|
Loading... Tides of Warby Steven Pressfield
LibraryThing recommendationsMember recommendationsLoading...
won't like
will probably not like
will probably like
will like
will love Sign up for LibraryThing to find out whether you'll like this book. Story of Alcibiades, Athenian noble, who changed sides during the Peloponnesian war one time too many, making enemies in almost every nation he ever served. Narrative is somewhat confusing and this may repel readers - I advise them to persevere, it's worth it. Tides of War is a good historical novel. However, it's for readers that can tolerate a complex narrative that describes events over the 27 year span of the Peloponnesian War (431 to 404 BCE). The story is told through three narrators; a man interviewing his grandfather Jason who in turn was a lawyer who many years earlier represented Polymides who was a close confidant of Alcibiades. In other words, it's a description of an interview in which an older person is describing earlier conversations with still another person who told him about many still earlier conversations and events. These three narrators are fictional characters, however Alcaibiades was an actual historical soldier extraordinaire. Who was Alcibiades? Well, if you make it through this book you will never forget the name. The question I'm asking after this book is why is Alcibiades so relatively unknown? I find that the book's format allows the various narrators as they pass along the story to ponder the meaning of life and history during a time of war. In doing this the book gives a look into the thinking of the era. But to understand the book the reader needs to keep reminding him/herself who's doing the talking and when the current conversation being described took place. But the reader who becomes immersed in the story will be rewarded with a description of a time and place (the end of the classical period of ancient Greek history) that has the ring of authenticity. Socrates makes a number of appearances in the book. As a matter of fact, the climax of the story occurs on the same day that Socrates takes the hemlock. One can find many scary parallels with current international relations and domestic politics. In case you're not up on the details of the Peloponnesian War, the historic cradle of democracy, Athens, lost the war. Another captivating education of Ancient Greece. Pressfield tells the story of Alcibiades, along with some timely morals about the perils of public opinion in a democracy. Plot: I wish the book could decide on what the plot should be. The life of Alcibiades? The life of his assassin? It meanders back and forth between those two, connects them with some far too deus-ex-machina solutions, and generally fails to create any suspense or pacing. It's a collection of scenes, but they don't work together as a story. Characters: Characterization. Please. Some of it. Only one figure in the entire book ever manages to gain some depth, and that's someone who appears on perhaps five pages. The rest, including the main narrator and Alcibiades himself, are flat as cardboard. You learn nothing whatsoever about them. Style: A very odd narrative structure of a narrator (first person) telling what his grandfather (first person, again) told him about a prisoner he'd met a long time ago and the story that man told (in first person). Grandfather and grandson didn't serve any obvious purpose save to make page-long sections of the book be printed in italics. Other than that, horrid prose especially in dialogues, which are awfully stilted. Random Ancient Greek terms, which are completely pointless and never get picked up to turn into anything of importance. Plus: Not much. Minus: No characterization. Manages to fail at sticking to a plot that should have been foolproof. Annoying prose. Lack of historical accuracy. Far too many anachronisms. Summary: It's not only boring, but actually badly written as well. no reviews | add a review
Amazon.com (ISBN 0553381393, Paperback)After chronicling the Spartan stand at Thermopylae in his audacious Gates of Fire, Steven Pressfield once again proves that it's all Greek to him. In Tides of War, he tells the tale of Athenian soldier extraordinaire Alcibiades. Despite the vaunted claims for Periclean democracy, he is undoubtedly first among equals--a great warrior and an impressive physical specimen to boot: "The beauty of his person easily won over those previously disposed, and disarmed even those who abhorred his character and conduct." He is also a formidable orator, whose stump speeches are paradoxically heightened by what some might consider an impediment:Even his lisp worked in Alcibiades' favor. It was a flaw; it made him human. It took the curse off his otherwise godlike self-presentation and made one, despite all misgivings, like the fellow.This tale of arms and the man requires two narrators. One, Jason, is an aging noble who serves as a sort of recording angel of the Athenian golden age. The other, Polymides, was long Alcibiades' right-hand man, yet is now imprisoned for his murder. As they were in his previous novel, Pressfield's battle scenes are extraordinarily vivid and visceral. This time, however, many of these elemental clashes take place on water. "As far as sight could carry, the sea stood curtained with smoke and paved with warcraft. Immediately left, a battleship had rammed one of the vessels in the wall; all three of her banks were backing water furiously, to extract and ram again, while across the breach screamed storms of stones, darts, and brands of such density that the air appeared solid with steel and flame." In addition to his gift for rendering patriotic gore, the author excels at quieter but no less deadly forms of combat. As Alcibiades' star rises and falls and rises again, we are escorted directly into the snakepit of Athenian realpolitik. Bathing us in the details of a distant era, Pressfield is largely convincing. But it must be said that his diction exhibits a sometimes comical variegation, sliding from Homeric rhetoric to tough-guy speak to the sort of casual Anglicisms we might expect from Evelyn Waugh's far-from-bright young things. No matter. Tides of War conquers by sheer storytelling prowess, reminding us that war was--and is--a highly addictive version of hell. --Darya Silver (retrieved from Amazon Fri, 24 Apr 2009 07:57:52 -0400) The first test round has been closed. Visit the Open Shelves Classification group for details. |
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
This is the story of the conflict between Athens and Sparta in the 4th century BC. The main focus of the story is one fictional Athenian’s life, Polemides, from boyhood to his time in a prison cell awaiting trial for murder. It is also the story of Polemides' relationship with Alcibiades, one of the Athenian generals, as he falls in and out of favour with the Athenian people, in times of leadership and exile. The story is filtered through an old man (Jason) relating the story to his grandson. Jason does this as he is the man defending Polemides. In the same prison is Socrates in his last days before he drinks hemlock.
I sort of understand why Pressfield does this. It gives him an opportunity to tell the story where Polemides is not present and also have an additional storyline of Socrates last days. A chance to debate the philosophy of democracy and the purpose of Law.
So this book tries to be an account of the Peloponnesian war from Polemides' (and Jason's and snippets of other people's letters which Jason has somehow acquired) view; also Polemides' view of Alcibiades and how he survived as the ultimate chameleon (changing himself depending on where he found his life taking him) and also a tale of the fall of Athens.
But it is an attempt to pack in too much, which leaves it as a muddled and confused account. In places Jason just says Polemides didn't want to talk about this or that aspect of his life (mainly about family and relationships) which is frustrating and annoying; as though Pressfield doesn't want to fill in certain details of Athenian life and just wanted to concentrate on the battles and army life. A pity as I think if this had been a straight story of one Athenian's experience of life during the Peloponnesian war it might have been a better book.
Therefore, in my opinion, this is too dry an account, in some ways reading more like a much-expanded history book than a piece of historical fiction. (