HomeGroupsTalkZeitgeist
Hide this

Results from Google Books

Click on a thumbnail to go to Google Books.

La divina comedia by Dante Alighieri
Loading...

La divina comedia (edition 1986)

by Dante Alighieri, Ángel Chiclana Cardona (Pr.)

MembersReviewsPopularityAverage ratingConversations / Mentions
12,606100190 (4.12)1 / 141
Member:ghilbrae
Title:La divina comedia
Authors:Dante Alighieri
Other authors:Ángel Chiclana Cardona (Pr.)
Info:Madrid : Espasa Calpe, 1986.
Collections:Read but unowned, Classics
Rating:****
Tags:Classics

Work details

The Divine Comedy by Dante Alighieri

  1. 51
    The Doré Illustrations for Dante's Divine Comedy by Gustave Doré (rvdm61)
  2. 20
    The Figure of Beatrice by Charles Williams (jsburbidge)
  3. 21
    Primum mobile: Dantes Jenseitsreise und die moderne Kosmologie by Bruno Binggeli (vreeland)
    vreeland: Bruno Binggeli verbindet Dantes Grosses Werk mit der modernen Astrophysik und macht sich in und mit der Lektüre der Göttlichen Komödie und den darin enthaltenen mittelalterlichen Jenseitsvorstellungen auf die Suche nach dem "Big Bang" - dem Urknall. Paradies und Superraum, Gnadenwahl und Quantenphysik, Hölle und Schwarze Löcher: Mittelalter und Moderne passen sehr viel besser zusammen als man glaubt. Binggeli ist Physiker und Galaxienforscher an der Universität Basel; die wissenschaftliche Akribie, mit der er die Göttliche Komödie mit aktuellen Forschungsergebnissen in Relation bringt, schafft für beide Seiten reizvolle neue Perspektiven und Ansätze des Verstehens.… (more)
  4. 11
    Dante in Love by A. N. Wilson (DLSmithies)
  5. 22
    Ochii Beatricei : cum arăta cu adevărat lumea lui Dante? by Horia-Roman Patapievici (gyges77)
Loading...

Sign up for LibraryThing to find out whether you'll like this book.

English (81)  Spanish (7)  Dutch (4)  Italian (3)  German (2)  All (1)  Danish (1)  All (99)
Showing 1-5 of 81 (next | show all)
One of the absolute summits of western (arguably, world) literature.

The general outline is well-enough known: Dante has a vision (on Easter weekend, 1300) in which he visits Hell, Purgatory, and Heaven. (The vision frame is external to the poem itself; the Dante inside the poem is the dreamer from the very beginning.) He is guided through the first two realms (well, all of Hell and most of Purgatory) by Virgil, and through the rest of Purgatory and all of Heaven by Beatrice, the focus of his early work La Vita Nuova. He begins in a dark wood, "selva oscura" and ends with the beatific vision of the union of the Christian Trinity and the Aristotelian unmoved mover: "l'amor che move il sole e l'altre stelle".

On its way he maintains a multi-level allegory, fills it with an encyclopaedia of his day's science, history, and theology, carries out an extended argument regarding the (sad) politics of his day and of his beloved Florence, from which he was an exile, and does so in verse which stays at high level of virtuosity throughout. It's the sort of thing that writers like Alanus de Insulis tried in a less ambitious way and failed (well, failed by comparison: who except specialists reads the De Planctu Naturae these days?).

There is no equivalent achievement, and very few at the same level. This would get six stars if they were available. ( )
2 vote jsburbidge | Sep 23, 2016 |
DO NOT BUY THIS EBOOK. The Kindle edition has no intro, no note from the translator (Longfellow), no note from a colleague of the translator, no context for the poem, nothing at all extra to help one appreciate and understand this great work of literature and translation, and no note that this edition is not complete. Once again, Amazon has cheated ebook readers. ( )
1 vote chibitika | Aug 28, 2016 |
What's there to say? He literally wrote the book on Hell (and Purgatory and Paradise) and takes the reader on a stunning journey while scathingly condemning his political foes and those who exiled him from Florence.

Three stars because no english translation can do it justice, but Mandelbaum tends often to skip the rhyme scheme in favor of conveying the meaning of the lines, which is a vast improvement. Also, the format is far inferior to the Bantum Classics edition. ( )
1 vote MullinsModerne | Jun 13, 2016 |
I feel the important thing to keep in mind with this text is the title. As is explicated in the preface, for the ancients a “comedy” was a satire – not quite the equivalent of what we see a comedy to be today. As a religious or philosophical text, it leaves much to be wanting. The philosophy is convoluted, and for as much as Dante proclaims his absolute faith, he takes so many liberties within his portrayal of all three levels that at times leaves him downright heretical.

As such, what is of significance is the cultural circumstances around this book. It serves more as a look into the state of the church in the 14th century, and the pervading corruption throughout the Middle Ages. One need only look towards the characters and their places within the journey to see just how much more this book has to do with satirizing the predominant figures of his time. It is due to this that I give it such a high rating. It is of course of historical and literary merit, but overall, unless you are someone looking for a broader look into Dante’s time, the story itself will be lacking for one who approaches it from either side: the skeptical or the faithful.
( )
  PhilSroka | Apr 12, 2016 |
Dante earns props for competing (via my car's CD system) with real estate phone calls, bad-economy ennui, my ADD caliber attention span, and more. That I got anything at all from my 2-month slog through Hell, Purgatory and Paradiso is testament to this epic's power.

I can't compete with Ben R.'s review. The best thing about his review: it makes me want to listen to the CD again. ( )
  evamat72 | Mar 31, 2016 |
Showing 1-5 of 81 (next | show all)
no reviews | add a review

» Add other authors (263 possible)

Author nameRoleType of authorWork?Status
Alighieri, Danteprimary authorall editionsconfirmed
Amari-Parker, AnnaEditorsecondary authorsome editionsconfirmed
Amelung, Petersecondary authorsome editionsconfirmed
Anderson, Melville BestTranslatorsecondary authorsome editionsconfirmed
Armour, PeterNotessecondary authorsome editionsconfirmed
Bahner, WernerEditorsecondary authorsome editionsconfirmed
Barcelo, MiquelIllustratorsecondary authorsome editionsconfirmed
Beer, A. deEditorsecondary authorsome editionsconfirmed
Bickersteth, Geoffrey L.Translatorsecondary authorsome editionsconfirmed
Blake, WilliamIllustratorsecondary authorsome editionsconfirmed
Boeken, H.J.Translatorsecondary authorsome editionsconfirmed
Botticelli, SandroIllustratorsecondary authorsome editionsconfirmed
Cary, Henry FrancisTranslatorsecondary authorsome editionsconfirmed
Chiavacci Leonardi, Anna MariaEditorsecondary authorsome editionsconfirmed
Cialona, IkeTranslatorsecondary authorsome editionsconfirmed
Ciardi, JohnTranslatorsecondary authorsome editionsconfirmed
Corey, MelindaIntroductionsecondary authorsome editionsconfirmed
Davico Bonino, GuidoEditorsecondary authorsome editionsconfirmed
Dooren, Frans vanTranslatorsecondary authorsome editionsconfirmed
Doré, GustaveIllustratorsecondary authorsome editionsconfirmed
Eliot, Charles WilliamEditorsecondary authorsome editionsconfirmed
Flaxman, JohnIllustratorsecondary authorsome editionsconfirmed
Fletcher, Jefferson ButlerTranslatorsecondary authorsome editionsconfirmed
Galassi, JonathanTranslator (Introduction)secondary authorsome editionsconfirmed
Gardner, Edmund G.Introductionsecondary authorsome editionsconfirmed
Hertz, Wilhelm GustavTranslatorsecondary authorsome editionsconfirmed
Higgins, David H.Introductionsecondary authorsome editionsconfirmed
Kops, ChristinusTranslatorsecondary authorsome editionsconfirmed
Landino, CristoforoContributorsecondary authorsome editionsconfirmed
Leino, EinoTranslatorsecondary authorsome editionsconfirmed
Livingston, ArthurIntroductionsecondary authorsome editionsconfirmed
Longfellow, Henry WadsworthTranslatorsecondary authorsome editionsconfirmed
Luciani, GérardTranslatorsecondary authorsome editionsconfirmed
Mandelbaum, AllenTranslatorsecondary authorsome editionsconfirmed
Montale, EugenioIntroductionsecondary authorsome editionsconfirmed
Norton, Charles EliotTranslatorsecondary authorsome editionsconfirmed
Paton, Sir Joseph NoelCover artistsecondary authorsome editionsconfirmed
Perriccioli, AlessandraCommentaar verzorgt doorsecondary authorsome editionsconfirmed
Pfleiderer, RudolfEditorsecondary authorsome editionsconfirmed
PhilalethesTranslatorsecondary authorsome editionsconfirmed
Polacco, L.Contributorsecondary authorsome editionsconfirmed
Poma, CarlaEditorsecondary authorsome editionsconfirmed
Rheinfelder, HansAfterwordsecondary authorsome editionsconfirmed
Savino, GiancarloCommentaar verzorgt doorsecondary authorsome editionsconfirmed
Sayers, DorothyTranslatorsecondary authorsome editionsconfirmed
Scheck, FranzGraphische Bearbeitungsecondary authorsome editionsconfirmed
Sinclair, John D.Translatorsecondary authorsome editionsconfirmed
Singleton, Charles S.Translatorsecondary authorsome editionsconfirmed
Sisson, C HTranslatorsecondary authorsome editionsconfirmed
Sokop, Hans WernerTranslator deutsche Terzinenfassungsecondary authorsome editionsconfirmed
Streckfuß, KarlTranslatorsecondary authorsome editionsconfirmed
Vaara, ElinaTranslatorsecondary authorsome editionsconfirmed
Vandelli, GiuseppeEditorsecondary authorsome editionsconfirmed
Verstegen, PeterTranslatorsecondary authorsome editionsconfirmed
Villaroel, GiuseppeEditorsecondary authorsome editionsconfirmed
Weigel, HansIntroductionsecondary authorsome editionsconfirmed
White, Lawrence GrantTranslatorsecondary authorsome editionsconfirmed
Wijdeveld, GerardEditorsecondary authorsome editionsconfirmed
Witte, KarlTranslatorsecondary authorsome editionsconfirmed
Zimmermann, Wolf D.Cover designersecondary authorsome editionsconfirmed
You must log in to edit Common Knowledge data.
For more help see the Common Knowledge help page.
Series (with order)
Canonical title
Original title
Alternative titles
Original publication date
People/Characters
Important places
Important events
Related movies
Awards and honors
Epigraph
Dedication
First words
Nel mezzo del cammin di nostra vita / mi ritrovai per una selva oscura, / chè la diritta via era smarrita.
Midway upon the journey of our life I found myself within a forest dark, For the straightforward pathway had been lost.
Quotations
Abandon all hope, ye who enter here.
. . .quel giorno più non vi leggemmo avante.
Last words
(Click to show. Warning: May contain spoilers.)
(Click to show. Warning: May contain spoilers.)
(Click to show. Warning: May contain spoilers.)
Disambiguation notice
Publisher's editors
Blurbers
Publisher series
Original language
Book description
facsimile of Venice Biblioteca Nazionale Marciana Codex It. IX,276 (=6902)
Haiku summary

Amazon.com Product Description (ISBN 0451208633, Paperback)


Dante Alighieri's poetic masterpiece, The Divine Comedy, is a moving human drama, an unforgettable visionary journey through the infinite torment of Hell, up the arduous slopes of Purgatory, and on to the glorious realm of Paradise—the sphere of universal harmony and eternal salvation.

10 illustrations


@HolyHaha I have to climb a mountain now? You got to be kidding me. Is this a joke? Who the hell came up with story? VIIIRRRGGGILLLLLLLLLLL!

From Twitterature: The World's Greatest Books in Twenty Tweets or Less

(retrieved from Amazon Thu, 12 Mar 2015 18:20:28 -0400)

(see all 10 descriptions)

"'The Divine Comedy' begins in a shadowed forest on Good Friday in the year 1300. It proceeds on a journey that, in its intense recreation of the depths and the heights of human experience, has become the key with which Western civilization has sought to unlock the mystery of its own identity. Allen Mandelbaum's astonishingly Dantean translation, which captures so much of the life of the original, renders whole for us the masterpiece that genius whom our greatest poets have recognized as a central model for all poets. This Everyman's edition -- containing in one volume all three cantos, 'Inferno,' 'Purgatorio,' and 'Paradiso' -- includes an introduction by Nobel Prize-winning poet Eugenio Montale, a chronology, notes, and a bibliography. Also included are forty-two drawings selected from Botticelli's marvelous late-fifteenth century series of illustrations." ***"An epic poem in which the poet describes his spiritual journey through Hell, Purgatory and Paradise -- guided first by the poet Virgil and then by his beloved Beatrice -- which results in a purification of his religious faith."… (more)

(summary from another edition)

» see all 23 descriptions

Quick Links

Popular covers

Rating

Average: (4.12)
0.5 1
1 14
1.5 3
2 74
2.5 15
3 262
3.5 53
4 525
4.5 56
5 690

Audible.com

6 editions of this book were published by Audible.com.

See editions

Penguin Australia

6 editions of this book were published by Penguin Australia.

Editions: 0140440062, 0140440461, 0142437220, 0140441050, 0140444432, 0140444424

W.W. Norton

An edition of this book was published by W.W. Norton.

» Publisher information page

Ediciones Encuentro

An edition of this book was published by Ediciones Encuentro.

» Publisher information page

Is this you?

Become a LibraryThing Author.

 

You are using the new servers! | About | Privacy/Terms | Help/FAQs | Blog | Store | APIs | TinyCat | Legacy Libraries | Early Reviewers | Common Knowledge | 110,789,929 books! | Top bar: Always visible