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The Subtle Knife by Philip Pullman
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The Subtle Knife (1997)

by Philip Pullman

Other authors: See the other authors section.

Series: His Dark Materials (2)

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English (208)  Spanish (2)  French (2)  Portuguese (Portugal) (1)  German (1)  All languages (214)
Showing 1-5 of 208 (next | show all)
See this review and more on The Moonlight Library!

The Subtle Knife is Book 2 of the His Dark Materials trilogy, and the audiobook is an unabridged version narrated by the author and performed by a full cast. Lyra has left her world and stumbled into a strange, adult-less city called Citagazze, where children run wild in the streets and are haunted by invisible ‘spectres’ – phantasms that feed on one’s soul. Here she meets Will, a fierce, determined young boy who has just killed a man in self-defence. Together, the pair overcome adversities, such as Lyra’s alethiometer being stolen, and Will acquires and learns how to use the Subtle Knife – the sharpest knife in existence, and used to cut windows into other worlds.

The problem with this novel is that it feels like a filler novel. The entire time, even when something interesting was happening, I was always thinking, ‘And when is the real story going to start?’ It always felt like the problems in the novel – Lyra’s alethiometer, Will getting the knife and learning to use it, then the two travelling together and never reaching their destination – needed to be overcome before the novel proper could start. The writing is still superb, and the voice actor playing Will is a brilliant addition to the cast – as is the cast on a whole, the entire thing is beautifully performed – but I was always eager for the ‘real’ story to start.

Will is a fine partner to Lyra – a boy ever fiercer than herself, who’s smart, cautious, and introspective. He’s observant and wary of the world around him. He doesn’t bluster in and hope for the best, or rely on his wits to get himself out of tough situations like Lyra does: Will cautiously considers every prospect and safely chooses the best one, and only when forced will he fight like a devil to win at any cost. Another interesting character introduced in this novel is Mary Malone, a doctor of physics, studying dark matter. Her story was interesting, but it was frustrating that the conclusion was never reached – it will be concluded n the next book, The Amber Spyglass – but the whole novel feels like it was abruptly cut off, with little to no conclusion or even a climax.

So as you can see, I still loved this book even though it frustrates me. Personally I feel that if a reader does not want to invest in the entire series, each novel should be wrapped up to leave it at that particular point – even cliffhangers can work in this way, because the reader can imagine their own next instalment. But nothing is concluded in The Subtle Knife: it’s all a big set up for the massive volume of The Amber Spyglass. However, if you want to read the entire trilogy it’s a very good filler novel. ( )
  MoonlightLibrary | Apr 27, 2013 |
he second book of a fantasy trilogy can be by far the slowest. Surprises about the new world have largely been told. We've met most of the characters, and they've left their world of comfort behind for a more dangerous quest. The third book is the final, ultimate confrontation. But the second is often a kind of travelogue with a few obstacles thrown in to hold our interest while the characters get from here to there.

Not so with The Subtle Knife. While The Golden Compass introduced us to a fascinating alternate world with many imaginative characters, Mr. Pullman's bag of tricks is by no means exhausted. In this second book, we learn there are an infinite number of parallel worlds, including our own. He introduces us to many more creative characters, like the spectral beings that eat people's souls and the various levels of good and bad angels. And all of these are connected by a common thread, though known by different names in each world--the mysterious dust, dark matter etc., the source of what makes us who we are.

In addition to the flawed but charming Lyra, we get a second protagonist, Will, a troubled boy from our own world. Together they go on a more complex quest, during which their relationship is deepened by their shared trials and personal tragedies.

This book is richer in plot than the first, more multi-layered and probably better written.(I'm still not a fan of his omniscient, head hopping style, but he has some beautiful turns of a phrase).

All and all, it's a better book than the first, which tended to be more of a children's fantasy (Gyptians and armored bears and witches, oh my!). It is, however, much darker, moving further from what anyone would call a children's book. Yes, it can be read on multiple levels, but The Wizard of OZ, it ain't.

It's difficult to review this trilogy without commenting on the often discussed controversy about Mr. Pullman's anti-religious views. I was led to expect the opposite of C.S. Lewis' Space trilogy (Out of the Silent Planet, Peralandra, That Hideous Strength), which devolved from a darn good space travel story to an outright religious diatribe. I keep looking for that aspect to rear its ugly head. Though I take no position on his point of view, I'm deeply offended by a writer who is so self-righteous that he spoils a good story by sticking a soap box smack in the middle, climbing upon it and preaching. I have to say there was no sign of this in The Subtle Knife.

The Subtle Knife is an ambitious, imaginative and refreshingly original story that I thoroughly enjoyed. ( )
  dlitwack | Apr 24, 2013 |
I liked this less than the first book, but I still thought it was brilliant. ( )
  shanaqui | Apr 9, 2013 |
Second time is not the charm, I guess. I like the story, but not as much. I like the writing, but I find myself impatient for it to be over. I hate when this happens. ( )
  satyridae | Apr 5, 2013 |
The audiobook was fantastic - same as The Golden Compass, Philip Pullman narrates with a full voice cast. ( )
  JennyArch | Apr 3, 2013 |
Showing 1-5 of 208 (next | show all)
J. R. R. Tolkien, the granddaddy of modern high fantasy, asserted that the best fantasy writing is marked by ''arresting strangeness.'' Philip Pullman measures up; his work is devilishly inventive. His worlds teem with angels, witches, humans, animal familiars, talking bears and Specters, creatures resembling deadly airborne jellyfish... Put Philip Pullman on the shelf with Ursula K. Le Guin, Susan Cooper, Lloyd Alexander, at least until we get to see Volume 3.
 

» Add other authors (18 possible)

Author nameRoleType of authorWork?Status
Philip Pullmanprimary authorall editionsconfirmed
Bützow, HeleneTranslatorsecondary authorsome editionsconfirmed
Nielsen, CliffCover artistsecondary authorsome editionsconfirmed
Peterson, EricCover artistsecondary authorsome editionsconfirmed
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Will tugged at his mother's hand and said, "Come on, come on..."
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(Click to show. Warning: May contain spoilers.)
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AR 6.2, Pts 16.0
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Amazon.com Amazon.com Review (ISBN 0440238145, Mass Market Paperback)

With The Golden Compass Philip Pullman garnered every accolade under the sun. Critics lobbed around such superlatives as "elegant," "awe-inspiring," "grand," and "glittering," and used "magnificent" with gay abandon. Each reader had a favorite chapter--or, more likely, several--from the opening tour de force to Lyra's close call at Bolvangar to the great armored-bear battle. And Pullman was no less profligate when it came to intellectual firepower or singular characters. The dæmons alone grant him a place in world literature. Could the second installment of his trilogy keep up this pitch, or had his heroine and her too, too sullied parents consumed him? And what of the belief system that pervaded his alternate universe, not to mention the mystery of Dust? More revelations and an equal number of wonders and new players were definitely in order.

The Subtle Knife offers everything we could have wished for, and more. For a start, there's a young hero--from our world--who is a match for Lyra Silvertongue and whose destiny is every bit as shattering. Like Lyra, Will Parry has spent his childhood playing games. Unlike hers, though, his have been deadly serious. This 12-year-old long ago learned the art of invisibility: if he could erase himself, no one would discover his mother's increasing instability and separate them.

As the novel opens, Will's enemies will do anything for information about his missing father, a soldier and Arctic explorer who has been very much airbrushed from the official picture. Now Will must get his mother into safe seclusion and make his way toward Oxford, which may hold the key to John Parry's disappearance. But en route and on the lam from both the police and his family's tormentors, he comes upon a cat with more than a mouse on her mind: "She reached out a paw to pat something in the air in front of her, something quite invisible to Will." What seems to him a patch of everyday Oxford conceals far more: "The cat stepped forward and vanished." Will, too, scrambles through and into another oddly deserted landscape--one in which children rule and adults (and felines) are very much at risk. Here in this deathly silent city by the sea, he will soon have a dustup with a fierce, flinty little girl: "Her expression was a mixture of the very young--when she first tasted the cola--and a kind of deep, sad wariness." Soon Will and Lyra (and, of course, her dæmon, Pantalaimon) uneasily embark on a great adventure and head into greater tragedy.

As Pullman moves between his young warriors and the witch Serafina Pekkala, the magnetic, ever-manipulative Mrs. Coulter, and Lee Scoresby and his hare dæmon, Hester, there are clear signs of approaching war and earthly chaos. There are new faces as well. The author introduces Oxford dark-matter researcher Mary Malone; the Latvian witch queen Ruta Skadi, who "had trafficked with spirits, and it showed"; Stanislaus Grumman, a shaman in search of a weapon crucial to the cause of Lord Asriel, Lyra's father; and a serpentine old man whom Lyra and Pan can't quite place. Also on hand are the Specters, beings that make cliff-ghasts look like rank amateurs.

Throughout, Pullman is in absolute control of his several worlds, his plot and pace equal to his inspiration. Any number of astonishing scenes--small- and large-scale--will have readers on edge, and many are cause for tears. "You think things have to be possible," Will demands. "Things have to be true!" It is Philip Pullman's gift to turn what quotidian minds would term the impossible into a reality that is both heartbreaking and beautiful. --Kerry Fried

(retrieved from Amazon Wed, 02 Jan 2013 09:30:34 -0500)

(see all 8 descriptions)

His dark materials, Book 2 Summary: As the boundaries between worlds begin to dissolve, Lyra and her daemon help Will Parry in his search for his father and for a powerful, magical knife.

» see all 17 descriptions

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