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Odd Thomas by Dean Koontz
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Odd Thomas (2003)

by Dean Koontz

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Showing 1-5 of 116 (next | show all)
Did not finish. ( )
  lesmel | May 18, 2013 |
This book was a great diversion to my crazy life. I love Odd Thomas. He seems so normal but he has extranormal powers. Will definitely keep reading this series. ( )
  earthwindwalker | Apr 10, 2013 |
I was very disappointed in this book. I had heard a lot of good things about it from friends and family and the idea of the book sounded intriguing. Unfortunately, things just did not come together in a way that held my interest.

I liked Odd and Stormy and really the entire cast of characters. I loved that they were all a little (or a lot) quirky and had distinct personalities. I liked the paranormal aspect of the book as well.

What I did not like was the pacing. This book has some short scenes of action or at least plot progress followed by some very looooong scenes of nothing happening. I was so bored in some parts that I had to really force myself to keep going. If I did not need this book for a challenge I would have abandoned it. ( )
  CherieReads | Apr 3, 2013 |
I haven't read Dean Koontz in years, and remembered him simply as "That dude whose books I read while I was waiting for something new from Stephen King," a comparison which left Koontz in an unfavorable position.

What? I like King, sue me. Say what you will about him, the man writes, like, a billion words a day and has more money than you or I ever will. The modern attitude that popular = crap is stupid, get over yourselves, you pretentious hipsters.

Anyway, Koontz was always that wannabe, that second stringer who occupied my time between new, better novels. He appealed to my teenage girl tastes in fiction, that is to say, overwrought and dramatic and, yes, scary.

Odd Thomas, though, isn't... well, it's not perfect, Odd gets a bit overwrought and pretentious and dramatic himself at times, but his story is good and Koontz writes him writing himself well. I've seen some reviews complaining that Odd sounds like an old man trying to write like a young man and no 20 year old would talk like that. I say to those reviewers, "Do you actually know many 20 year olds?" Raised on a diet of Joss Whedon and internet memes, actually, 20 year olds do talk a lot like that. Odd's actual dialogue in the book was much less overblown and allusory than his after-the-fact narration. The story was good, and would have been better if I hadn't been inadvertently spoiled by a jerkwad Goodreads reviewer who didn't warn for spoilers and put the identity of the villains in the top of his/her review.

Regarding the audiobook: Baker did a fantastic job. No ridiculous breathy drag queen voices for the female characters, just a slightly lighter inflection to let us know the character had changed. When he changed character voices, it felt like a new character had begun speaking, not like an embarrassing vaudeville act had taken over the studio. He did a good job of making Odd sound young, and tired, and resigned.

I'm torn over the stars, which means it should get 3.5 but of course Goodreads doesn't have half-stars, what on EARTH were they thinking? ( )
  blitheandbonny | Apr 3, 2013 |
I haven't read Dean Koontz in years, and remembered him simply as "That dude whose books I read while I was waiting for something new from Stephen King," a comparison which left Koontz in an unfavorable position.

What? I like King, sue me. Say what you will about him, the man writes, like, a billion words a day and has more money than you or I ever will. The modern attitude that popular = crap is stupid, get over yourselves, you pretentious hipsters.

Anyway, Koontz was always that wannabe, that second stringer who occupied my time between new, better novels. He appealed to my teenage girl tastes in fiction, that is to say, overwrought and dramatic and, yes, scary.

Odd Thomas, though, isn't... well, it's not perfect, Odd gets a bit overwrought and pretentious and dramatic himself at times, but his story is good and Koontz writes him writing himself well. I've seen some reviews complaining that Odd sounds like an old man trying to write like a young man and no 20 year old would talk like that. I say to those reviewers, "Do you actually know many 20 year olds?" Raised on a diet of Joss Whedon and internet memes, actually, 20 year olds do talk a lot like that. Odd's actual dialogue in the book was much less overblown and allusory than his after-the-fact narration. The story was good, and would have been better if I hadn't been inadvertently spoiled by a jerkwad Goodreads reviewer who didn't warn for spoilers and put the identity of the villains in the top of his/her review.

Regarding the audiobook: Baker did a fantastic job. No ridiculous breathy drag queen voices for the female characters, just a slightly lighter inflection to let us know the character had changed. When he changed character voices, it felt like a new character had begun speaking, not like an embarrassing vaudeville act had taken over the studio. He did a good job of making Odd sound young, and tired, and resigned.

I'm torn over the stars, which means it should get 3.5 but of course Goodreads doesn't have half-stars, what on EARTH were they thinking? ( )
  blitheandbonny | Apr 3, 2013 |
Showing 1-5 of 116 (next | show all)
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Series (with order)
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Important events
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Epigraph
Hope requires the contender
Who sees no virtue in surrender.
From the cradle to the bier,
The heart must persevere.
Dedication
To the Old Girls: Mary Crowe, Gerda Koontz, Vicky Page, and Jana Prais. We'll get together. We'll nosh. We'll tipple. We'll dish, dish, dish.
First words
My name is Odd Thomas, though in this age when fame is the altar at which most people worship, I am not sure why you should care who I am or that I exist.
Quotations
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Amazon.com Product Description (ISBN 0553384287, Paperback)

“The dead don't talk. I don't know why.” But they do try to communicate, with a short-order cook in a small desert town serving as their reluctant confidant. Odd Thomas thinks of himself as an ordinary guy, if possessed of a certain measure of talent at the Pico Mundo Grill and rapturously in love with the most beautiful girl in the world, Stormy Llewellyn. Maybe he has a gift, maybe it’s a curse, Odd has never been sure, but he tries to do his best by the silent souls who seek him out. Sometimes they want justice, and Odd’s otherworldly tips to Pico Mundo's sympathetic police chief, Wyatt Porter, can solve a crime. Occasionally they can prevent one. But this time it's different.

A mysterious man comes to town with a voracious appetite, a filing cabinet stuffed with information on the world's worst killers, and a pack of hyena-like shades following him wherever he goes. Who the man is and what he wants, not even Odd’s deceased informants can tell him. His most ominous clue is a page ripped from a day-by-day calendar for August 15.

Today is August 14.

In less than twenty-four hours, Pico Mundo will awaken to a day of catastrophe. As evil coils under the searing desert sun, Odd travels through the shifting prisms of his world, struggling to avert a looming cataclysm with the aid of his soul mate and an unlikely community of allies that includes the King of Rock 'n' Roll. His account of two shattering days when past and present, fate and destiny converge is the stuff of our worst nightmares—and a testament by which to live: sanely if not safely, with courage, humor, and a full heart that even in the darkness must persevere.

(retrieved from Amazon Wed, 02 Jan 2013 19:22:25 -0500)

(see all 4 descriptions)

Dead people try to communicate with a short-order cook, who serves as a small desert town's reluctant confidant. Odd Thomas thinks of himself as an ordinary guy with a certain measure of talent at the Pico Mundo Grill, and he is rapturously in love with the most beautiful girl in the world, Stormy Llewellyn.… (more)

» see all 9 descriptions

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