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Callahan's Con by Spider Robinson
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Callahan's Con

by Spider Robinson

Series: Callahan's Place (7)

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2931018,457 (3.56)2
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Probably closer to 3.5 than 4, but I'll give it the edge simply because it's much better that most latter-day Callahan books. ( )
  theanalogdivide | Dec 1, 2009 |
Probably closer to 3.5 than 4, but I'll give it the edge simply because it's much better that most latter-day Callahan books. ( )
  theanalogdivide | Dec 1, 2009 |
Probably closer to 3.5 than 4, but I'll give it the edge simply because it's much better that most latter-day Callahan books. ( )
  theanalogdivide | Dec 1, 2009 |
First published at Blogcritics at http://blogcritics.org/archives/2005/...

This is microniche fiction. It appeals to Spider Robinson's fans - the fans of the previous short stories and short novels in the serialization of the fictional world of Callahan's Cross-Time Saloon, and the fans of the mildly colourful writer himself.

The original short story had the young Jake Stonebender, depressed, widowed, wandering into a bar in the Greater New York area to drown his sorrows. The bartender is a time traveller from the future and bar is populated by a variety of aliens and odd beings, and a bunch of dysfunctional people who turn out to be superior human beings. In short, it's a permanent science fiction fan convention, with a high proportion of Robinson's fans.

Over time, Callahan and his partner Lady Sally the madam of a magical brothel, have disappeared, leaving Jake as the owner of the bar and leader of the regulars. Some years ago they moved en mass to the Florida Keys. Over time, the stories have become formulaic, full of references back to early novels and full of in jokes for Robinson's fans. For his loyal fans, undoubtedly Robinson can do no wrong but for anyone not invested in the lore of the stories and SF fandom, they have become a waste of time.

Robinson presents himself as a writer in the tradition of Heinlein, which is partially correct. He isn't within the fascist tradition of "Starship Troopers" or the survivalist tradition of "Farnham's Freehold" or the libertarian tradition of "The Moon is Harsh Mistress". He does fit into the magical mystery tour tradition of "Stranger in a Strange Land" and the other novels of Heinlein's hippie epiphany, and the tradition of being outspoken and contrarian, and something of a gnostic oracle.

He sounds like a sincere guy, and his stories have a heavy emphasis on friendship, empathy, tolerance and self-confidence. They have probably provided emotional support to thousands of adolescent science fiction fans around their fascination with science and big ideas, and their pain at being labelled nerds by other adolescents. However, he seems to have become confident of his place in the fan world, comfortable with his authorial persona, and perhaps a bit lazy. His writing remains sloppy and melodramatic. ( )
  BraveKelso | Oct 26, 2008 |
One of my favorites of the Callahan series

I have several non-Callahan favorites, but within this series, Robinson was at his clever witty heart-warming best. I've missed some of the intervening books though, so was a bit confused as to how the bar came to be in Florida, Jake married, with a daughter, and running the bar...? Well, at least I love the series enough to back track. It never quite seems like it ought to be in the sci-fi section to me. Sure, there's aliens, robots, time-travellers, leprechauns, talking dogs, but there's also many really heartfelt human stories. ( )
  taylorh | Apr 11, 2008 |
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Callahan's Crosstime Saloon

Book description

Amazon.com Product Description (ISBN 0765302705, Hardcover)

The discreet little bar that Jake Stonebender established a few blocks below Duval Street was named simply The Place. There, Fast Eddie Costigan learned to curse back at parrots as he played the house piano; the Reverend Tom Hauptman learned to tend bar bare-chested (without blushing), Long-Drink McGonnigle discovered the margarita and several señoritas, and all the other regulars settled into comfortable subtropical niches of their own. Nobody even noticed them save the universe.

Over time, the twice-transplanted patrons of Callahan’s Place attracted a collection of local zanies so quintessentially Key West pixilated that they made the New York originals seem, well, almost normal. The elfin little Key deer, for instance—with a stevedore’s mouth; or the merman with eczema; or Robert Heinlein’s teleporting cat.

For ten slow, merry years, life was good. The sun shone, the coffee dripped, the breeze blew just strongly enough to dissipate the smell of the puns, and little supergenius Erin grew to the verge of adolescence. Then disaster struck.

Through the gate one sunny day came a malevolent, moronic, mastodon of a Mafioso named Tony Donuts Jr., or Little Nuts (don’t ask). He’d decided to resurrect the classic protection racket in Key West—and guess which tavern he picked to hit first? Then, thanks to very poor accessorizing (she chose the wrong belt—and no, we’re not going to explain that one), Jake’s wife, Zoey, suddenly found herself in a place with no light, no heat, and no air. And no way home. The urgent question was where—precisely where—but that turned out to be a problem so complex that even the entire gang, equipped with teleportation, time travel, and telepathic syntony (you can look it up) might not be able to crack it in time.

And while all this was going on, Death himself walked into The Place. But this time he would not leave alone. . . .

(retrieved from Amazon Fri, 24 Apr 2009 07:58:01 -0400)

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