far as he is able to tell, the blacks have been turned over to the devil for the benefit of the whites in this world - however, he adds thoughtfull, it may turn out in the next.
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Amazon.com Product Description (ISBN 0807064319, Paperback)

A new edition published on the twenty-fifth anniversary of Baldwin’s death, including a new introduction by an important contemporary writer
 
Since its original publication in 1955, this first nonfiction collection of essays by James Baldwin remains an American classic. His impassioned essays on life in Harlem, the protest novel, movies, and African Americans abroad are as powerful today as when they were first written.
 
“A straight-from-the-shoulder writer, writing about the troubled problems of this troubled earth with an illuminating intensity.” —Langston Hughes, The New York Times Book Review
 
“Written with bitter clarity and uncommon grace.” —Time

(retrieved from Amazon Mon, 30 Sep 2013 13:28:30 -0400)

(see all 5 descriptions)

Originally published in 1955, James Baldwin's first nonfiction book has become a classic. These searing essays on life in Harlem, the protest novel, movies, and Americans abroad remain as powerful today as when they were written. "He named for me the things you feel but couldn't utter. . . . Jimmy's essays articulated for the first time to white America what it meant to be American and a black American at the same time."… (more)

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Beacon Press

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