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La divina comedia by Dante Alighieri

La divina comedia (edition 1986)

by Dante Alighieri, Ángel Chiclana Cardona (Pr.)

MembersReviewsPopularityAverage ratingConversations / Mentions
11,18988251 (4.13)1 / 115
Title:La divina comedia
Authors:Dante Alighieri
Other authors:Ángel Chiclana Cardona (Pr.)
Info:Madrid : Espasa Calpe, 1986.
Collections:Read but unowned, Classics

Work details

The Divine Comedy by Dante Alighieri

  1. 31
    Primum mobile : Dantes Jenseitsreise und die moderne Kosmologie by Bruno Binggeli (vreeland)
    vreeland: Bruno Binggeli verbindet Dantes Grosses Werk mit der modernen Astrophysik und macht sich in und mit der Lektüre der Göttlichen Komödie und den darin enthaltenen mittelalterlichen Jenseitsvorstellungen auf die Suche nach dem "Big Bang" - dem Urknall. Paradies und Superraum, Gnadenwahl und Quantenphysik, Hölle und Schwarze Löcher: Mittelalter und Moderne passen sehr viel besser zusammen als man glaubt. Binggeli ist Physiker und Galaxienforscher an der Universität Basel; die wissenschaftliche Akribie, mit der er die Göttliche Komödie mit aktuellen Forschungsergebnissen in Relation bringt, schafft für beide Seiten reizvolle neue Perspektiven und Ansätze des Verstehens.… (more)
  2. 31
    The Doré Illustrations for Dante's Divine Comedy by Gustave Doré (rvdm61)
  3. 22
    Ochii Beatricei : cum arăta cu adevărat lumea lui Dante? by Horia-Roman Patapievici (gyges77)
  4. 11
    Dante in Love by A. N. Wilson (DLSmithies)

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English (71)  Spanish (5)  Dutch (4)  Italian (3)  German (2)  Danish (1)  Portuguese (Portugal) (1)  All languages (87)
Showing 1-5 of 71 (next | show all)
Heaven and Hell. ( )
  JorgeCarvajal | Feb 13, 2015 |
Throughout The Divine Comedy Dante claims that his is no mere story, but a vision granted to him by the divine. While your personal faith probably plays a role in how you assess that claim, one thing is certain: Dante was a visionary, and The Divine Comedy contains some of the most stunning imagery you'll find in literature. Everyone has heard of Dante's nine circles of hell, but how many know that the ninth circle is surrounded by a living wall of giants, chained for their rebellion? Or that the mountain of purgatory is the land that was thrust up by Lucifer's fall, and atop it sits the Garden of Eden? Or that in paradise the souls of all the protectors of humanity form a huge eagle that addresses Dante, the eagle being formed of countless souls that shine like rubies in the sunlight? Not to mention the ultimate image Dante gives us, of the highest realm of heaven, wherein every soul that has reached paradise joins together to take the shape of a white rose, with God at its center.

It's beautiful stuff, and even in translation Dante's prose proves up to the task of describing it. From the opening of Inferno where Dante has lost his way to the final lines of each canticle that draw our minds to the stars, Dante is a masterful writer. Not only that, but he's an assertive writer as well. While I could easily imagine an author falling back on his beautiful writing and delivering only a milquetoast moral stance (and indeed, Dante mentions this temptation), in The Divine Comedy Dante makes his opinions known on issues large and small. He's not afraid to criticize the practice of blood feuds, or to pillory different orders of monks, or even to call out the leadership of the Church and the rulers of Italy. He places popes and kings in the fires of hell just as readily as he does false prophets and foreign conquerers.

In addition to this, The Divine Comedy serves as perhaps the best memorial for a lost love to ever be written. Dante's first love Beatrice, dead before he began work on The Divine Comedy, is not only placed by Dante among the highest ranks of paradise, but it is through her mercy and care that Dante is granted his vision of the divine. She is credited with not only inspiring his pen, but with saving his soul as well. Through this work Dante immortalizes his lost love, and if there is a love letter that can compare I don't know of it.

The work isn't without its flaws. Paradiso has several cantos that focus on Dante's take on cosmology or astrophysics that aren't only clearly wrong under our modern understanding, but that don't flow particularly well either. They're like Melville's chapters on whale classification in Moby Dick- they struck me as more distracting than atmospheric. Paradiso is also rife with Dante raising theological questions, only to give them unsatisfying answers. I wish Dante had given us more of his brilliant descriptions instead of trying his hand at reconciling the nature of God with real world events. Occasionally in Inferno it feels as though Dante is sticking it to the people he doesn't like in life at the expense of the flow of the canto, while at other times it feels as though Dante is making an exception for historical figures he really liked at the expense of the logic of the divine system he has described (Cato being the prime example, but various Roman and Greek figures throughout raise this issue). Still, these complaints are minor. It's a vision, after all, and so the lack of a concrete system with steadfast rules isn't surprising.

It's the journey that counts, not the destination, and Dante gives us one hell of a journey. It's an epic sightseeing trip through the world of Christian theology, a world that is still heavily influenced by the myths and scholars of ancient Rome and Greece. Though it's not perfect, it's great, and well worth your time. ( )
  BayardUS | Dec 10, 2014 |
If you want the Italian text, with notes in English, you might track down the Grandgent/Singleton Divina Commedia published in (I think) 1972. (There's another, older, one with only Grandgent as editor.) ( )
  x_hoxha | Nov 3, 2014 |
A true classic that everyone should read but, unfortunately, few will genuinely appreciate. You travel the afterlife from Hell through Purgatory and arrive in Heaven. Along the way you meet various souls (some of whom Dante had been ticked at who today are not known) and realize the very Catholic approach to redemption. ( )
  JVioland | Jul 14, 2014 |
Wow! All I can say is what a pleasurable and enriching experience to have had the opportunity to listen to Dante's legendary poetry read aloud. The only metaphorical example I can think of is the difference between watching an epic film (like "Life of Pi") in 2D or 3D.

Yes! Dante's Divine Comedy book vs. audiobook is on the same proportional movie-going scale! I highly recommend indulging yourself with this audiobook. It's one you'll want to purchase, not borrow! ( )
  iReadby | Apr 27, 2014 |
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» Add other authors (303 possible)

Author nameRoleType of authorWork?Status
Alighieri, Danteprimary authorall editionsconfirmed
Amari-Parker, AnnaEditorsecondary authorsome editionsconfirmed
Amelung, Petersecondary authorsome editionsconfirmed
Anderson, Melville BestTranslatorsecondary authorsome editionsconfirmed
Armour, PeterNotessecondary authorsome editionsconfirmed
Bahner, WernerEditorsecondary authorsome editionsconfirmed
Barcelo, MiquelIllustratorsecondary authorsome editionsconfirmed
Beer, A. deEditorsecondary authorsome editionsconfirmed
Bickersteth, Geoffrey L.Translatorsecondary authorsome editionsconfirmed
Blake, WilliamIllustratorsecondary authorsome editionsconfirmed
Boeken, H.J.Translatorsecondary authorsome editionsconfirmed
Botticelli, SandroIllustratorsecondary authorsome editionsconfirmed
Cary, Francis HenryTranslatorsecondary authorsome editionsconfirmed
Cary, Henry F.Translatorsecondary authorsome editionsconfirmed
Chiavacci Leonardi, Anna MariaEditorsecondary authorsome editionsconfirmed
Cialona, IkeTranslatorsecondary authorsome editionsconfirmed
Ciardi, JohnTranslatorsecondary authorsome editionsconfirmed
Corey, MelindaIntroductionsecondary authorsome editionsconfirmed
Davico Bonino, GuidoEditorsecondary authorsome editionsconfirmed
Dooren, Frans vanTranslatorsecondary authorsome editionsconfirmed
Doré, GustaveIllustratorsecondary authorsome editionsconfirmed
Eino LeinoTranslatorsecondary authorsome editionsconfirmed
Eliot, Charles WilliamEditorsecondary authorsome editionsconfirmed
Flaxman, JohnIllustratorsecondary authorsome editionsconfirmed
Fletcher, Jefferson ButlerTranslatorsecondary authorsome editionsconfirmed
Galassi, JonathanTranslator (Introduction)secondary authorsome editionsconfirmed
Gardner, Edmund G.Introductionsecondary authorsome editionsconfirmed
Hertz, Wilhelm GustavTranslatorsecondary authorsome editionsconfirmed
Higgins, David H.Introductionsecondary authorsome editionsconfirmed
Kops, ChristinusTranslatorsecondary authorsome editionsconfirmed
Landino, CristoforoContributorsecondary authorsome editionsconfirmed
Leino, EinoTranslatorsecondary authorsome editionsconfirmed
Livingston, ArthurIntroductionsecondary authorsome editionsconfirmed
Longfellow, Henry WadsworthTranslatorsecondary authorsome editionsconfirmed
Luciani, GérardTranslatorsecondary authorsome editionsconfirmed
Mandelbaum, AllenTranslatorsecondary authorsome editionsconfirmed
Montale, EugenioIntroductionsecondary authorsome editionsconfirmed
Paton, Sir Joseph NoelCover artistsecondary authorsome editionsconfirmed
Pfleiderer, RudolfEditorsecondary authorsome editionsconfirmed
PhilalethesTranslatorsecondary authorsome editionsconfirmed
Polacco, L.Contributorsecondary authorsome editionsconfirmed
Poma, CarlaEditorsecondary authorsome editionsconfirmed
Rheinfelder, HansAfterwordsecondary authorsome editionsconfirmed
Sayers, DorothyTranslatorsecondary authorsome editionsconfirmed
Scheck, FranzGraphische Bearbeitungsecondary authorsome editionsconfirmed
Sinclair, John D.Translatorsecondary authorsome editionsconfirmed
Singleton, Charles S.Translatorsecondary authorsome editionsconfirmed
Singleton, Charles SouthwardEditorsecondary authorsome editionsconfirmed
Sisson, C HTranslatorsecondary authorsome editionsconfirmed
Sokop, Hans WernerTranslator deutsche Terzinenfassungsecondary authorsome editionsconfirmed
Streckfuß, KarlTranslatorsecondary authorsome editionsconfirmed
Vaara, ElinaTranslatorsecondary authorsome editionsconfirmed
Vandelli, GiuseppeEditorsecondary authorsome editionsconfirmed
Vandelli, GiuseppeEditorsecondary authorsome editionsconfirmed
Verstegen, PeterTranslatorsecondary authorsome editionsconfirmed
Villaroel, GiuseppeEditorsecondary authorsome editionsconfirmed
Weigel, HansIntroductionsecondary authorsome editionsconfirmed
White, Lawerence GrantTranslatorsecondary authorsome editionsconfirmed
White, Lawrence GrantTranslatorsecondary authorsome editionsconfirmed
White, Lawrence GrantTranslatorsecondary authorsome editionsconfirmed
Wijdeveld, GerardEditorsecondary authorsome editionsconfirmed
Witte, KarlTranslatorsecondary authorsome editionsconfirmed
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First words
Nel mezzo del cammin di nostra vita / mi ritrovai per una selva oscura, / chè la diritta via era smarrita.
Mildway upon the journey of our life I found myself within a forest dark, For the straightforward pathway had been lost.
Abandon all hope, ye who enter here.
. . .quel giorno più non vi leggemmo avante.
Last words
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facsimile of Venice Biblioteca Nazionale Marciana Codex It. IX,276 (=6902)
Haiku summary

Amazon.com Product Description (ISBN 0451208633, Paperback)

Dante Alighieri's poetic masterpiece, The Divine Comedy, is a moving human drama, an unforgettable visionary journey through the infinite torment of Hell, up the arduous slopes of Purgatory, and on to the glorious realm of Paradise—the sphere of universal harmony and eternal salvation.

10 illustrations

@HolyHaha I have to climb a mountain now? You got to be kidding me. Is this a joke? Who the hell came up with story? VIIIRRRGGGILLLLLLLLLLL!

From Twitterature: The World's Greatest Books in Twenty Tweets or Less

(retrieved from Amazon Mon, 30 Sep 2013 13:53:23 -0400)

(see all 10 descriptions)

"'The Divine Comedy' begins in a shadowed forest on Good Friday in the year 1300. It proceeds on a journey that, in its intense recreation of the depths and the heights of human experience, has become the key with which Western civilization has sought to unlock the mystery of its own identity. Allen Mandelbaum's astonishingly Dantean translation, which captures so much of the life of the original, renders whole for us the masterpiece that genius whom our greatest poets have recognized as a central model for all poets. This Everyman's edition -- containing in one volume all three cantos, 'Inferno,' 'Purgatorio,' and 'Paradiso' -- includes an introduction by Nobel Prize-winning poet Eugenio Montale, a chronology, notes, and a bibliography. Also included are forty-two drawings selected from Botticelli's marvelous late-fifteenth century series of illustrations." ***"An epic poem in which the poet describes his spiritual journey through Hell, Purgatory and Paradise -- guided first by the poet Virgil and then by his beloved Beatrice -- which results in a purification of his religious faith."… (more)

(summary from another edition)

» see all 22 descriptions

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3 editions of this book were published by Audible.com.

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Penguin Australia

7 editions of this book were published by Penguin Australia.

Editions: 0140440062, 0140440461, 0142437220, 0140441050, 0140444432, 0140444424, 0140448950

W.W. Norton

An edition of this book was published by W.W. Norton.

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