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Loading... The Catcher in the Rye (1951)| Recently added by | BenBookHoarder, AriStarkid, Forgoszel, Kinderbuchhaus, depent, mysticskeptic, arlongworth, FerminaDaza, DanielBush, literarybuff | | Legacy Libraries | Barbara Pym, Newton 'Bud' Flounders, Juice Leskinen, Sylvia Plath, Anthony Burgess, Carl Sandburg, Ernest Hemingway, Tupac Shakur |
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 Sign up for LibraryThing to find out whether you'll like this book. ▾Work-to-work relationships Is contained inHas the (non-series) sequelHas as a studyHas as a student's study guide
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To my mother  | |
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"If you really want to hear about it, the first thing you'll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want the truth." | |
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I'm quite illiterate but I read a lot. You don’t have to think too hard when you talk to teachers. I do not even like ... cars... I’d rather have a goddamn horse. A horse is at least human, for God’s sake.” I always pick a gorgeous time to fall over a suitcase or something. The best thing, though, in that museum was that everything always stayed right where it was. Nobody'd move....Nobody'd be different. The only thing that would be different would be you. What really knocks me out is a book that, when you're all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesn't happen much, though. What I have to do, I have to catch everybody if they start to go over the cliff — I mean if they're running and they don't look where they're going I have to come out from somewhere and catch them. That's all I'd do all day. I'd just be the catcher in the rye and all. I know it's crazy, but that's the only thing I'd really like to be. I know it's crazy. | |
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▾References References to this work on external resources.  Wikipedia in English (11)
▾LibraryThing members' description
| Haiku summary |
Boy in funny hat
Wanders around N.Y.C.
Phonies everywhere.
(Christopher451) | |
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▾Book descriptions Amazon.com Amazon.com Review (ISBN 0316769177, Paperback)
Since his debut in 1951 as The Catcher in the Rye, Holden Caulfield has been synonymous with "cynical adolescent." Holden narrates the story of a couple of days in his sixteen-year-old life, just after he's been expelled from prep school, in a slang that sounds edgy even today and keeps this novel on banned book lists. It begins, "If you really want to hear about it, the first thing you'll probably want to know is where I was born and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth. In the first place, that stuff bores me, and in the second place, my parents would have about two hemorrhages apiece if I told anything pretty personal about them." His constant wry observations about what he encounters, from teachers to phonies (the two of course are not mutually exclusive) capture the essence of the eternal teenage experience of alienation. (retrieved from Amazon Wed, 02 Jan 2013 19:34:55 -0500) (see all 7 descriptions) ▾Library descriptions Story of Holden Caulfield with his idiosyncrasies, penetrating insight, confusion, sensitivity and negativism. The hero-narrator of "The Catcher in the Rye" is an ancient child of sixteen, a native New Yorker named Holden Caulfield. Through circumstances that tend to preclude adult, secondhand description, he leaves his prep school in Pennsylvania and goes underground in New York City for three days. The boy himself is at once too simple and too complex for us to make any final comment about him or his story. Perhaps the safest thing we can say about Holden is that he was born in the world not just strongly attracted to beauty, but almost, hopelessly impaled on it. There are many voices in this novel: children's voices, adult voices, underground voices--but Holden's voice is the most eloquent of all. Transcending his own vernacular, yet remaining marvelously faithful to it, he issues a perfectly articulated cry of mixed pain and pleasure. However, like most lovers and clowns and poets of the higher orders, he keeps most of the pain to, and for, himself. The pleasure he gives away, or sets aside, with all his heart. It is there for the reader who can handle to keep it.… (more) » see all 7 descriptions |
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"If a body catch a body, comin' through the rye" (