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Loading... Emma (1815)by Jane Austen
Wonderful. More later. ( )Emma Woodhouse is a young girl of 20 (or 21?), beautiful, lovable and therefore loved by everyone surrounding her, rich, socially privileged... The story begins right after her governess' marriage, a match that Emma proud herself of being responsible for. Now she's left alone with her father, a man that very much reminds us of a hobbit when it comes to his way of thinking and behaving, and so she decides to engage herself in matching another couple (she has decided not to ever get marry). Despite the fact that I usually like Jane Austen's books VERY much and having enjoyed this reading, I do think that Austen should have taken a closer look at how she portraits Emma. Since she's the protagonist, I felt like I should like her, but it was simply impossible to do so. Nevertheless, I found it really hard to sympathize with a girl who's so spoiled (and I failed to understand how she was so very much loved by all the other characters) and by the end of the book I felt happy not for Emma, but for the other characters. But maybe that was the point, maybe that was a way of portraying England's rural society from early 18th century. Most of the book consists in dialogues, descriptions of daily life in that society and the relationships between the neighbors. Now, talking about a period novel I always find it really hard to reach an equilibrium point between what was the author's view/intention and what is more of a description (yes, I know there's no such a thing as a description totally absent from the author's opinion, but here I'm referring to what was unintentional). After all I'm reading something from two centuries ago so most of what people speak and/or how they speak is different, so how can I know what was common at that time? In general I always think the way they treat each other to be extremely polite, too formal, which presented some kind of challenge at first, but after a while we tend to understand the characters and get used to the way of acting of each one of them. I believe this to be a good read for those eager to get an idea of habits and society from that time, especially concerning the social position by birth, how people moved within society and the treatment reserved to each one, which was defined not only by wealth, but also by tradition. Tradition, I believe, is the word that best describes England, even now. Sublime. Mr Knightley > Mr Darcy. Discuss. I know Jane Austin is the literary equivalent to a "chick flick", but I love her all the same. Emma is far and away my favorite of her works. no reviews | add a review Is contained inThe complete novels of Jane Austen by Jane Austen Emma/Mansfield Park/Northanger Abbey/Persuasion/Pride and Prejudice/Sense and Sensibility AND Lady Susan by Jane Austen Emma/Mansfield Park/Northanger Abbey/Persuasion/Pride and Prejudice/Sense and Sensibility by Jane Austen Emma/Mansfield Park/Northanger Abbey/Persuasion/Pride and Predjudice/Sense and Sensibility AND Shorter Works by Jane Austen Emma/Persuasion/Pride And Prejudice/Sense And Sensibility by Jane Austen Emma AND Lady Susan by Jane Austen Emma/Pride and Prejudice/Sense and Sensibility by Jane Austen Emma/Northanger Abbey/Sense and Sensibility by Jane Austen Emma/Mansfield Park/Northanger Abbey/Persuasion/Pride and Prejudice/Sense and Sensibility AND Catharine/Lady Susan/Sanditon/The Watsons by Jane Austen Is retold inHas the (non-series) sequelThe Intrigue at Highbury: or, Emma's Match by Carrie Bebris Emma & Knightley: Perfect Happiness in Highbury: A Sequel to Jane Austen's Emma by Rachel Billington Has the adaptationClueless [movie] by Amy Heckerling Emma [abridged - Penguin Readers] by Jane Austen Is abridged inInspiredCold Comfort Farm by Stella Gibbons Jane Fairfax: a novel to complement EMMA by Jane Austen by Joan Aiken Jane Austen Made Me Do It: Original Stories Inspired by Literature's Most Astute Observer of the Human Heart by Laurel Ann Nattress Has as a reference guide/companionHas as a commentary on the textHas as a student's study guide
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For Emma, raised to think well of herself, has such a high opinion of her own worth that it blinds her to the opinions of others. The story revolves around a comedy of errors: Emma befriends Harriet Smith, a young woman of unknown parentage, and attempts to remake her in her own image. Ignoring the gaping difference in their respective fortunes and stations in life, Emma convinces herself and her friend that Harriet should look as high as Emma herself might for a husband--and she zeroes in on an ambitious vicar as the perfect match. At the same time, she reads too much into a flirtation with Frank Churchill, the newly arrived son of family friends, and thoughtlessly starts a rumor about poor but beautiful Jane Fairfax, the beloved niece of two genteelly impoverished elderly ladies in the village. As Emma's fantastically misguided schemes threaten to surge out of control, the voice of reason is provided by Mr. Knightly, the Woodhouse's longtime friend and neighbor. Though Austen herself described Emma as "a heroine whom no one but myself will much like," she endowed her creation with enough charm to see her through her most egregious behavior, and the saving grace of being able to learn from her mistakes. By the end of the novel Harriet, Frank, and Jane are all properly accounted for, Emma is wiser (though certainly not sadder), and the reader has had the satisfaction of enjoying Jane Austen at the height of her powers. --Alix Wilber
(retrieved from Amazon Thu, 03 Jan 2013 11:16:16 -0500)
Emma Woodhouse is one of Austen's most captivating and vivid characters. Beautiful, spoilt, vain and irrepressibly witty, Emma organises the lives of the inhabitants of her sleepy little village and plays matchmaker with devastating effect.
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31 editions of this book were published by Audible.com.
Penguin AustraliaFour editions of this book were published by Penguin Australia.
Editions: 0141439580, 0141028092, 0143106465, 0141199520
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