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Virtual War (2000)
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Amazon.com Product Description (ISBN 0312278357, Paperback)
For a decade, Michael Ignatieff has provided eyewitness accounts and penetrating analyses from the world's battle zones. In Virtual War, he offers an analysis of the conflict in Kosovo and what it means for the future of warfare. He describes the latest phase in modern combat: war fought by remote control. In "real" war, nations are mobilized, soldiers fight and die, victories are won. In virtual war, however, there is often no formal declaration of hostilities, the combatants are strike pilots and computer programmers, the nation enlists as a TV audience, and instead of defeat and victory there is only an uncertain endgame.
Kosovo was such a virtual war, a war in which U.S. and NATO forces did the fighting but only Kosovars and Serbs did the dying. Ignatieff examines the conflict through the eyes of key players--politicians, diplomats, and generals--and through the experience of the victims, the refugees and civilians who suffered. As unrest continues in the Balkans, East Timor, and other places around the world, Ignatieff raises the troubling possibility that virtual wars, so much easier to fight, could become the way superpowers impose their will in the century ahead.
(retrieved from Amazon Mon, 30 Sep 2013 14:05:38 -0400)
This latest work (portions of which have appeared in the New Yorker and elsewhere) completes an unplanned trilogy that took shape around current events. Like the trilogy's previous two titles (Blood and Belonging and The Warrior's Honor), this book critiques the West's selective use of military power to protect human rights and the failure of Western governments to "back principle with decisive military force"--but here Ignatieff pushes this critique a step further, attempting to explain the paradox of the West's moral activism around human rights and its unwillingness to use force or put its own soldiers at risk: war, he suggests, has ceased to be real to those with technological mastery. Whereas Kosovo "looked and sounded like a war" to those on the ground, it was a virtual event for citizens of NATO countries--it was "a spectacle: it aroused emotions in the intense but shallow way that sports do." In other words, the basic equality of moral risk (kill or be killed) in traditional war was replaced by something akin to "a turkey shoot." In a series of profiles of major players in the Kosovo crisis (including American negotiator Richard Holbrook and war crimes prosecutor Louise Arbour and Aleksa Djilas, a Yugoslav opposed to the bombing), as well as in other writings--including a fine, concluding essay--the author presents a strong argument on the need to avoid wars that let the West off easily and don't have clear-cut results.
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