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The Island of Doctor Moreau by H. G. Wells
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TOHTORI MOREAUN SAARI (original 1896; edition 1986)

by H.G. Wells

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3,469791,419 (3.63)1 / 248
Member:Anttijk
Title:TOHTORI MOREAUN SAARI
Authors:H.G. Wells
Info:1986
Collections:Your library
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The Island of Doctor Moreau by H. G. Wells (1896)

1001 (38) 1001 books (35) 19th century (67) adventure (21) animals (32) British (32) British literature (34) classic (146) classics (102) ebook (49) English (18) English literature (28) evolution (22) fantasy (40) fiction (422) H.G. Wells (21) horror (144) Kindle (41) literature (81) novel (71) paperback (17) read (56) science fiction (601) sf (85) sff (27) to-read (45) unread (30) Victorian (32) vivisection (23) Wells (18)
  1. 30
    Frankenstein by Mary Shelley (artturnerjr)
    artturnerjr: Both books share a similar blend of science fiction and horror.
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    The Invention of Morel by Adolfo Bioy Casares (chrisharpe)
    chrisharpe: Bioy Casares uses "The Island of Doctor Moreau" as a model for his own "The Invention of Morel", also set on a island, but a much stranger one...
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Through vivisection, Moreau evolves animals into far cries of men and women. He makes them stand up and walk like humans and refines their throats so that they can talk. He succeeds so well in his latest experiments that Prendick, unwilling witness of all this, can hardly tell the servants from the animals Moreau has used as building matter.

But Moreau hasn’t always been as successful, and the whole island he has found refuge on, reeks with the half-experiments and failed attempts he’s carried out in the last ten years in an abominable show of horrors.

Moreau’s ultimate goal is immediate evolution at all costs and one wonders if, in his mind, even human beings have a place for further development.

Wells’ theme in this story goes beyond the mere portrayal of a crazed scientist who uses torture. In many ways, Moreau is Wells’ attempt to look into the obscure abyss that is our subconscious. For the chasm from where Moreau draws his talking animals is also mankind’s abyss of unknown, where our past and our common fears and hopes dwell.

Prendick's escape from Moreau’s madness brings him to the “huts,” where these creatures live in a half-human state. Never fully civilized, they live in a twilight between their former nature and the human they are supposed to mimic.

Even if Moreau has forced them into a religion which only enforces his undisputed powers of a god, his best experiments are short-lived. The more he perfects his creations, the more the trouble he has at controlling them until, in one last attempt to bring order, Moreau is killed. As soon as the driving spark of the mind that is Moreau vanishes, his experiments revert to being the animals they were in the first instance.

In the attempt of confronting the animal which lies within the human lies Wells’ most exceptional modernity.
( )
  marcoguarda | Apr 27, 2013 |
"What could it all mean?. A locked enclosure on a lonely island, a notorious vivisector and these crippled and distorted men These are the thoughts of Edward Prendick: Well's anti-hero who is in effect a castaway on the island of Doctor Moreau. Most readers would be able to tell Prendick exactly what it means, because there has been at least three film versions and the story has been widely imitated. This is a horror story and the horror is palpable: if vivisection is the stuff of your nightmares then this novel will not be easy reading. Doctor Moreau is obsessed with his theories of being able to create men from beasts and has set up his laboratory on an island in the Pacific ocean far from any shipping lanes. He spends his time slashing and cutting away at live animals in an attempt to create something recognisable in human form and Wells makes us feel the pain and the degradation of his cruelty. In the chapter "The crying Puma" Prendick is given a room on the other side of a locked door leading into the laboratory and Doctor Moreau is operating on the puma:

Suddenly the Puma howled again, this time more painfully. Montgomery swore under his breath. I had half a mind to attack him about the man on the beach. Then the poor brute within gave vent to a series of short, sharp cries.......I found myself that the cries were singularly irritating, and they grew in depth and intensity as the afternoon wore on. They were painful at first, but their constant resurgence at last altogether upset my balance. I flung aside a crib of Horace I had been reading, and began to clench my fists, to bite my lips, and to pace the room. Presently I got to stopping my ears with my fingers.
The emotional appeal of those yells grew upon me steadily, grew at last to such an exquisite expression of suffering that I could stand it in that confined room no longer. I stepped out of the door into the slumberous heat of the late afternoon, and walking past the main entrance - locked again, I noticed - turned the corner of the wall. The crying sounded even louder out of doors. It was as if all the pain in the world had found a voice. Yet had I known such pain was in the next room, and had it been dumb, I believe - I have thought since - I could have stood it well enough. It is when suffering finds a voice and sets our nerves quivering and this pity comes troubling us


There are over 100 of the man-beasts still alive on the island who have all undergone days of surgery in the house of pain. They live as best they can according to a ritual of law imposed by Doctor Moreau in an attempt to stop them reverting to mindless beasts.

It is an adventure story as well as a horror story but the sickness of the life on the island is never far away from our thoughts as we read on to discover what happens next. Wells has used the literary device of the story being discovered amongst Prendicks papers after his death and so it is told by him in the first person. This adds immediacy to the writing and we witness the fear, the degradation, and the pain at first hand, it also allows for a certain amount of tension and mystery especially in the first part of the novel. Prendick believes that he might be a subject for vivisection and his escape from the compound and headlong flight amongst the man-beasts on the tropical island is exciting and vividly told.

There is more to Well's novel than an adventure/horror story. At the time of the novel's publication 1896 there was a debate raging about the morality of vivisection and Wells story pitches right in with the horrors that medical science can and will inflict if it remains unchecked. Evolution through natural selection or Darwinism was also much in the minds of the late Victorians and Thomas Huxley was seen as a propagator of Darwin's theories. Prendick in the novel says that he spent some years studying under Huxley, whose views that morality is determined independently of the biological origins of humanity is another key theme explored by Wells. The man-beasts must be indoctrinated by a set of rules, chanted by them at frequent intervals to help arrest their degeneration back into wild animals.

Man as a social animal is another theme fully explored by Wells in his novel. The three characters that feature on the island are Prendick, Doctor Moreau and Montgomery, they are all in their way outcasts and it is typical of Wells to make his main character very much an anti-hero. Prendick finds himself sent to the island after an altercation with the ships captain, he is not welcome on the island despite his knowledge of biology, Montgomery calls him a prig, because of his standoffish behaviour and refusal to drink alcohol. Prendick himself although appalled by what is going on in the laboratory, has no thoughts of intervening, he would rather run away from the cruelty than challenge it. His practical knowledge is almost non-existent and when he is called upon to show courage or take action he always demurs. When he returns to civilisation he becomes again "the man alone," who would rather be with his books and papers than mix with other people. Doctor Moreau is an obsessional scientist whose moral code one might think is typical of such a man. Montgomery is a born follower, under the spell of the Doctor, but who has some sympathies with the beast-men, but takes solace in his alcoholism.

Other themes that might easily be read into the novel are colonialism and religion, but care should be taken not to read to much from our 21st century perspective. As is usual with H G Wells there is much going on; I sometimes get the feeling that so many questions about the human condition are raised that it would take a much longer novel than this to deal with them all, however all power to Well's elbow for raising them here in a novel that is both original and looks forward to realisable horrors that would take place in the century following the novels publication. Nothing should get in the way of the fact that this horror story is genuinely creepy, certainly horrible, superbly well paced and reads like an adventure story. A great read 4.5 stars. ( )
4 vote baswood | Apr 21, 2013 |
I had read this ages ago and forgotten most of it. Sure, I remembered there was an obsessed, crazy guy on an island vivisecting animals, but that was about it. I enjoyed it all over again. Sometimes it takes me a bit to get into Wells, his writing feels a little dry at the start. But, as always (so far) he sucked me in and I stayed up until 11 pm last night to finish the last few pages (this is only significant, because I have to get up at 5 am). ( )
  Ameliapei | Apr 18, 2013 |
I was extremely surprised at how much I liked this book. Other reviews say it better than I do, so I'll just throw in my recommendation. ( )
  ScribbleKey | Apr 7, 2013 |
Before I read this short novel, my sense of the story was formed by the 1977 movie which didn't do much for me. The original is an oddly-dated, oddly-relevant exploration of bioethics disguised as an adventure tale. ( )
  nmele | Apr 6, 2013 |
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» Add other authors (58 possible)

Author nameRoleType of authorWork?Status
Wells, H. G.primary authorall editionsconfirmed
Aldiss, Brian WilsonAfterwordsecondary authorsome editionsconfirmed
Atwood, MargaretIntroductionsecondary authorsome editionsconfirmed
Kent, JonathanNarratorsecondary authorsome editionsconfirmed
Kindt, AnnemarieTranslatorsecondary authorsome editionsconfirmed
McLean, StevenNotessecondary authorsome editionsconfirmed
Parrinder, PatrickEditorsecondary authorsome editionsconfirmed
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First words
"I do not propose to add anything to what has already been written concerning the loss of the Lady Vain."
Quotations
Das Schreien klang draußen noch lauter. Es war, als hätte aller Schmerz der Welt eine Stimme gefunden. Und doch - hätte ich gewußt, daß im Nebenzimmer solcher Schmerz zugefügt wurde, und wäre er stumm ertragen worden, ich glaube - so habe ich mir seither gedacht -, ich hätte es ganz gut aushalten können. Erst, wenn das Leiden Ausdruck findet und unsere Nerven erbeben macht, quält uns das Mitleid.
[Kapitel 8, letzter Absatz - S. 41 in der Ausgabe Das Neue Berlin 1988]
All diese Geschöpfe trugen trotz ihrer menschlichen Form und trotz der Andeutung von Kleidung in sich, in ihre Bewegungen, in den Ausdruck ihrer Gesichter, in ihr ganzes Wesen hinein verwoben, das unverkennbare Zeichen eines Tiers ...
[Kapitel 9, 15. Absatz - S. 45 in der Ausgabe Das Neue Berlin 1988]
Aber, wie gesagt, ich war zu aufgeregt und - das ist wahr, wenn auch jemand, der die Gefahr nie gekannt hat, vielleicht nicht daran glaubt - zu verzweifelt, um zu sterben.
[Kapitel 13, 1. Absatz - S. 68 in der Ausgabe Das Neue Berlin 1988]
"Bis auf diesen Tag hab' ich mich um die Ethik der Angelegenheit noch nie bekümmert. Das Studium der Natur macht den Menschen schließlich so gewissenlos, wie die Natur selbst ist."
[Zitat Dr. Moreau in Kapitel 14, 28. Absatz - S. 79 in der Ausgabe Das Neue Berlin 1988]
Vorher waren sie Tiere gewesen; ihre Instinkte waren ihrer Umgebung angepaßt, und sie selbst so glücklich, wie lebendige Wesen nur sein können. Jetzt stolperten sie in den Fesseln der Menschlichkeit dahin, lebten in einer Angst, die niemals starb, von einem Gesetz gequält, das sie nicht verstanden; ihre halbmenschliche Existenz begann in Qualen, war ein einziger langer, innerer Kampf, eine einzige lange Furcht vor Moreau - und wozu? Die Nutzlosigkeit regte mich auf.
[Kapitel 17, drittletzter Absatz - S. 102 in der Ausgabe Das Neue Berlin 1988]
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Haiku summary
Doctor Moreau
made animals human
but this goes wrong

Amazon.com Amazon.com Review (ISBN 0553214322, Mass Market Paperback)

A shipwreck in the South Seas, a palm-tree paradise where a mad doctor conducts vile experiments, animals that become human and then "beastly" in ways they never were before--it's the stuff of high adventure. It's also a parable about Darwinian theory, a social satire in the vein of Jonathan Swift (Gulliver's Travels), and a bloody tale of horror. Or, as H. G. Wells himself wrote about this story, "The Island of Dr. Moreau is an exercise in youthful blasphemy. Now and then, though I rarely admit it, the universe projects itself towards me in a hideous grimace. It grimaced that time, and I did my best to express my vision of the aimless torture in creation." This colorful tale by the author of The Time Machine, The Invisible Man, and The War of the Worlds lit a firestorm of controversy at the time of its publication in 1896.

(retrieved from Amazon Thu, 14 Feb 2013 13:48:22 -0500)

(see all 8 descriptions)

Dr. Moreau, a scientist, finds an isolated island that gives him the freedom to create hideous creatures with manlike intelligence.

(summary from another edition)

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Three editions of this book were published by Penguin Australia.

Editions: 014144102X, 0141029153, 0141389397

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