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All the King's Men by Robert Penn Warren
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All the King's Men (1946)

by Robert Penn Warren

Other authors: See the other authors section.

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Showing 1-5 of 100 (next | show all)
This story is famously "about" Huey Long and political corruption. As it turns out, the actual novel is only partially about political corruption. Politics is mostly a framing device for the real story. The meat of the book is about how actions have consequences, and that there's no getting around that. Reporter-turned-political-staffer-type Jack Burden (it's hard to describe what it actually is he does for Willie Stark, the Huey Long analogue referenced above, and don't think for a second that surname isn't symbolic) burned out of his Ph.D. program when he uncovered a story that made the consequences of heedless actions too real, and tries to hide behind inaction to save him from having to deal with that kind of responsibility. His work for Stark means that he mostly doesn't have to make decisions, until it intersects with his personal life in a way that starts forcing him to do just that and refusing to let him slip quietly away from the results.

That central conceit, though, isn't really clear until you get about halfway through with the story. The first part of the story feels very much like a standard issue dramatic story about yes, politics and corruption. We learn the story of Willie Stark, how he made it from a bumpkin, to a young political appointee fighting a shady, kickback-laden county contract, to a stooge goaded into running for Governor by people using him for their own purposes, to a morally questionable Governor himself. That part of the novel is interesting and easily digestible enough, but the real power of it comes from the later, more philosophical part that shifts Stark's story into the background and brings Jack's story up front.

The storyline wrangling and plot development is masterful, but where the real beauty of this book is are the words. Robert Penn Warren won the Pulitzer Prize for this novel, but he also won one for poetry, and you can tell. Picking out a highlight quote was torture...I read this on the Kindle and digitally underlined about half the book because I was so in love with the language. It's a page turner, but not in a suspenseful kind of way. You just want to keep reading it to keep basking in the glory of the writing. I was sad to put it down when it was over. ( )
1 vote 500books | May 22, 2018 |
This is one of those books that I remember WHERE I read it (in the car, on the way to a former roommate's wedding) but remember very little about the actual book. I don't think I hated it, though. ( )
  AngelClaw | Jan 31, 2018 |
This book just became increasingly baffling to me, which was a bummer. I didn't get what style the author was trying to write in- it seemed all over the place, but still beautifully descriptive. The side story in the middle about cass and gilbert seemed to have very little todo wth anything else. It was more about jack burden than about willie stark, which I wasn't expecting, and which I didn't realize until about halfway through. It reminded me of "lie down in darkness" by William Styron- very southern, very flowery - sometimes beautifully so, sometimes annoyingly so. ( )
1 vote Abbey_Harlow | Oct 5, 2017 |
I enjoyed listening to this. Beautiful use of words. Almost poetic language. And the southern accent doesn't hurt. ( )
  nx74defiant | Apr 30, 2017 |
Great book about the intersection of personal and public history. ( )
  little-gidding | Apr 13, 2017 |
Showing 1-5 of 100 (next | show all)
Robert Penn Warren's "All the King's Men" is magnificently vital reading, a book so charged with dramatic tension it almost crackles with blue sparks, a book so drenched with fierce emotion, narrative pace and poetic imagery that its stature as a "readin' book," as some of its characters would call it, dwarfs that of most current publications. Here, my lords and ladies, is no book to curl up with in a hammock, but a book to read until 3 o'clock in the morning, a book to read on trains and subways, while waiting for street cars and appointments, while riding elevators or elephants.
 

» Add other authors (21 possible)

Author nameRoleType of authorWork?Status
Warren, Robert Pennprimary authorall editionsconfirmed
Koskinen, JuhaniTranslatorsecondary authorsome editionsconfirmed
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Epigraph
Mentre che la speranza ha fior del verde.

--La Divina Commedia, Purgatorio, III
Dedication
To Justine and David Mitchell Clay
First words
MASON CITY.

To get there you follow Highway 58, going northeast out of the city, and it is a good highway and new. Or was new, that day we went up it.
Quotations
It was like the second when you come home late at night and see the yellow envelope of the telegram sticking out from under your door and you lean and pick it up, but don't open it yet, not for a second. While you stand there in the hall, with the envelope in your hand, you feel like there's an eye on you, a great big eye looking straight at you from miles and dark and through walls and houses and through your coat and vest and hide and sees you huddled up way inside, in the dark which is you, inside yourself, like a clammy, sad little foetus you carry around inside yourself. The eye knows what's in the envelope, and it is watching you to see you when you open it and know it, too. But the clammy, sad little foetus which is you way down in the dark which is you too lifts up its sad little face and its eyes are blind, and it shivers cold inside you for it doesn't want to know what is in that envelope. It wants to lie in the dark and not know, and be warm in its not-knowing. The end of man is knowledge, but there is one thing he can't know. He can't know whether knowledge will save him or kill him. He will be killed, all right, but he can't know whether he is killed because of the knowledge which he has got or because of the knowledge he hasn't got and which if he had it, would save him. There's the cold in your stomach, but you open the envelope, you have to open the envelope, for the end of man is to know.
It was not so much any one example, any one event, which I recollected which was important, but the flow, the texture of the events, for meaning is never in the event but in the motion through event.  Otherwise we could isolate an instant in the event and say that this is the event itself.  The meaning.  But we cannot do that.  For it is the motion which is important.
So there are two you's, the one you yourself create by loving and the one the beloved creates by loving you.  The farther those two you's are apart the more the world grinds and grudges on its axis.  But if you loved and were loved perfectly then there wouldn't be any difference between the two you's or any distance between them.
The creation of man whom God in His foreknowledge knew doomed to sin was the awful index of God's omnipotence.  For it would have been a thing of trifling and contemptible ease for Perfection to create mere perfection.  To do so would, to speak truth, be not creation but extension.  Separateness is identity and the only way for God to create, truly create, man was to make him separate from God Himself,and to be separate from God is to be sinful.  The creation of evil is therefore the index of God's glory and His power.
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Wikipedia in English (2)

Book description
Haiku summary
The rise and fall of

a demagogue, based somewhat

on a real statesman.

(legallypuzzled)

Amazon.com Amazon.com Review (ISBN 0156004801, Paperback)

This landmark book is a loosely fictionalized account of Governor Huey Long of Louisiana, one of the nation's most astounding politicians. All the King's Men tells the story of Willie Stark, a southern-fried politician who builds support by appealing to the common man and playing dirty politics with the best of the back-room deal-makers. Though Stark quickly sheds his idealism, his right-hand man, Jack Burden -- who narrates the story -- retains it and proves to be a thorn in the new governor's side. Stark becomes a successful leader, but at a very high price, one that eventually costs him his life. The award-winning book is a play of politics, society and personal affairs, all wrapped in the cloak of history.

(retrieved from Amazon Thu, 12 Mar 2015 18:12:02 -0400)

(see all 10 descriptions)

Winner of the Pulitzer Prize, this classic book is generally regarded as the finest novel ever written on american politics. It describes the career of Willie Stark, a back-country lawyer whose idealism is overcome by his lust for power.

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Penguin Australia

An edition of this book was published by Penguin Australia.

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