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Fighting the Forces: What's at Stake in…
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Fighting the Forces: What's at Stake in Buffy the Vampire Slayer (edition 2002)

by Rhonda V. Wilcox (Editor), Rhonda V. Wilcox (Contributor), David Lavery (Editor), David Lavery (Contributor), Camille Bacon Smith (Contributor)22 more, Katrina Busse (Contributor), S Renee Dechert (Contributor), Diane DeKelb-Rittenhouse (Contributor), Lynne Edwards (Contributor), Greg Erikson (Contributor), Sarah N. Gatson (Contributor), Elyce Rae Helford (Contributor), Donald Keller (Contributor), Elizabeth Krimmer (Contributor), Tanya Kryzywinska (Contributor), Justine Larbalestier (Contributor), Farah Mendelsohn (Contributor), Mary Alice Money (Contributor), Karen Eileen Overby (Contributor), Patricia Pender (Contributor), Lahney Preston-Matto (Contributor), Shilpa Raval (Contributor), Anita Rose (Contributor), Catherine Siemann (Contributor), Sarah E. Skwire (Contributor), J P. Williams (Contributor), Amanda Zweerink (Contributor)

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2271118,531 (3.64)None
For every television series, the original vision grows within a press of forces-both social and artistic expectations, conventions of the business, as well as conventions of the art. Bad television--predictable, commercial, exploitative--simply yields to the forces. Good television, like the character of Buffy the Vampire Slayer, fights them. Fighting the Forces explores the struggle to create meaning in an impressive example of popular culture, the television series phenomenon Buffy the Vampire Slayer. In the essays collected here, contributors examine the series using a variety of techniques and viewpoints. They analyze the social and cultural issues implicit in the series and place it in its literary context, not only by examining its literary influences (from German liebestod to Huckleberry Finn) but also by exploring the series' purposeful literary allusions. Furthermore, the book explores the extratextual, such as fanfiction and online discussion groups. The book is additionally supplemented by an online journal Slayage (www.slayage.tv), created by the book editors in acknowledgement of the ongoing nature of television art. Rhonda V. Wilcox and David Lavery have written and edited several books and articles exploring the social, literary, and artistic merit of quality television. In addition to Buffy the Vampire Slayer, their work has covered a variety of programs including Twin Peaks, Northern Exposure, The X-Files, and The Sopranos.… (more)
Member:GirlMisanthrope
Title:Fighting the Forces: What's at Stake in Buffy the Vampire Slayer
Authors:Rhonda V. Wilcox
Other authors:Rhonda V. Wilcox (Contributor), David Lavery (Editor), David Lavery (Contributor), Camille Bacon Smith (Contributor), Katrina Busse (Contributor)21 more, S Renee Dechert (Contributor), Diane DeKelb-Rittenhouse (Contributor), Lynne Edwards (Contributor), Greg Erikson (Contributor), Sarah N. Gatson (Contributor), Elyce Rae Helford (Contributor), Donald Keller (Contributor), Elizabeth Krimmer (Contributor), Tanya Kryzywinska (Contributor), Justine Larbalestier (Contributor), Farah Mendelsohn (Contributor), Mary Alice Money (Contributor), Karen Eileen Overby (Contributor), Patricia Pender (Contributor), Lahney Preston-Matto (Contributor), Shilpa Raval (Contributor), Anita Rose (Contributor), Catherine Siemann (Contributor), Sarah E. Skwire (Contributor), J P. Williams (Contributor), Amanda Zweerink (Contributor)
Info:Rowman & Littlefield Publishers (2002), Edition: First Edition, Paperback, 320 pages
Collections:Your library
Rating:
Tags:nonfiction, vampire fiction, buffy, urban fantasy

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Fighting the Forces: What's at Stake in Buffy the Vampire Slayer? by Rhonda V. Wilcox (Editor)

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Yes, I know reading Buffy is just uber-geeky, but I just couldn't help myself... As if. ;) ( )
  alclay | Mar 31, 2013 |
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Author nameRoleType of authorWork?Status
Wilcox, Rhonda V.Editorprimary authorall editionsconfirmed
Lavery, DavidEditormain authorall editionsconfirmed
Bacon-Smith, CamilleForewordsecondary authorall editionsconfirmed
Busse, KristinaContributorsecondary authorall editionsconfirmed
Dechert, S. ReneeContributorsecondary authorall editionsconfirmed
Dekelb-Rittenhouse, DianeContributorsecondary authorall editionsconfirmed
Edwards, LynneContributorsecondary authorall editionsconfirmed
Erickson, GregoryContributorsecondary authorall editionsconfirmed
Gatson, Sarah N.Contributorsecondary authorall editionsconfirmed
Helford, Elyce RaeContributorsecondary authorall editionsconfirmed
Keller, DonaldContributorsecondary authorall editionsconfirmed
Krimmer, ElisabethContributorsecondary authorall editionsconfirmed
Krzywinska, TanyaContributorsecondary authorall editionsconfirmed
Larbalestier, JustineContributorsecondary authorall editionsconfirmed
Lavery, DavidAfterwordsecondary authorall editionsconfirmed
Mendlesohn, FarahContributorsecondary authorall editionsconfirmed
Money, Mary AliceContributorsecondary authorall editionsconfirmed
Overbey, Karen EileenContributorsecondary authorall editionsconfirmed
Pender, PatriciaContributorsecondary authorall editionsconfirmed
Preston-Matto, LahneyContributorsecondary authorall editionsconfirmed
Raval, ShilpaContributorsecondary authorall editionsconfirmed
Rose, AnitaContributorsecondary authorall editionsconfirmed
Siemann, CatherineContributorsecondary authorall editionsconfirmed
Skwire, Sarah EContributorsecondary authorall editionsconfirmed
Williams, JPContributorsecondary authorall editionsconfirmed
Zweerink, AmandaContributorsecondary authorall editionsconfirmed
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Spike [intrigued]: Heard of me, have you? [He walks a little closer. The two male Watchers shift nervously and hold their weapons.]

Female Watcher [embarrassed smile]: I... wrote my thesis on you. - "Checkpoint" (5012)
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For every television series, the original vision grows within a press of forces-both social and artistic expectations, conventions of the business, as well as conventions of the art. Bad television--predictable, commercial, exploitative--simply yields to the forces. Good television, like the character of Buffy the Vampire Slayer, fights them. Fighting the Forces explores the struggle to create meaning in an impressive example of popular culture, the television series phenomenon Buffy the Vampire Slayer. In the essays collected here, contributors examine the series using a variety of techniques and viewpoints. They analyze the social and cultural issues implicit in the series and place it in its literary context, not only by examining its literary influences (from German liebestod to Huckleberry Finn) but also by exploring the series' purposeful literary allusions. Furthermore, the book explores the extratextual, such as fanfiction and online discussion groups. The book is additionally supplemented by an online journal Slayage (www.slayage.tv), created by the book editors in acknowledgement of the ongoing nature of television art. Rhonda V. Wilcox and David Lavery have written and edited several books and articles exploring the social, literary, and artistic merit of quality television. In addition to Buffy the Vampire Slayer, their work has covered a variety of programs including Twin Peaks, Northern Exposure, The X-Files, and The Sopranos.

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