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The Murder Room by P.D. James
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The Murder Room (2003)

by P.D. James

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2,144382,772 (3.74)54
21st century (11) Adam Dalgliesh (133) audiobook (16) British (60) British mystery (29) crime (110) crime fiction (45) Dalgleish (10) detective (43) detective fiction (19) England (44) English (19) fiction (286) hardcover (9) London (19) murder (23) murder mystery (14) museum (11) mysteries (8) mystery (439) novel (29) own (11) P.D. James (13) police (16) police procedural (20) read (38) series (19) thriller (15) to-read (25) unread (9)

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Showing 1-5 of 37 (next | show all)
A favorite series and character.
P. D. James and Adam Dalgliesh.
Good combo.
Have watched every PBS Mystery episode on these books, also.
Read in 2004. ( )
  CasaBooks | Apr 28, 2013 |
I haven't read a P D James murder mystery in a while. This was a good story but not the best I've read. Double murder at the Dupayne museum with all the suspects either employees or members of the family. ( )
  MaggieFlo | Apr 7, 2013 |
It's hard to get better than this. Another gripping mystery with fully realized characters, evocative writing and a satisfying ending. ( )
  FiberBabble | Mar 30, 2013 |
In a museum devoted to England during the interwar years, there is a Murder Room, in which are gathered artifacts from famous homicides that took place during the interwar years. Naturally, the room plays a crucial role, both as setting and as backstory, when real-life murder comes to the museum. Scotland Yard is called into investigate under the leadership of Detective Adam Dalgliesh. As always, James delves deeply into the psyches of her characters--in this case, the museum's staff--uncovering not just motives and secrets, the stuff of any crime plot, but also the flesh and bone of personality. This is a classic detective story that is livened by the in depth character analysis.
  tauruseducation | Mar 27, 2013 |
P. D. James is so good - great style and plot, memorable characters. ( )
  DowntownLibrarian | Jan 16, 2013 |
Showing 1-5 of 37 (next | show all)
The éminence grise of British detective fiction, James delivers another ruminative puzzler, generous in character, graceful in prose.
 
James writes with such ease and juggles her plots and characters with such control that none of this gets out of hand. . . Alas, James's efforts to inject suspense into Dalgliesh's romantic life are less effective. . .
 
There is no mistaking P. D. James's latest mystery for the work of a younger writer. . . Her characters are confused by euros and annoyed by mobile phones. . . Despite her elegiac frame of mind, Ms. James has not lost her taste for a good throttling.
 
It's a general rule of fiction that authors are happiest creating characters closest to their own age. This is because all fiction is broadly autobiographical. Male novelists in their early 20s create wincingly convincing teenagers but - by their 60s - are sketching adolescents who are merely embarrassing sexual fantasies. As an octogenarian novelist, James is showing similar difficulties of characterisation. . .
added by christiguc | editThe Guardian, Mark Lawson (Jul 5, 2003)
 
I've never really got Dalgleish. His combination of policing skill and artistic sensibility - he's an acclaimed poet - has always struck a false note for me, especially given that he's so emotionally constrained. . . In The Murder Room, even his detective skills are more assumed than demonstrated. Several people, Dalgleish included, comment on his ability to get people to tell him things. Yet in this book, you have no idea why. All he seems to do is enter a room, ask a question and the admissions come thick and fast. . . Once she does begin, though, she doesn't relent until the genuinely chilling climax. Patrician, eccentric, but still a delight.
 
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Epigraph
Time present and time past
Are both perhaps present in time future,
And time future contained in time past.
T. S. Eliot, Burnt Norton
Dedication
To my two sons-in-law
Lyn Flook
Peter Duncan McLeod
First words
On Friday 25 October, exactly one week before the first body was discovered at the Dupayne Museum, Adam Dalgliesh visited the museum for the first time.
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Amazon.com Product Description (ISBN 0141015535, Paperback)

Commander Adam Dalgliesh is already acquainted with the Dupayne Museum in Hampstead, and with its sinister murder room celebrating notorious crimes committed in the interwar years, when he is called to investigate the killing of one of the trustees. He soon discovers that the victim was seeking to close the museum against the wishes of both staff and fellow trustees. Everyone, it seems, has something to gain from the crime. When it becomes clear that the killer is prepared to kill again, inspired by the real-life crimes from the murder room, Dalgliesh knows that to solve this case he has to get into the mind of a ruthless killer.

(retrieved from Amazon Thu, 03 Jan 2013 14:36:17 -0500)

(see all 4 descriptions)

Murders present meet murders past in P.D. James's latest harrowing, thought-provoking thriller. Life imitates art. The redoubtable Commander Adam Dalgliesh is on the trail of a murderer whose MO mimics a museum exhibit. The Dupayne, a small London museum devoted to the interwar years 1919-1939, is in turmoil. As its trustees argue over whether it should be closed, one of them is murdered. Yet even as Dalgliesh investigates this mysterious killing, a second corpse is discovered. Thus paired, the two murders look uncannily similar to the crimes in the museum's "Murder Room" gallery. As Dalgliesh attempts to unravel this increasingly urgent puzzle, its complications impinge more and more upon the relationship he is developing with Emma Lavenham. And as he moves closer to a solution, he grows further from commitment to Emma.… (more)

» see all 7 descriptions

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