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The Cave by Jose Saramago

The Cave (original 2000; edition 2003)

by Jose Saramago, Margaret Costa

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1,730324,088 (3.83)46
Title:The Cave
Authors:Jose Saramago
Other authors:Margaret Costa
Info:Mariner Books (2003), Paperback, 320 pages
Collections:Your library

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The Cave by Jose Saramago (2000)


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English (20)  Spanish (4)  French (2)  Dutch (2)  Portuguese (1)  German (1)  Italian (1)  Catalan (1)  All (32)
Showing 1-5 of 20 (next | show all)
It makes me want to learn more about philosophy.
  louis.arata | Jul 31, 2015 |
The Cave is my first experience of Saramago, and I suspect it doesn't represent the qualities that won him the Nobel prize, though it may well deal with representative themes. One of the blurbs mentions that Saramago described himself as an essayist who turned to novel-writing, and this work could easily be described as an essay on the dangers of urbanization and centralization, the inevitable but sad decline of the individual artisan, and the complicated but ultimately overwhelmingly valuable nature of family relations. The story is essentially a parable, and not a subtle one, so let me talk instead about the narrative.

The omnipresent, hovering, interjecting, digressing narrative voice is something of a shock to a reader whose Read shelf contains the works mine does: it's so intrusive that it vies with the plot for being the focus of the novel. There is much to be unhappy with in this approach, but somehow the reader -- this reader -- never was unhappy: the gentle confidence of the voice somehow makes it acceptable, and over this very old-fashioned style eventually cast a very modern glow through commenting on its own selection and narration of events. Almost against my will it led me to accept it.

The Cave maybe not actually be a novel but a fictional reworking of a cautionary tale, an essay on some of the pitfalls of life cast in fictional form. But if one can relax with the narrative voice, the work, whatever it might be classified, can provide much of interest, and of pleasure. ( )
  V.V.Harding | Apr 21, 2015 |
Primeira obra publicada após Saramago ter recebido o prêmio Nobel, A Caverna fala sobre a implacável ação da tecnologia e do consumismo sobre o mundo moderno.

Neste ambiente desinfetado, onde tudo é tomado à força, desde espaço físico até privacidade e individualidade, algumas pessoas conseguem enxergar o destino cruel e massificante. Os protagonistas são pessoas simples, um oleiro, sua filha e seu genro que trabalha como guarda, um cão humanizado e uma vizinha viúva. Este grupo é levado, por uma série de fatos, às vezes bons, às vezes ruins, às vezes apáticos, a ter consciência do mundo ao seu redor e a tomar para si a responsabilidade de seus próprios destinos.

Este livro encerra a "trilogia involuntária" da qual fazem parte "Ensaio sobre a Cegueira" e "Todos os Nomes". Bem menos empolgante que seus antecessores e muitas vezes entediante, a obra ganha ritmo apenas nas últimas 30 páginas, onde as conseqüencias dos atos de seus protagonistas e seus pensamentos são confrontados com uma descoberta aterradora. ( )
  Binderman | Aug 16, 2014 |
A beautiful piece of work, truly heartfelt and touching; my only complaint is that Saramago's writing style is difficult to get used to (very long paragraphs, minimalist use of punctuation).

The story follows potter Cipriano Algor, his daughter and fellow potter Marta, and Marta's husband, Marcal Gacho. Cipriano, who owns one of the last true potteries to survive in an age of plastics and mass production, receives word that his work is no longer in demand, and the Center - the local center of commerce and faceless megacorporation - will no longer require his services.

Heartbroken - Cipriano's pottery has been in his family for two generations, and is all he has left of his late wife - the family must contemplate a change of work, develop new products, or face life in the cold, gray Center, where Marcal works as a security guard. The decision must be made quickly, for Marta is pregnant - and although Cipriano dreads the thought of moving to the soulless Center, he may have no choice.

The journey is one best left undescribed; it's depressing, uplifting, and heartwarming, all-in-one. However, along the way we meet Found, the dog, whose internal musings are some of the most appropriate I have ever encountered in literature, and a kind woman who Senhor Algor just happens to encounter when visiting his wife's grave.

I can't recommend this book enough. It's not for everyone, and can at times be very, very dense. However, I think its beauty shines through any imperfections it may have. ( )
  zhyatt | Aug 12, 2014 |
This is the 5th Saramago book I've read (the others being [b:The Gospel According to Jesus Christ|28859|The Gospel According to Jesus Christ|José Saramago|http://d.gr-assets.com/books/1328196306s/28859.jpg|2338253], [b:The Year of the Death of Ricardo Reis|2536|The Year of the Death of Ricardo Reis|José Saramago|http://d.gr-assets.com/books/1348284177s/2536.jpg|340108], [b:Blindness|2526|Blindness|José Saramago|http://d.gr-assets.com/books/1327866409s/2526.jpg|3213039] and [b:Seeing|47667|Seeing (Blindness, #2)|José Saramago|http://d.gr-assets.com/books/1328875016s/47667.jpg|1090709]), and the prose is by far the most meandering, frequently intolerably meandering, with his never-ending sentences, his usual asides and flourishes taken to even further extremes than usual, or perhaps I'm just misremembering the others, or reading this new one in a different frame of mind, less patient, more apt to find fault, really who can tell? But there is something quite strange about a book whose pages make no mention of its title until one third of the way through, as if it was somehow sheepish about the prospects of being able to adequately explain itself, and whose rear jacket tells the entire plot of the book while giving you the impression it is merely the opening premise, and whose titular cave remains nonexistent until well nigh the very end, only thirty pages remaining in the last halting but somewhat more glorious breaths it has to offer, those unassuming and unexpected final pages raising it grudgingly from two to three stars when all is said and done, like a downed fighter raising himself from the ground one last time before the inevitable knockout, a cave by which, by the way, reviewers would do better for the uninitiated if they ceased mentioning its cultural, historical and philosophical significance, or at least included a spoiler warning, I'm sure you'll agree. If you like this review there's a good chance you'll like the novel, but if you find the writing either tedious, pretentious or perhaps self-indulgent with an unpleasant side effect of distraction, I would avoid it if I were you, however still desiring to read some of Saramago's prose you might try his more famous Blindness and the even better Seeing. ( )
  blake.rosser | Jul 28, 2013 |
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» Add other authors (15 possible)

Author nameRoleType of authorWork?Status
Jose Saramagoprimary authorall editionscalculated
Costa, Margaret JullTranslatorsecondary authorsome editionsconfirmed
Kort, Maartje deTranslatorsecondary authorsome editionsconfirmed
Pàmies, XavierTranslatorsecondary authorsome editionsconfirmed
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What a strange scene you describe and what strange prisoners, they are just like us.

Plato, The Republic, Book VII
For Pilar
First words
The man driving the truck is called Cipriano Algor, he is a potter by profession and is sixty-four years old, although he certainly does not look his age.
Cipriano Algor would like to go on luxuriating in the tranquility of his bed, to take advantage of that delicious morning sleep, which, perhaps because we are vaguely aware of it, is alway the most restoring.
Moments never arrive either late or early, they merely arrive at the right time for them, not for us, there is no need to feel grateful when what they propose happens to coincide with what we need.
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Book description
Cipriano Algor, an elderly potter, lives with his daugkter Marta and her husband Marcal in a small village on the outskirts of The Center, an imposing complex of shops, apartment blocks, offices, and sensation zones. Marcal works there as a security guard, and Cipriano drives him to work each day before delivering his own humble pots and jugs. On one such visit, he is told not to make any more deliveries until further notice. People prefer plastic, he is told; it lasts longer and doesn't break." "Unwilling to give up his craft, Cipriano tries his hand at making ceramic dolls. Astonishingly, The Center places an order for hundreds of figurines, and Cipriano and Marta set to work. In the meantime, Cipriano meets a young widow at the graves of their recently departed spouses, and a hesitant romance begins." "When Marta learns that she is pregnant and Marcal receives a promotion, they all move into an apartment in The Center. Soon they hear a mysterious sound of digging, and one night Marcal and Cipriano investigate. Horrified by what they discover, the family, which now includes the widow and a dog, sets off in a truck, heading for the great unknown.
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Amazon.com Amazon.com Review (ISBN 0156028794, Paperback)

José Saramago is a master at pacing. Readers unfamiliar with the work of this Portuguese Nobel Prize winner would do well to begin with The Cave, a novel of ideas, shaded with suspense. Spare and pensive, The Cave follows the fortunes of an aging potter, Cipriano Algor, beginning with his weekly delivery of plates to the Center, a high-walled, windowless shopping complex, residential community, and nerve center that dominates the region. What sells at the Center will sell everywhere else, and what the Center rejects can barely be given away in the surrounding towns and villages. The news for Cipriano that morning isn't good. Half of his regular pottery shipment is rejected, and he is told that the consumers now prefer plastic tableware. Over the next week, he and his grown daughter Marta grieve for their lost craft, but they gradually open their eyes to the strange bounty of their new condition: a stray dog adopts them, and a lovely widow enters Cipriano's life. When they are invited to live at the Center, it seems ungracious to refuse, but there are strange developments under the complex and a troubling increase in security, and Cipriano changes all their fates by deciding to investigate. In Saramago's able hands, what might have become a dry social allegory is a delicately elaborated story of individualism and unexpected love. --Regina Marler

(retrieved from Amazon Thu, 12 Mar 2015 18:09:43 -0400)

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Informed that his clay pots and jugs are no longer needed, elderly potter Cipriano applies his craft to the making of ceramic dolls, but his family's subsequent successes are compromised by a terrible discovery.

(summary from another edition)

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