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The Best American Short Stories 2007 by Stephen King
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The Best American Short Stories 2007

by Stephen King

Series: The Best American Short Stories (2007), Best American (2007)

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I have never been a big fan of the short story. I like to immerse myself in a world, really get to know and love the characters of a story, and read a complete narrative–beginning, middle and end. For me, this can only happen satisfactorily in novel form. In fact, I prefer longer novels, and I am not daunted by books weighing in at 500 pages or more.

I wanted the collection Best American Short Stories 2007 to add to my Stephen King collection (King was the guest editor). But since it represents the best of contemporary short story writing, I thought I’d challenge myself and see if I could find something to like about the short story in reading it.

A short story is only really long enough to do one of two things well: explore a single character or detail a single incident. In doing so, a good story will reveal a truth about the human condition. Both types of stories are presented in this collection. I prefer the incident stories, which seem to be more about something than the character-driven ones.

But even though I recognized that the writing overall was very good and all the stories were engaging, I still failed to connect with many of them on any more than an appreciative level. At the end of the story, I usually found myself asking, “So what?” These stories seem so fraught with meaning, so important, and yet so little happens. The meaning is subtle and hidden, requiring a more patient or insightful reader than me to dig it out.

I realize this is not necessarily the fault of the writer, but I am not going to blame the reader either. The short story is just not a form of literary conversation that engages me. My husband, an avid reader of short stories, would disagree with me, but isn’t it wonderful that there are all sorts of books and stories available to us, and both of us can find something to satisfy?

I will note the exception that proves the rule. One story out of the entire selection of the year’s best spoke to me very strongly. It’s also the story with the best title: “Where Will You Go When Your Skin Cannot Contain You?” by William Gay. I responded to it because it made vivid an emotional state I have never personally felt but that I could understand and experience just by experiencing this story. I also liked it because it is one of the darkest stories in the book. Runners-up were “Balto” by T.C. Boyle and “Allegiance” by Aryn Kyle.

But overall, reading this collection only served to convince me that the short story is just not for me. And that’s okay. ( )
  sturlington | Mar 15, 2009 |
I try to pick up the latest copy of this book every year. It's a great way to sort through the masses of short stories that are published each year and find the very best. It's always interesting to see how each guest editor puts his or her own take on the short story. I always read the guest editor's introduction for this reason, although my partner tends to skip it and get right to the stories.

King's intro was among the best I've read in the series, although his selection of stories was a bit too dark for me. Granted, I didn't read the hundreds of stories that he did, so I can't really criticize his selection. But the recurring theme of death was not a welcome one.

I won't go into the stories I could have done without, but some of the stories about death were excellent. I loved Barth's "Toga Party" for its unexpected ending, Jensen's "Wake," for its insights into an extended family dealing with the death of a loved (and not-so-loved) one, and Pollack's "Bris," for the way it examined how a son can (barely) begin to try to repay his debt to his father by attempting to carry out an unusual last wish.

Russell's "St. Lucy's Home for Girls Raised by Wolves" was my favorite story. This bit of fantasy is a fun read while its accumulated insights into teaching, parenting, growing up, and family relationships stun you in the last line. ( )
  zhejw | Nov 25, 2008 |
Don't be fooled. This book isn't authored, but edited, by Stephen King. I picked it up on whim at the library, thinking, "Wow, it's been a long time since I read a short story collection."

Some of these stories are great. Others, a little too deep for me. I'd still recommend it if you haven't read any short fiction lately. It can move you just as much as a novel. ( )
  cefeick | Jun 20, 2008 |
Wonderfully eclectic, The Best American Short Stories 2007 collects stories by undeniable
talents, both newcomers and favorites. These stories examine the turning points in life when
we, as children or parents, siblings or friends or colleagues, must break certain rules in order to
remain true to ourselves. In T.C. Boyle's heartbreaking "Balto," a 13-year-old girl provides
devastating courtroom testimony in her alcoholic father's trial. Aryn Kyle's charming story
"Allegiance" shows a young girl caught between her despairing British mother and motherly
American father. In "The Bris," Eileen Pollack brilliantly writes of a son struggling to fulfill his
filial obligations, even if this requires a breach of morality and religion. Kate Walbert's
stunning "Do Something" portrays one mother's impassioned and revolutionary refusal to
accept her son's death. And in Richard Russo's graceful "Horseman," an English professor
comes to understand that plagiarism can reveal more about a student than original work. --from
Amazon.com
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  TunstallSummerReads | May 15, 2008 |
An interesting collection of short stories by different authors with no common theme. The stories range from the mundane to the strange, from love stories to death stories. For me the best stories in the collection were in the first half of the book leaving the second half very underwhelming for me. None of the stories stick out as being absolutely fabulous but there are some that were very good. Overall, a decent collection of stories most suited to the literary reader. Follows are my brief synopses of each story (with no spoilers) with my thoughts.

1. Pa's Darling by Louis Auchincloss - set in the sixties, a woman reflects on how her larger than life father overshadowed her life. Readable, but didn't really do anything for me.

2. Toga Party by John Barth - This story takes place in an affluent gated retirement community and centers around one aged couple who are invited by the new people on the street to their toga-themed housewarming party. I really enjoyed this. The characterization of this seventy-something couple was wonderful and I found it to be a fast-paced read with a startling climax. I would be interested in reading more by Barth.

#3. Solid Wood by Ann Beattie - An elderly man and his sister have dinner with the recent widow of his best friend. There are some undercurrents that come to light for the reader as the dinner progresses. I didn't enjoy this one at all. It basically had no plot and, frankly, was boring. There is more to the story than appears at first but I prefer to read and think "wow, that was good" rather than "hmm, I wonder what this means".

#4. Balto by T.C. Boyle - A man and his 12-year-old daughter are on their way to court. This story recounts the events that lead up to the trial. The plot is more involved but any further description would contain spoilers. I was eager to read this story as Boyle is on my list of authors I'd like to read one day and this was my first sampling of his. I wasn't disappointed. This was a compelling story with a fast-paced read. I loved this one.

#5. Riding the Doghouse by Randy Devita - An eerie, disquieting story of father and son. A man remembers back to the year he was twelve and accompanied his trucker father for a week in the summer. The uneasiness in this story slowly builds and I really enjoyed it.

#6. My Brother Eli by Joseph Epstein - A man's younger brother (in his seventies) commits suicide and the older brother tells the story of his life. He was a famous writer, self-centered, egotistical, married five times with various children the brother has never met. The author contemplates whether an 'artist' is entitled to special rights and should be excluded from normal, decent behaviour because of their 'gift'. This story was longer than the others in this collection I've read so far and by far the best up to this point. It made me wish for a whole novel about these characters.

#7. Where Will You Go When Your Skin Cannot Contain You? by William Gay - I can't give a plot summary of this because I haven't a clue. I don't know what it was about or what it meant and what's with all the dialogue and no quotation marks? Ugh.

#8. Eleanor's Music by Mary Gordon - This was beautifully written and a haunting story. Eleanor is 51 and though she was married once she has lived with her parents for the last 18 years. They lead a lovely, simple old-fashioned life. Even their language to each other is quaint, as if from another generation. At first I felt nostalgic for their life and thought it was beautiful but slowly an uneasiness arises as we realize Eleanor's life is not what it seems on the surface. Then something drastic happens to her whole conception of her life and what she does and doesn't do after that event leaves this as a haunting tale.

#9. L. DeBard and Aliette: A Love Story by Lauren Groff - The title calls this a love story and it is that but it is also a tragedy of epic proportions. When I finished reading this my first thought was a stunned, "Wow." Set in 1918 this is the tragic love story of a former Olympic medalist swimmer and a young woman stricken with polio. The best story in this collection so far.

#10. Wake by Beverly Jensen - An interesting story of family dynamics. A brother and sister accompany their father's coffin as they bring him home for his funeral.

#11. Wait by Roy Kesey - Not impressed with this one at all. A bunch of people wait in an airport terminal as their flight is delayed over and over again.

#12 Findings & Impressions by Stellar Kim - I quickly realized this story was about someone dying of cancer so I skipped it as I don't read about that topic.

#13 Allegiance by Aryn Kyle - Glynnis and her parents have recently moved to America from England and she finds herself in the position of new girl at school. An unpopular girl has made moves to befriend her but Glynnis must choose between being unpopular also or making the right moves to become one of the popular crowd. There also is an unraveling story of why the parents moved to America and why the mother is so embittered.

#14 The Boy in Zaquitos by Bruce McAllister - A man gives a talk to a class about how he used to work for the government spreading deadly diseases in other countries. Strange.

#15 - Dimension by Alice Munro - skipped. This was an Andrea Yates type of story, only the father was the murderer, and that's not a spoiler.
#16 - The Bris by Eileen Pollack - skipped. A dying parent story.

#17 - St. Lucy's Home for Girls Raised by Wolves by Karen Russell. This is one of my favourite stories in the collection. Young werewolves are sent to the 'Home' to be raised by nuns and taught to behave like their human side and forget their wolf side.

#18 - Horeseman by Richard Russo - A University professor grapples with what her life has become over what she could have become.

#19 - Sans Farine by Jim Shepard - This concerns the man who was the executioner at the time of the French Revolution. The men in his family had been executioners for seven generations, only now he is facing problems as his wife does not agree with the royal executions. Just ok.

#20 - Do Something by Kate Walbert - Basically this was just a depressing story of a woman whose son died of leukemia and she has turned to making protest demonstrations on her own. ( )
1 vote ElizaJane | Jan 28, 2008 |
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Pa's death, in the cold winter of 1960, at the age of eighty-seven, was a crucial event in the lives of his two daughters, but particularly for myself, the supposedly most loved, the adored Kate, the eldest.
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Book description
The Best American Short Stories yearly anthology is a part of the The Best American Series published by the Houghton Mifflin Company. Since 1915, the BASS anthology has striven to contain the best short stories by some of the best-known writers in contemporary American literature.

Amazon.com Book Description (ISBN 0618713484, Paperback)

Wonderfully eclectic, The Best American Short Stories 2007 collects stories by undeniable talents, both newcomers and favorites. These stories examine the turning points in life when we, as children or parents, siblings or friends or colleagues, must break certain rules in order to remain true to ourselves. In T.C. Boyle's heartbreaking "Balto," a 13-year-old girl provides devastating courtroom testimony in her alcoholic father's trial. Aryn Kyle's charming story "Allegiance" shows a young girl caught between her despairing British mother and motherly American father. In "The Bris," Eileen Pollack brilliantly writes of a son struggling to fulfill his filial obligations, even if this requires a breach of morality and religion. Kate Walbert's stunning "Do Something" portrays one mother's impassioned and revolutionary refusal to accept her son's death. And in Richard Russo's graceful "Horseman," an English professor comes to understand that plagiarism can reveal more about a student than original work.

Questions for Best American Short Stories Series Editor Heidi Pitlor

Each year's edition of the Best American Short Stories is edited by a prominent guest editor who makes the final selections for the collection--for 2007, it's Stephen King. But working alongside the guest editor is the series editor, who reads thousands and thousands of stories all year long and passes the best on to the guest editor. For years, Katrina Kenison held that one-of-a-kind role for the Best American Short Stories, but in 2007 she handed the reins over to Heidi Pitlor, a former editor at Houghton Mifflin and a novelist in her own right (her debut, The Birthdays, came out in 2006). We asked Pitlor a few questions about what many would consider a dream job.

Amazon.com: Congratulations: you now have one of those jobs that must make people say to you, "Oh my goodness, you just sit around reading stories all day! What a life!" Please dispel all relevant myths.

Pitlor: The key is to have young children. I have one-year-old twins, so I have yet to hear the question above.

I used to imagine Katrina Kenison, the former series editor, swinging in a hammock on a sunny day (there was always a hammock in my mind, and always sunshine), lost in her short stories, the twitter of birds somewhere nearby, a bonbon in her hand. I can assure you that none of the above applies to my day-to-day life--and I'm guessing it didn't apply to hers. Reading this volume of fiction requires intense concentration, large amounts of coffee, total quiet, a babysitter for my kids, and sadly, no bonbons, at least not on a regular basis. Still, I have no complaints. I do love my job and being able to read this much.

Amazon.com: Can you explain the process of selecting the best American short stories? What's your relationship as series editor with the year's guest editor (in this case, Stephen King)?

Pitlor: Magazines that publish fiction send copies to me. Literary journals, mainstream magazines, you name it. I probably receive three to four magazines a day. Typically, I read all of this fiction--more specifically, the short stories (no novel excerpts allowed) written by Americans or those who have made the United States their home. I choose 120 that I think are the best, and pass them along to the year's guest editor.

Stephen King wanted to read along with me, and so he went out and bought tons of magazines himself. We spoke quite often about what we'd read. But typically, I go off on my own for most of the year, pull the stories, and then work with the guest editor at the end of the year to help him or her choose the final twenty for the book.

Amazon.com: You're a novelist as well as an editor. How do you read all these different (or depressingly similar) voices every day and keep your own voice strong when you sit down to imagine your own work?

Pitlor: Good question! When I'm writing regularly--and I must admit that I need to get back to this--I try to write each day before I begin reading. Again, coffee plays a big role. I get up, take care of the twins for a few hours until the sitter comes, then take typically my third cup of coffee out to my office, which is above my garage. I write first, so that my mind is clear of other writers' voices. I try not to think too much when writing a first draft. For me, thinking sometimes leads to inadvertent stealing. If I'm trying to sort out some sort of puzzle in what I'm writing, it's too easy to remember another writer's approach to a similar one. If I can write a first draft quickly, I'm better off.

Amazon.com: In his introduction to this year's collection, King writes that many of this year's submissions felt like "copping-a-feel reading"--stories driven not by a need to be told, but the desire to show off for editors and other writers (rather than regular old readers). Did you have the same reaction? What was your sense of the year's reading?

Pitlor: I'll put it a different way than he did. I often felt that writers put on airs. To me, it's apparent when writers aren't being true to themselves, especially in their writing voice. I want to forget that I'm reading--unless being aware that I'm reading is exactly what the writer is after. But typically, I want to lose myself in the words, to forget that someone is behind them. I want to believe the characters more than that.

That said, I was pleasantly surprised by the amount of stories that did feel true and urgent, that did take me out of myself for a brief while.

Amazon.com: Story writing seems to ride waves of influence, driven at various times by the models, say, of Updike or Barthelme or Carver. Is there a writer now who you feel is the most influential in the stories you read?

Pitlor: Carver still seems to be a big influence--I'm not sure his influence ever waned. Hemingway too, as well as Chekhov, Faulkner, Cheever, Flannery O’Connor, Philip Roth, Alice Munro, Lorrie Moore, Tim O'Brien. No one model comes to mind more than the others at this point.

Amazon.com: What story was your most exciting discovery of the year? (And did King like it too?)

Pitlor: There were many for both of us--this is the best part of the job. He and I frequently enthused to each other about this or that new writer. But also about great stories by more familiar writers--that can feel like a discovery too. I don't know, though--naming the most exciting writer feels a bit like admitting you have a favorite child.

(retrieved from Amazon Fri, 24 Apr 2009 07:57:57 -0400)

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