The Learned Ladies (1672)

Moliere has long been on my to-read list because his comedies were on a list of "100 Significant Books" I was determined to read through. The introduction in one of the books of his plays says that of his "thirty-two comedies... a good third are among the comic masterpieces of world literature." The plays are surprisingly accessible and amusing, even if by and large they strike me as frothy and light compared to comedies by Aristophanes, Shakespeare, Wilde, Shaw and Rostand. But I may be at a disadvantage. I'm a native New Yorker, and looking back it's amazing how many classic plays I've seen on stage, plenty I've seen in filmed adaptation and many I've studied in school. Yet I've never encountered Moliere before this. Several productions of Shakespeare live and filmed are definitely responsible for me love of his plays. Reading a play is really no substitute for seeing it--the text is only scaffolding. So that might be why I don't rate these plays higher. I admit I also found Wilbur's much recommended translation off-putting at first. The format of rhyming couplets seemed sing-song and trite, as if I was reading the lyrics to a musical rather than a play. As I read more I did get used to that form, but I do suspect these are the kinds of works that play much better on stage than on the page.

The Learned Ladies - On the surface this play that pokes fun at women with scholarly aspirations and pretensions to authority may seem misogynistic. But given my reading of other plays by Moliere, I think it just plays against the very idea of pretensions and deceptions--both of self and those of swindlers who target the gullible--and in defense of common sense over pedantry. In that sense it plays as the distaff version of Tartuffe, where it's the male parent who is bamboozled and almost forces a daughter to wed a charlatan. And the daughter in Learned Ladies, Henriette is among the more witty Moliere heroines. ( )