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will love Sign up for LibraryThing to find out whether you'll like this book. I had been wanting to read one in Walter Mosley's Easy Rawlins series for a long time, and wasn't disappointed in this one. It strikes me that Walter Mosley is almost like the flip side of Dennis Lehane in addressing racism in America through noir crime fiction. Walter Mosley delivers crime fiction set during a turning point in America's racial history. His protagonist, Easy Rawlins, is a man who, more often than not, would like to be left alone--he just keeps getting caught up murders that require his special expertise in detection. The great pleasure of reading Mosley is the classic, sharp-paced action mixed with commentary on the problems of being African American in a racist society. A young woman is murdered in her apartment during the Watts riots in LA. Her aunt said it was by a white man that had previously sought refuge in the girls apartment. Easy Rawlins is called in because the police don't want to be manning an investigation of a black woman by a white man on the heels of an uprising which is not quite over. Not offered much of a choice Easy agrees to help the police and do some detective work on this case. While i didn't think much of the mystery aspect of this novel, what impressed and troubled me was the realistic depiction of the treatment of blacks in that era. Time and time again Easy is disrespected by the very people who have asked him for assistance. He is unjustly accused of crimes simply because he dared to walk in a white neighborhood. I was sincerely saddened by this time in our history, as depicted by Mr Mosley. no reviews | add a review
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The case forces Rawlins to address the ethnic tribulations of 1960s America, in microcosm, and his own discomfort with discrimination, in particular.
I spent my whole early life at the back of buses and in the segregated balconies at theaters. I had been arrested for walking in the wrong part of town and threatened for looking a man in the eye. And when I went to war to fight for freedom, I found myself in a segregated army, treated with less respect than they treated German POWs. I had seen people who looked like me jeered on TV and in the movies. I had had enough and I wasn't about to turn back, even though I wanted to.
But Easy can't tackle this investigation alone; assisting him are the casually homicidal Raymond "Mouse" Alexander, as well as a dogged white detective and a fetching younger woman, who threatens to overturn the settled life Easy has been working toward all these years. Nor can Rawlins wrap the case up easily. Harassed and attacked for his inquiries, he eventually connects Payne's slaying to a homeless man, allegedly responsible for killing as many as 21 black women, all of whom had the bad judgment to hook up with white men.
Little Scarlet, the eighth Rawlins novel (after Bad Boy Brawly Brown), is unusual for Mosley, because it focuses as much on the credible mechanics of crime-solving as it does on the exposition of character and the exploration of L.A.'s mid-20th-century black culture. Combined with the author's vigorous prose and prowess with dialogue, Easy's promotion to serious sleuth promises great things for what was already a standout series. --J. Kingston Pierce
(retrieved from Amazon Fri, 24 Apr 2009 07:58:22 -0400)
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Mosley brings literary prose style, good characters, credible plots, to a vivid perspective of the black experience. I am not in a position to judge the authenticity of the voice, and perhaps Mosley is himself too well educated and articulate to achieve the voice to which he aspires, but the novels are both satisfying as genre stories, and solid literature without becoming polemical. (