The Daughter of Time, Josephine Tey's best-known work, is still widely admired not just as a defense of Richard III of England but also as a study of the nature and practice of history writing itself. It's also an entertaining and clever novel that was named #1 on the list of "Top 100 Crime Novels of All Time" by the Crime Writers' Association.
Scotland Yard Inspector Alan Grant lies in a hospital bed with a broken leg. To alleviate his boredom, a friend brings him a pile of pictures: photographs, prints, engravings, and clippings. Among the more engrossing images is the portrait of King Richard III. Studying the benign face, he asks himself how such a sensitive-appearing soul could have been the infamous murderer of his own nephews. With the help of the British Museum and an American scholar, Grant reconsiders 500-year-old evidence pertaining to one of the most intriguing murder mysteries of all time. Josephine Tey's answer to who really killed the two princes in the Tower of London has provoked controversy ever since its publication in 1951.
Inspector Alan Grant of Scotland Yard, recuperating from a broken leg, becomes fascinated with a contemporary portrait of Richard III that bears no resemblance to the Wicked Uncle of history. Could such a sensitive, noble face actually belong to one of the world's most heinous villains — a venomous hunchback who may have killed his brother's children to make his crown secure? Or could Richard have been the victim, turned into a monster by the usurpers of England's throne? Grant determines to find out once and for all, with the help of the British Museum and an American scholar, what kind of man Richard Plantagenet really was and who killed the Little Princes in the Tower.
Scotland Yard Inspector Alan Grant is bored out of his mind. Due to an unfortunate fall and multiple injuries he is bed ridden in the hospital and the long healing process and subsequent inaction are driving him crazy. A friend, knowing of the Inspector's passion for faces, brings him a portfolio of historical portraits thinking to distract him. She hopes he will involve himself in solving a "classic" historical mystery, since he seems to know all the facts of the Scotland Yard cases by heart. Grant homes in on the portrait of King Richard III, the supposedly wicked uncle who murdered his nephews, the boy princes, in the London's Tower. He remembers how Richard was portrayed in elementary school history and certainly recalls Shakespeare's vivid portrait of the evil hunchbacked king. However, try as he may, Grant cannot reconcile the face in the painting with that of a tyrannical children's' murderer and usurper of England's throne. He sees conscience and integrity in the face of the painting's subject. And his curiosity is aroused for the first time since his accident.
Grant asks for historical books and reads everything he can get his hands on. He finally comes into contact with a young research student from America who also becomes caught-up in the hypothesis that Richard III was framed. Author Josephine Tey, with the skill of the best in Scotland Yard, conducts an objective investigation of a centuries-old crime. She evenly portrays both side of the story, Richard III's and King Henry VII's (the other suspect), with all its twists and turns, reveals compelling evidence and comes to an amazing conclusion.
The reader is literally taken back in time to examine the accusations, testimonies and material relating to the death of Richard's brother, King Edward IV in 1483, the known history of his sons, Princes Edward and Richard after their father's death and their mysterious disappearance, the behavior of Edward's widow and children, including his eldest daughter Elizabeth, who becomes Henry's bride, Queen and mother to Henry VIII. Tey provides an extraordinarily well researched profile of Richard III, pieced together directly from historical documents, and another profile of Henry Tudor. The author also examines the 1934 exhumation of the two children who were first dug up in 1674. Motives are examined and finally, conclusions are drawn, proving, once again, that history is written by winners.