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Emma (Penguin Classics) by Jane Austen
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Emma (Penguin Classics) (original 1815; edition 2003)

by Jane Austen, Fiona Stafford (Contributor)

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25,09434844 (4.09)2 / 1357
Member:embport
Title:Emma (Penguin Classics)
Authors:Jane Austen
Other authors:Fiona Stafford (Contributor)
Info:Penguin Classics (2003), Paperback, 512 pages
Collections:Your library
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Work details

Emma by Jane Austen (1815)

  1. 164
    Cold Comfort Farm by Stella Gibbons (ncgraham)
    ncgraham: Flora is very clearly modeled on Emma.
  2. 62
    The Makioka Sisters by Jun'ichirō Tanizaki (Sarasamsara)
    Sarasamsara: Like Austen's novels, The Makioka Sisters traces the daily lives and romances of an upper-class family-- the only difference is that this is pre-war Japan, not Regency England. Like in one of Austen's works, when you close the novel you feel like you are closing the door on someone's life.… (more)
  3. 64
    Miss Marjoribanks by Margaret Oliphant (nessreader)
    nessreader: Both Emma and Miss M are about ambitious, capable upper class women who can only express themselves as social hostesses. Both heroines are managing and bossy - Miss M, a generation younger, is played more for laughs, but there is a strong parallel. And both end in utter satisfaction for heroine and reader alike.… (more)
  4. 20
    Mary Barton by Elizabeth Gaskell (kara.shamy)
    kara.shamy: In some ways the heroines in these two novels are alike, but they are very different in other respects, and more strikingly, their respective journeys to the altar/married life go in diametrically opposite ways, in a sense! Both are true classics in my estimation; reading these two novels exposes the reader to two of the greatest English-language novelists of all time in the height of their respective powers. While all readers and critics do not and will not share this superlative view, few would dispute these are two early female masters of the form and are well worth a read on that humbler basis ;) Enjoy!… (more)
  5. 23
    The Scandal of the Season: A Novel by Sophie Gee (SandSing7)
  6. 24
    The Victorian Governess by Kathryn Hughes (susanbooks)
    susanbooks: Though Austen is writing before the Victorian age, Hughes' book helps give an idea of the kind of life Jane Fairfax was facing.
  7. 26
    The Espressologist by Kristina Springer (dizzyweasel)
    dizzyweasel: Adorable remake of Emma, set in a coffeehouse with a matchmaking barista.
  8. 312
    Anna Karenina by Leo Tolstoy (roby72)
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English (325)  Spanish (4)  Swedish (3)  Italian (3)  French (2)  Finnish (1)  German (1)  Norwegian (1)  Lithuanian (1)  Dutch (1)  Catalan (1)  Danish (1)  Portuguese (Brazil) (1)  All languages (345)
Showing 1-5 of 325 (next | show all)
Maybe I shouldn't have listened to this as an audio book because I found it kind of boring. I'm looking forward to listening to more of her books. ( )
  MHanover10 | Jul 11, 2016 |
This book was perfectly described as a 'comedy of manners' in the 19th Century Epic Romances group discussion. The romances, real, imagined, and concealed, were played out like a polite parlor game or, more accurately, like a game of musical chairs with no one left out.

One warning about the Barnes and Noble edition’s introduction: don’t read it! I was halfway through before I realized it was summarizing the book. It spoiled a lot of the fun of guessing how the ‘attachments’ within the group would finally play out.
( )
1 vote wandaly | Jun 30, 2016 |
Beautiful, clever, rich - and single - Emma Woodhouse is perfectly content with her life and sees no need for either love or marriage. Nothing, however, delights her more than interfering in the romantic lives of others. But when she ignores the warnings of her good friend Mr. Knightley and attempts to arrange a suitable match for her protegee Harriet Smith, her carefully laid plans soon unravel and have consequences that she never expected.
  BarbaraCarpenti | Jun 25, 2016 |
Great writing! Perfectly constructed novel.
1 vote JulsLane | Jun 15, 2016 |
It took me a while to get into the prose style, the syntax - I don't read these old books. But such is Austen's skill that I'm now looking forward to finally reading P&P, and maybe some Dickens, too.

I mean, while it's of course true that this 2 century old society of caste and protocol is alien to most of us now, human nature itself isn't. Young girls, for example, still do have passionate infatuations, and I'm sure teens now can easily see their friends in Harriet as she's told who to flirt with next, and as she compares two potential beaus to Emma: You must think one five hundred million times above me than the other."

This is still relevant, too: "Something occurred... to make Emma want their advice; and, which was still more lucky, she wanted exactly the advice they gave."

I did, personally, feel gypped that we didn't get to spend any time getting to know the children or servants at all - not even as much as we did in Jane Eyre.

Social intrigue still isn't my thing, really, but this was funny, and smart, and interesting. Thank you Costco for buying the pretty pink leather (vinyl?) WordCloud edition and persuading me to buy it so I could finally get around to reading this story.

(Said pretty edition avl. gratis to first US member who asks for it. :)" ( )
  Cheryl_in_CC_NV | Jun 6, 2016 |
Showing 1-5 of 325 (next | show all)
The institution of marriage, like the novel itself, has changed greatly since Austen’s time; but as long as human beings long for this kind of mutual recognition and understanding, “Emma” will live.
added by danielx | editNew York TImes, Adam Kirsch (pay site) (Dec 27, 2015)
 

“Perhaps the key to Emma’s perfection, however, is that it is a comic novel, written in a mode that rarely gets much respect. It’s exquisitely ironic.”

“The presiding message of the novel is that we must forgive Emma for her shortcomings just as she can and does learn to excuse the sometimes vexing people around her. There is, I believe, more wisdom in that than in many, many more portentous and ambitious novels. Emma is flawed, but ‘Emma’ is flawless."
added by danielx | editSalon.com, Laura Miller (Dec 23, 2015)
 
It’s a small but striking and instructive demonstration, the careful way Emma appraises the character of the various men who jockey for her attentions and those of the women around her. We could all learn from her example.
added by danielx | editNew York Times, Anna Holmes (pay site) (Dec 1, 2015)
 
"In January 1814, Jane Austen sat down to write a revolutionary novel. Emma, the book she composed over the next year, was to change the shape of what is possible in fiction."

"The novel’s stylistic innovations allow it to explore not just a character’s feelings, but, comically, her deep ignorance of her own feelings. "

"Those who condemn the novel by saying that its heroine is a snob miss the point. Of course she is. But Austen, with a refusal of moralism worthy of Flaubert, abandons her protagonist to her snobbery and confidently risks inciting foolish readers to think that the author must be a snob too"
 

» Add other authors (133 possible)

Author nameRoleType of authorWork?Status
Jane Austenprimary authorall editionsconfirmed
Alfsen, MereteTranslatorsecondary authorsome editionsconfirmed
Blythe, RonaldEditorsecondary authorsome editionsconfirmed
Brock, C. E.Illustratorsecondary authorsome editionsconfirmed
Gibbons, StellaIntroductionsecondary authorsome editionsconfirmed
Hassall, JoanIllustratorsecondary authorsome editionsconfirmed
Lane, MaggiePrefacesecondary authorsome editionsconfirmed
Morgan, VictoriaNarratorsecondary authorsome editionsconfirmed
Moulton, CarrollAfterwordsecondary authorsome editionsconfirmed
Ross, JosephinePrefacesecondary authorsome editionsconfirmed
Sanderson, CarolinePrefacesecondary authorsome editionsconfirmed
Stevenson, JulietNarratorsecondary authorsome editionsconfirmed
Tamaki, JillianCover artistsecondary authorsome editionsconfirmed
Wiltshire, JohnPrefacesecondary authorsome editionsconfirmed

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Emma (1948TVIMDb)
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Epigraph
Dedication
First words
Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition, seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her.
Emma Woodhouse was een aantrekkelijke en intelligente jonge dame van zeer goeden huize.
Deemed her finest and most representative novel by many modern readers, Emma was something of a mystery to Austen's contemporaries when it appeared in 1816. (Introduction)
The drama and the comedy of Austen's novels are dependent on a sharp awareness of fine social distinctions. (Appendix A: Rank and Social Status)
Whether it took place in private houses, or at public assemblies held at inns or purpose-built assembly rooms, social dancing in polite society was governed in Austen's time by strict rules of etiquette, the broad outlines of which dated back to Beau Nash's 'Rules to be observ'd at Bath' of 1706. (Appendix B: Dancing)
Quotations
Silly things do cease to be silly if they are done by sensible people in an impudent way.
"I thank you; but I assure you, you are quite mistaken. Mr. Elton and I are very good friends, and nothing more, and she walked on, amusing herself in the consideration of the blunders which often arise from a partial knowledge of circumstances, of the mistakes which people of high pretensions to judgment are for every falling into..." (Emma)
"I always deserve the best treatment because I never put up with any other."
Seldom, very seldom, does complete truth belong to any human disclosure.
I have seen a great many lists of her drawing up at various times of books that she meant to read regularly through--and very good books they were--very well chosen and very neatly arranged--sometimes alphabetically and sometimes by some other rule.
Last words
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Wikipedia in English (2)

Book description
Emma is perhaps too accustomed to thinking of herself as the queen of her genteel Surrey village. Petted by her invalidish father and her former governess, idolised by old Mrs Bates and her garrulous, good-hearted daughter, she finds only Mr Knightley ready - too ready - to criticise her. He deprecates her schemes for the pretty foundling Harriet and her coolness towards the elegant, reserved Jane Fairfax. And, unaccountably, he seems to disapprove of the handsome Frank Churchill... With cheerful self-confidence Emma interferes in the lives and loves of all her circle. A plot as intricate as a classic detective story leaves the reader as astonished as its heroine when the true state of affairs is revealed. She arrives, almost too late, at a self-knowledge which humbles her considerably. This masterpiece of social observation and comic plotting offers inexhaustible pleasure, laughter and enlightenment.
Haiku summary
Mix-match my neighbors
Cutest narcissist am I
Don't listen to me
(city girl)
Bossy know-it-all
Privileged and doted on
Meddles. Learns lessons.
(pickupsticks)
She can do no wrong
Matchmaking busybody
Knightley sets things right.
(pickupsticks)

Amazon.com Amazon.com Review (ISBN 0141439580, Paperback)

Of all Jane Austen's heroines, Emma Woodhouse is the most flawed, the most infuriating, and, in the end, the most endearing. Pride and Prejudice's Lizzie Bennet has more wit and sparkle; Catherine Morland in Northanger Abbey more imagination; and Sense and Sensibility's Elinor Dashwood certainly more sense--but Emma is lovable precisely because she is so imperfect. Austen only completed six novels in her lifetime, of which five feature young women whose chances for making a good marriage depend greatly on financial issues, and whose prospects if they fail are rather grim. Emma is the exception: "Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her." One may be tempted to wonder what Austen could possibly find to say about so fortunate a character. The answer is, quite a lot.

For Emma, raised to think well of herself, has such a high opinion of her own worth that it blinds her to the opinions of others. The story revolves around a comedy of errors: Emma befriends Harriet Smith, a young woman of unknown parentage, and attempts to remake her in her own image. Ignoring the gaping difference in their respective fortunes and stations in life, Emma convinces herself and her friend that Harriet should look as high as Emma herself might for a husband--and she zeroes in on an ambitious vicar as the perfect match. At the same time, she reads too much into a flirtation with Frank Churchill, the newly arrived son of family friends, and thoughtlessly starts a rumor about poor but beautiful Jane Fairfax, the beloved niece of two genteelly impoverished elderly ladies in the village. As Emma's fantastically misguided schemes threaten to surge out of control, the voice of reason is provided by Mr. Knightly, the Woodhouse's longtime friend and neighbor. Though Austen herself described Emma as "a heroine whom no one but myself will much like," she endowed her creation with enough charm to see her through her most egregious behavior, and the saving grace of being able to learn from her mistakes. By the end of the novel Harriet, Frank, and Jane are all properly accounted for, Emma is wiser (though certainly not sadder), and the reader has had the satisfaction of enjoying Jane Austen at the height of her powers. --Alix Wilber

(retrieved from Amazon Thu, 12 Mar 2015 18:20:02 -0400)

(see all 11 descriptions)

Emma Woodhouse is one of Austen's most captivating and vivid characters. Beautiful, spoilt, vain and irrepressibly witty, Emma organizes the lives of the inhabitants of her sleepy little village and plays matchmaker with devastating effect.

(summary from another edition)

» see all 48 descriptions

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53 editions of this book were published by Audible.com.

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Penguin Australia

4 editions of this book were published by Penguin Australia.

Editions: 0141439580, 0141028092, 0143106465, 0141199520

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