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The Middle Passage by V. S. Naipaul
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The Middle Passage

by V. S. Naipaul

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1.CHARACTERISATION 143-161 description of Winter, the 'American' brilliant description of a fellow traveller who remains mysterious - he describes his behaviour and actions and speech very precisely without conjecture but with a piercing sense of Winter's self-containment and aloofness and absurd unwillingness to conform like everyone else. 164 - "His mosquito net had been taken down and was doubtless in one of his polythene sacks.' The disdain and ridicule comes across quite strongly but by the end of the section they've become friends and a more sympthetic view emerges.

This detached observation is there throughout. He is faithful to his own emotional response to people and situations but this is often expressed indirectly. It makes it more powerful when he does give a direct opinion. Staying detached allows him to make judgements without being too fixed to any set of values or preconceptions.

180 - describes how peoples moods change. During the day - singy/chatting > contemplative. Good way of documenting change and fluctuations in people.

183 - describes Albertos as an idiot very deftly through dialogue and action - "carefully he approached a woman at a sewing machine. She took up her sewing and disappeared."

105 - "Gorinsky knew the road, and the whorls of dust from his Land-Rover seemed to express his flamboyant skill." Nice way of portraying talent and virtue by means of a consequential reaction that sheds light of the action, rather than just saying "he drove skillfully."

159 - "Lucio passed his tongue over his top lip." - shows alcoholic thirst craving for whisky.

225 - Mountains "blurred in the evening light, the folds as soft as those on an animals skin."
  mingusfingers | Sep 7, 2012 |
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Amazon.com Product Description (ISBN 0375708340, Paperback)

In 1960 the government of Trinidad invited V. S. Naipaul to revisit his native country and record his impressions. In this classic of modern travel writing he has created a deft and remarkably prescient portrait of Trinidad and four adjacent Caribbean societies–countries haunted by the legacies of slavery and colonialism and so thoroughly defined by the norms of Empire that they can scarcely believe that the Empire is ending.
In The Middle Passage, Naipaul watches a Trinidadian movie audience greeting Humphrey Bogart’s appearance with cries of “That is man!” He ventures into a Trinidad slum so insalubrious that the locals call it the Gaza Strip. He follows a racially charged election campaign in British Guiana (now Guyana) and marvels at the Gallic pretension of Martinique society, which maintains the fiction that its roads are extensions of France’s routes nationales. And throughout he relates the ghastly episodes of the region’s colonial past and shows how they continue to inform its language, politics, and values. The result is a work of novelistic vividness and dazzling perspicacity that displays Naipaul at the peak of his powers.

(retrieved from Amazon Tue, 15 Jan 2013 08:11:06 -0500)

(see all 5 descriptions)

This is the author's account of his journey in 1960 from London to his birthplace, the Caribbean island of Trinidad. He has recorded his impressions of Trinidad and former colonies in the West Indies and South America.

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