Penguin blurb:
Alaric, Duke of Dunstable, has something everyone wants to get their hands on ...
He has arrived in Blandings with a picture bought in a London gallery under the nose of Willie Trout, who will pay any price for it. Lord Emsworth is convinced the painting, a rather fetching nude, bears more than a passing resemblance to his peerless prize pig, the Empress. Before long Blandings is a hornet's nest of theft, forgery and impostors. Fortunately, Sir Galahad, illustrious member of the old Pelican Club, is on hand to sort things out.

This is a late entry in the 'Blandings Castle' cycle: the last before the unfinished Sunset at Blandings. It features Gally as the principal protagonist, organising the life of his godson John Halliday who has just become engaged at the same time as uncovering a tricky situation related to the art gallery in which he has invested the bulk of his money. Gally takes a trip to Blandings at the behest of Halliday, joining a growing house-party of assorted guests who are connected in a number of ways that form the plot twists. Each character is well drawn; sufficiently sketched such that the work stands easily alone even though it forms part of an extended series. However, perhaps my lack of knowledge of the back-stories of the characters was one of the factors that made me think that there was something missing at the core of the book.
The pacing is fine and the setting is almost timeless (somewhat necessary for a series written over a period approaching 45 years). The language rarely introduces words and phrases that are outside the normal lexicon, and there were only a couple of times that I struggled with the sentence structure. However, such minor inconsistencies were sufficient for me to get a bit annoyed given the high standard that I was expecting.
So, my criticisms are all minor, but this wouldn't stop me recommending the work as something that can safely be tested as a stand-alone work within the Wodehouse cannon, to see if the style suits. (