A past student, Oliver, returns to Cambridge to visit an old professor and friend, Theo Parmitter. Theo is a bit out of sorts and decides to confess a story from his youth to Oliver. He asks Oliver to first look at an eighteenth-century painting of Venice that is on the wall. Oliver notices that the scene that at first seems frivolous and festive is actually disturbing -- with strange characters in it that almost seem to be looking out of the canvas at him. Then, over two nights, Theo tells the story of how he acquired the painting and what else he has since found out about its history. Of course, this is a far-fetched story that Oliver isn't sure whether to believe -- until he also becomes entangled in the painting's malevolent grasp.

This one was a good solid A- story. It has a very similar cadence and phrasing to many Poe short stories and in fact drops a "House of Usher" reference which I loved. The only thing that kept me from adoring this story was that the plot became a bit predictable and I wasn't shocked or surprised at the end.

http://webereading.com/2009/10/story-... ( )

first line (of the prologue): "The story was told to me by my old tutor, Theo Parmitter, as we sat beside the fire in his college rooms one bitterly cold January night."

first line (of the first chapter): "My story really begins some seventy years ago, in my boyhood."

This is a brief little book with the feel of a ghost story despite the absence of any actual ghosts. I enjoyed it, though not as much as I seem to recall liking Hill's The Woman in Black. Both books pull off a wonderfully creepy mood, though, such that I may have to give her other ghost stories, and possibly her crime/mystery/suspense series, a go. ( )

A short ghost story novel. It is quite disappointing and predictable. ( )

Subtle ( )

Oliver is in town to visit his former tutor and mentor, Theo Parmitter, to catch up and reminisce about old times when Theo suddenly announces after dinner that he has a story he must tell Oliver in order to regain his peace of mind. Having been an art trader when he was younger, Theo has picked up a mysterious Venetian painting of Carnevale from ancient times. Even though he is begged by the agent of an unknown buyer to name his price- and sell the painting, the painting has already taken a hold of Theo, he feels under its strange power and refuses to part with it for any amount of money, even when he learns it's deadly history and suspects that he will pay the ultimate price.

I have another book on my shelf by Susan Hill entitled The Various Haunts of Men, though I didn't realize it when I picked up this book to read. A cross between The Picture of Dorian Gray and an Edgar Allan Poe short, this tale started out creepy but left too many unanswered questions in my mind for me to really appreciate it. The atmosphere and the suspense were there right from the beginning. Set in a creepy and deserted-for-the-term college campus, it's filled with mysterious figures lingering in the shadows and curiously unexplained mishaps. A delightfully chilling tale within a tale, within a tale, within a tale, I was a little apprehensive about starting to read it late at night, and more jumpy than usual at bedtime, peering into shadows around my room and half wondering whether I would see a face lurking in the dark. And then, all of that promise fell flat, which was disappointing because it could have been easily remedied had the book been longer.

I can't go into too much detail without giving the story away completely, but character motivations and development were sparse, and I just didn't feel there were any valid explanations into why this curse was being passed along to the people. Was the painting haunted? After its initial reasons for revenge was it just content to continue wreaking havoc on the lives of those who came to possess it? What happened to the people who were affected by the painting? What happened to cause the painting to come to exist and begin its deadly work? I was very disappointed not to find these answers. Not knowing made the whole thing less creepy, and I was more inclined to concentrate on the holes within the plot.

That being said I am really looking forward to reading The Various Haunts of Men. I suspect that the problems I encountered due to the lack of length won't be as much of a problem since it is a full length novel. I really enjoyed Susan Hill's writing. It was suspenseful and atmospheric and I thought she did an excellent job capturing the spirit of a different time through the dialogue and scene descriptions. I can't wait to see what she does when in a full length novel she answers at least some of the questions that her story asks.