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The Monsters of Templeton by Lauren Groff
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The Monsters of Templeton

by Lauren Groff

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1,055643,676 (3.76)73
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I think what I love most about this book was its casual magic. The fantastic beasts, human and otherwise, populating this novel are always believable. You can't help but be dragged into Willie Upton's world with its ghosts and family secrets. ( )
  raefichter | Oct 9, 2009 |
I enjoyed this book, although I'm not sure if everyone would like it. It is based around a girl who comes back to her small town and learns that some things she thought to be true were not. It was a little hard to start, but if you keep reading it does become very interesting. I also thought some of the chapters about her ancestors and the history of the town were very slow and I couldn't always follow who they were talking about and how they were related to the main character. I was also hoping for more tie ins with the monster, but he really only was talked about in the beginning and the end. Although some parts were hard to get through when I finished the book I felt very satisfied and had nothing but good thoughts about it. I'd recommend this book to anyone who is up for a very different kind of book and willing to take the slow paced chapters with the fast paced ones. ( )
  afyfe | Sep 24, 2009 |
Summary: Willie Upton, a graduate student in archaeology, returns home to Templeton, New York for the summer. Templeton should be welcoming - it's a small town, and Willie is the last descendant of the town's founder - but it's not quite the homecoming that she'd imagined, for Willie is pregnant with her (married) advisor's child. Neither is the town quite the same: on the day she returns home, the corpse of a giant monster surfaces in Lake Glimmerglass, simultaneously throwing the town into an uproar and casting a strange pall over the inhabitants. To make matters worse, Willie's mother Vi lets slip that Willie's father is not an anonymous San Franciscan hippie, but is in fact someone from Templeton itself. Obsessed with figuring out her parentage while avoiding the truth about her current situation, Willie digs into her family tree, which is also the history of a town, and discovers more than one secret buried in time.

Review: The number one word I have seen connected with this book is "ambitious", and it's certainly apt. Groff tries to do a *lot* with this book - multiple voices, multiple periods of history, epistolary portions, sprawling family trees, sprinkles of magical realism, incorporation of James Fenimore Cooper's famous characters as real people, a coming-of-age story, and more. Ambitious, no doubt, particularly for a first novel... but the thing is, she pulls most of it off. I think she particularly did a nice job with creating distinct, believable voices for each chapter, regardless of the narrating character's sex, age, or historical milieu. I did have a little bit of a problem as to how all of the pieces fit together into the novel - some are documents that Willie finds during the course of her research, but many are not, and the context in which illiterate characters are speaking to us as a reader is never clear. I almost would have preferred that *none* of the historical sections had been presented as actual documents (and they are, too, often with photos, family trees, or page edges drawn around the words), rather than half in context and half without.

I've never read any James Fenimore Cooper, so I have no idea how well those elements are worked in, but Templeton as a thinly-veiled Cooperstown is excellently drawn. At first I was a little confused as to why Groff didn't just call it Cooperstown and be done with it, the veil is so thin, but as I read I realized by tweaking it just a little out of reality, she can play with the history, play with the people who inhabit it, and add in lake monsters and firestarters and all sorts of things without offending anyone. Groff's writing style (when she's not writing "in voice") is fluid, fancy, and easily readable, of the sort that skirts along the border of lyrical without ever quite tipping over into pretentious, and it excellently sets the mood for the rest of the story.

Overall, even though all of the pieces didn't fit together quite as solidly as I would have hoped, each of the pieces in and of itself was well-done. I found it very easy to get absorbed in this book, and thoroughly enjoyable throughout. I'll definitely be keeping my eye out for what Groff produces in the future. 4 out of 5 stars.

Recommendation: I think people who normally read either literary fiction or historical fiction will enjoy this book, particularly folks for whom large family trees are like literary candy. However, while I didn't find the magical realism elements to be out of place or distracting, if the phrase "lake monster" sends you screaming for the hills, then maybe you're best suited looking elsewhere. ( )
  fyrefly98 | Aug 20, 2009 |
I enjoyed reading the book, but several things bothered me. I didn't always read all the past history subplots. The book also refers heavily on James Fenmore Cooper, but changes many details. And the end is tied up too neatly for my taste. ( )
  lhossler | Aug 17, 2009 |
A little tough to keep the family trees straight, but really rewarding at the end. Very clever and interesting story. ( )
  courtb | Aug 4, 2009 |
Showing 1-5 of 64 (next | show all)
A first-time novelist sets herself a nearly impossible task by employing characters invented by a novelist acknowledged as an American master. Unlike James Fenimore Cooper, though, Groff can write. . . And while I loved the unintentional effrontery of showing up that unreadable great, I was also conscious of being a captive audience at a recital. . . “The Monsters of Templeton” is propelled, and undone, by ambition.
 
The result is a pleasurably surreal cross between The Stone Diaries and Kind Hearts and Coronets.
 
The trouble with “The Monsters of Templeton” is that its complications seem nonstop. . . Ms. Groff’s inexperience shows in this overcrowding, as it does in overly mellifluous turns of phrase (“the deer darting startled through the dark”). And she tries out more voices and documents than she can comfortably create.
 
The whole find-your-real-dad scavenger hunt is a little contrived. . . But Groff has concocted such a rich trove of source documents – portraits, old letters, journal entries, and reminiscences by characters lifted from Fenimore Cooper's writings – that readers will be too busy gleefully burrowing into the fictitious past she has created to mind.
 
[A] delightful and challenging novel. . . Groff breathes new life into her vivid characters, even those on loan from Cooper's novels.
 
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People/Characters
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Awards and honors
Epigraph
"Ah, my friend, 'tis true!" cried old Natty Bumppo, slapping his knee. "A man cannot know hisself if he don't know where he come from." --Jacob Franklin Temple, The Pilgrims of Templeton
Who can open the doors of his face? His teeth are terrible round about. . . By his neesings a light doth shine, and his eyes are like the eyelids of the morning . . . He maketh a path to shine after him; one would think the deep to be hoary. Upon earth there is not his like, who is made without fear. He beholdeth all things: he is a king over all the children of pride. --The King James Bible, Job 41: 14, 18, 32-34
This is a story of creation --Marmaduke Temple, Tales of the American Wilderness, 1797
Dedication
For my parents, Gerald and Jeannine Groff
First words
The day I returned to Templeton steeped in disgrace, the fifty-foot corpse of a monster surfaced in Lake Glimmerglass.
Quotations
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Disambiguation notice
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Wikipedia in English (1)

The Monsters of Templeton

Book description
Publisher's Summary:
In the wake of a disastrous affair with her older, married archeology professor at Stanford, brilliant Wilhelmina Cooper arrives back at the doorstep of her hippie mother-turned-born-again-Christian's house in Templeton, New York - a storybook town her ancestors founded that sits on the shores of Lake Glimmerglass. Upon her arrival, a prehistoric monster surfaces in the lake, bringing a feeding frenzy to the quiet town. And Willie learns she has a mystery father her mother has kept secret for Willie's entire life.

The beautiful, broody Willie is told that the key to her biological father's identity lies somewhere in her twisted family tree. She finds more than she bargained for as a chorus of voices from the town's past, some sinister, all fascinating, rise up around her to tell their side of the story. In the end, dark secrets come to light, past and present day are blurred, and old mysteries are finally put to rest.

This is a fresh, virtuoso performance that will surely place Groff among the best young writers of today.

Amazon.com Book Description (ISBN 0434017841, Hardcover)

A mesmerizing tour de force that marks the debut of one of the most exciting talents in years

(retrieved from Amazon Fri, 24 Apr 2009 07:58:16 -0400)

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