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The Enormous Room by E. E. Cummings
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The Enormous Room

by E. E. Cummings

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NEW ACCURATE EDITION FROM EEC PAPERS. A POET, ARTIST IN FRANCE INTERNED BY MISTAKE. ( )
  josephquinton | Aug 8, 2009 |
While Cummings is great with stringing words together, the re-telling of his experience is a bit tedious. ( )
  perlle | Feb 24, 2009 |
"E.E. Cummings' Enormous Room was the best book published last year that I read."
Letter to Edmund Wilson, 1923
Selected Letters, pg. 105
1 vote ErnestHemingway | Dec 27, 2008 |
I love this book. Cummings knows his way with words... His portrayal is a poem to humanity and a visceral sketch of the man against the stupidity of "the system". But "the system" are, in the end, also individuals and everything reduces to the individual and his personal position in life. I like Cummings writing for what he writes and the way he does it. ( )
1 vote rreis | Nov 14, 2008 |
Cummings' only novel, an autobiographical work about being imprisoned in France during WWI. ( )
  abirdman | Jul 4, 2007 |
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Amazon.com Book Description (ISBN 0141181249, Paperback)

A rambunctious modern novel by the twentieth century's most inventive poet.

Born in Cambridge, Massachusetts, in 1894, Edward Estlin Cummings rebelled against the prevailing values of his Harvard and Unitarianism-- steeped milieu. His relentless search for personal freedom led him to Greenwich Village in early 1917, where he established himself as a Modernist, composing his sui generis poems and abstract paintings. Later that year, he impulsively joined the war, serving in a Red Cross ambulance unit on the Western Front. His free-spirited, combative ways, however, soon got him tagged as a possible enemy of La Patrie, and he was summarily tossed into a French concentration camp at La Ferte-Mace in Normandy.

Unexpectedly, under the vilest conditions, Cummings found fulfillment of his ever-elusive quest for freedom. The Enormous Room (1922), the fictional account of his four-month confinement, reads like a Pilgrim's Progress of the spirit, a journey into dispossession, to a place among the most debased and deprived of human creatures. Yet Cummings's hopeful tone reflects the essential paradox of his experience: to lose everything--all comforts, all possessions, all rights and privileges--is to become free, and so to be saved. Drawing on the diverse voices of his colorful prisonmates--Emile the Bum, the Fighting Sheeney, One-Eyed Dah-veed--Cummings weaves a "crazy-quilt" of language, which makes The Enormous Room one of the most evocative instances of the Modernist spirit and technique, as well as "one of the very best of the war-books" (T. E. Lawrence).

(retrieved from Amazon Fri, 24 Apr 2009 07:58:19 -0400)

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